Congonhas Domestic Airport
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Congonhas Domestic Airport
Congonhas (Congonhas do Campo until 1948) is a historical Brazilian city located in the state of Minas Gerais. It is situated south from Belo Horizonte, the capital of state of Minas Gerais, by the highway BR-040. As of 2020, the city had a population of 55,309. It is a well preserved historic city and retains the characteristics of a baroque city, with its churches, buildings and museums. Other historical cities in Minas Gerais are Ouro Preto, São João del-Rei, Diamantina, Mariana, Tiradentes and Sabará. Sanctuary of Bom Jesus de Matosinhos The city is known for its basilica - the , commissioned by Portuguese adventurer and miner Feliciano Mendes in 1757 and completed in 1775. In the ramped forecourt of the basilica are twelve soapstone sculptures depicting Twelve Prophets, crafted by Aleijadinho, one of the best artists in the baroque style in the world. The twelve sculptures of old testament prophets around the terrace are considered one of his finest works. ...
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Municipalities Of Brazil
The municipalities of Brazil ( pt, municípios do Brasil) are administrative divisions of the states of Brazil, Brazilian states. Brazil currently has 5,570 municipalities, which, given the 2019 population estimate of 210,147,125, makes an average municipality population of 37,728 inhabitants. The average state in Brazil has 214 municipalities. Roraima is the least subdivided state, with 15 municipalities, while Minas Gerais is the most subdivided state, with 853. The Federal District (Brazil), Federal District cannot be divided into Municipality, municipalities, which is why its territory is composed of several Administrative regions of the Federal District (Brazil), administrative regions. These regions are directly managed by the government of the Federal District, which exercises constitutional and legal powers that are equivalent to those of the Federated state, states, as well as those of the Municipality, municipalities, thus simultaneously assuming all the obligations a ...
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São João Del-Rei
São João del-Rei, also spelled São João del Rey or São João del Rei, is a Brazilian municipality in the state of Minas Gerais. Founded in 1713 in homage to King John V of Portugal, the city is famed for its historic Portuguese colonial architecture. The current population is estimated at 90,497 inhabitants. Other historical cities in Minas Gerais are Ouro Preto, Diamantina, Mariana, Tiradentes, Congonhas and Sabará. Geography It is located in the drainage basin of the Rio Grande and its terrain is located in the Mantiqueira mountains. It is a centre for the cities in the south and southeast of Minas Gerais. The municipality contains part of the Ritápolis National Forest. According to the modern (2017) geographic classification by Brazil's National Institute of Geography and Statistics (IBGE), the municipality belongs to the Immediate Geographic Region of São João del-Rei, in the Intermediate Geographic Region of Barbacena. History The city was founded by the ban ...
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World Heritage Site
A World Heritage Site is a landmark or area with legal protection by an international convention administered by the United Nations Educational, Scientific and Cultural Organization (UNESCO). World Heritage Sites are designated by UNESCO for having cultural, historical, scientific or other form of significance. The sites are judged to contain " cultural and natural heritage around the world considered to be of outstanding value to humanity". To be selected, a World Heritage Site must be a somehow unique landmark which is geographically and historically identifiable and has special cultural or physical significance. For example, World Heritage Sites might be ancient ruins or historical structures, buildings, cities, deserts, forests, islands, lakes, monuments, mountains, or wilderness areas. A World Heritage Site may signify a remarkable accomplishment of humanity, and serve as evidence of our intellectual history on the planet, or it might be a place of great natural beauty. A ...
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Stations Of The Cross
The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, refers to a series of images depicting Jesus Christ on the day of Crucifixion of Jesus, his crucifixion and accompanying prayers. The stations grew out of imitations of the Via Dolorosa in Jerusalem, which is a traditional processional route symbolising the actual path Jesus walked to Mount Calvary. The objective of the stations is to help the Christian faithful to make a spiritual Christian pilgrimage, pilgrimage through contemplation of the Passion (Christianity), Passion of Christ. It has become one of the most popular devotions and the stations can be found in many Western Christianity, Western Christian churches, including those in the Catholic Church, Roman Catholic, Lutheran, Anglican, and Methodist traditions. Commonly, a series of 14 images will be arranged in numbered order along a path, along which worshippers—individually or in a procession—move in order, stoppi ...
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Twelve Prophets Of Aleijadinho
The ''Twelve Prophets'' are a set of soapstone sculptures completed between 1800 and 1805 by the artist Antônio Francisco Lisboa, commonly known as Aleijadinho. The sculptures are located in the Brazilian municipality of Congonhas, where they adorn the forecourt of the . These sculptures, along with the basilica, were given World Heritage Site status by UNESCO in 1985 because of their extraordinary contribution to Baroque art. The Twelve Prophets Each sculpture in the series commemorates a prophet of the Hebrew Bible. The twelve sculptures do not correspond to the Twelve Minor Prophets, but include some of the Major Prophets and prophets whose works are part of the Old Testament deuterocanon. Each figure holds a scroll with a text, in Latin, from their biblical writings. ''Amazing spirit and power emanates from the heroic figures of the twelve prophets. ...Highly theatrical, the figures show individuality and inner greatness, held fast by the massiveness of their material - ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Aleijadinho
Antônio Francisco Lisboa ( or 1738 – 18 November 1814), better known as Aleijadinho (), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil. Little is known with certainty about his biography, which remains shrouded in legend and controversy to this day, making the research work on his life very arduous. The main documentary source on Aleijadinho is a biographical note written only about forty years after his death. His trajectory is reconstructed mainly through the works he left behind, although even in this context his contribution is controversial, since the attribution of authorship for most of the more than four hundred creations that exist today associated with his name was made without any documentary evidence, based only on stylistic similarity with documented pieces. All of his work, including carvings, architectural projects, reliefs and statuary, was carried out in Minas Gerais, especially in the cities of ...
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Soapstone
Soapstone (also known as steatite or soaprock) is a talc-schist, which is a type of metamorphic rock. It is composed largely of the magnesium rich mineral talc. It is produced by dynamothermal metamorphism and metasomatism, which occur in the zones where tectonic plates are subducted, changing rocks by heat and pressure, with influx of fluids, but without melting. It has been a medium for carving for thousands of years. Terminology The definitions of the terms "steatite" and "soapstone" vary with the field of study. In geology, steatite is a rock that is to a very large extent composed of talc. The mining industry will define steatite as a high-purity talc rock that is suitable for manufacturing of, for example, insulators, the lesser grades of the mineral can be called simply "talc rock". Steatite can be used both in lumps ("block steatite", "lava steatite", "lava grade talc"), and in the ground form. While the geologists logically will use "steatite" to designate both forms, ...
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Courtyard
A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky. Courtyards are common elements in both Western and Eastern building patterns and have been used by both ancient and contemporary architects as a typical and traditional building feature. Such spaces in inns and public buildings were often the primary meeting places for some purposes, leading to the other meanings of court. Both of the words ''court'' and ''yard'' derive from the same root, meaning an enclosed space. See yard and garden for the relation of this set of words. In universities courtyards are often known as quadrangles. Historic use Courtyards—private open spaces surrounded by walls or buildings—have been in use in residential architecture for almost as long as people have lived in constructed dwellings. The courtyard house makes its first appearance ca. 6400–6000 BC (calibrated), in the Neolithic Yarmukian site at Sha'ar HaGolan, in ...
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Santuário Do Bom Jesus De Matosinhos
The Sanctuary of Bom Jesus de Matosinhos ( pt, Santuário do Bom Jesus de Matosinhos) is an 18th-century Roman Catholic basilica in Congonhas, Minas Gerais, Brazil. It was designed in the Baroque style with an Italian-inspired Rococo interior. The basilica is noted for its grand outdoor stairway with statues of Old Testament prophets. The interior has seven side chapels which illustrate the Stations of the Cross; each has a polychrome sculpture made by the artist Aleijadinho (b. 1730 or 1738 – 1814) and his assistants. They are considered masterpieces of an original, moving, and expressive form of Baroque art. The basilica was listed as a historic structure by the National Institute of Historic and Artistic Heritage (IPHAN) in 1939, and designated at It is a UNESCO World Heritage Site in 1985. Location The sanctuary is located on top of the Morro do Maranhão, a bluff that is part of the Serra do Ouro Branco. It is approached by steep, cobbled streets of the historic center ...
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Basilica
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences an ...
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Sabará
Sabará is a Brazilian municipality located in the state of Minas Gerais. The city belongs to Greater Belo Horizonte, the Belo Horizonte metropolitan region and to the associated microregion. It is a well preserved historic city and retains the characteristics of a baroque architecture, baroque city, with its Church (building), churches, buildings and museums. Other historical cities in Minas Gerais are Ouro Preto, São João del-Rei, Diamantina, Minas Gerais, Diamantina, Mariana, Minas Gerais, Mariana, Tiradentes, Minas Gerais, Tiradentes and Congonhas. Historic structures Sabará is home to numerous colonial-period historic structures, many designated as Brazilian national monuments by the National Institute of Historic and Artistic Heritage (IPHAN); others are designated as state monuments or recognized as Portuguese-era monuments as Heritage of Portuguese Influence by Calouste Gulbenkian Foundation. * Hospice of the Holy Land and Chapel of Our Lady of Pilar (''Hospício ...
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