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Confusion (album)
''Confusion'' is a 1975 album by Nigerian Afrobeat musician Fela Kuti and his Africa 70 band. It was arranged, composed, and produced by Kuti, who recorded the album after choosing to emphasize his African heritage and nationalism in his music. ''Confusion'' is a commentary on the confused state of post-colonial Lagos and its lack of infrastructure and proper leadership at the time. Kuti's pidgin English lyrics depict difficult conditions in the city, including a frenetic, multilingual trading market and inextricable traffic jams in Lagos' major intersections. ''Confusion'' is a one-song Afrobeat album that begins with an entirely instrumental first half, which features free form interplay between Kuti's electric piano and drummer Tony Allen. It leads to an extended mid-tempo section with Allen's polyrhythms and tenor saxophone by Kuti, who subsequently delivers call-and-response vocal passages. In reviews since the record's release by EMI, the album was praised by music crit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fela Kuti
Fela Aníkúlápó Kuti (born Olufela Olusegun Oludotun Ransome-Kuti; 15 October 1938 – 2 August 1997), also known as Abami Eda, was a Nigerian musician, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the pioneer of Afrobeat, a Nigerian music genre that combines West African music with American funk and jazz. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers". AllMusic described him as a musical and sociopolitical voice of international significance. Kuti was the son of Nigerian women's rights activist Funmilayo Ransome-Kuti. After early experiences abroad, he and his band Africa 70 (featuring drummer and musical director Tony Allen) shot to stardom in Nigeria during the 1970s, during which he was an outspoken critic and target of Nigeria's military juntas. In 1970, he founded the Kalakuta Republic commune, which declared itself independent from military rule. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reissue
In the music industry, a reissue (also re-release, repackage or re-edition) is the release of an album or Single (music), single which has been released at least once before, sometimes with alterations or additions. Reasons for reissue New audio formats Recordings originally released in an audio format that has become technologically or commercially obsolete are reissued in new formats. For example, thousands of original vinyl record, vinyl albums have been reissued on Red Book (audio CD standard), CDs since introduction of that format in the early 1980s. With the introduction of the LP record in 1948, some collections of 78 rpm records were reissued on LP. More recently, many albums originally released on CD or earlier formats have been reissued on Super Audio CD, SACD, DVD-Audio, digital music downloads, and on streaming media, music streaming services. Budget records Beginning with Pickwick Records, which acquired the rights to reissue many of Capitol Records' non-current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Culture
Leonardo da Vinci's ''Vitruvian Man''. Based on the correlations of ideal Body proportions">human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise ''De architectura''. image:Plato Pio-Clemetino Inv305.jpg, upPlato, arguably the most influential figure in all of Western philosophy and has influenced virtually all of subsequent Western and Middle Eastern philosophy and theology. Western culture, also known as Western civilization, Occidental culture, or Western society, is the Cultural heritage, heritage of social norms, ethical values, traditional customs, belief systems, political systems, artifacts and technologies of the Western world. The term applies beyond Europe to countries and cultures whose histories are strongly connected to Europe by immigration, colonization or influence. Western culture is most strongly influenced by Greco-Roman culture, Germanic culture, and Christian culture. The expansion of Greek cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postcolonialism
Postcolonialism is the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. More specifically, it is a critical theory analysis of the history, culture, literature, and discourse of (usually European) imperial power. Postcolonialism encompasses a wide variety of approaches, and theoreticians may not always agree on a common set of definitions. On a simple level, through anthropological study, it may seek to build a better understanding of colonial life—based on the assumption that the colonial rulers are unreliable narrators—from the point of view of the colonized people. On a deeper level, postcolonialism examines the social and political power relationships that sustain colonialism and neocolonialism, including the social, political and cultural narratives surrounding the colonizer and the colonized. This approach may overlap with stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eldridge Cleaver
Leroy Eldridge Cleaver (August 31, 1935 – May 1, 1998) was an American writer and political activist who became an early leader of the Black Panther Party. In 1968, Cleaver wrote '' Soul on Ice'', a collection of essays that, at the time of its publication, was praised by ''The New York Times Book Review'' as "brilliant and revealing". Cleaver stated in ''Soul on Ice'': "If a man like Malcolm X could change and repudiate racism, if I myself and other former Muslims can change, if young whites can change, then there is hope for America.", p. 106. Cleaver went on to become a prominent member of the Black Panthers, having the titles Minister of Information and Head of the International Section of the Panthers, while a fugitive from the United States criminal justice system in Cuba and Algeria. Cleaver was convicted of a series of crimes including burglary, assault, rape, and attempted murder and eventually served time in Folsom and San Quentin prisons until being released on par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm X
Malcolm X (born Malcolm Little, later Malik el-Shabazz; May 19, 1925 – February 21, 1965) was an American Muslim minister and human rights activist who was a prominent figure during the civil rights movement. A spokesman for the Nation of Islam until 1964, he was a vocal advocate for Black empowerment and the promotion of Islam within the Black community. A posthumous autobiography, on which he collaborated with Alex Haley, was published in 1965. Malcolm spent his adolescence living in a series of foster homes or with relatives after his father's death and his mother's hospitalization. He committed various crimes, being sentenced to 10 years in prison in 1946 for larceny and burglary. In prison he joined the Nation of Islam (adopting the name MalcolmX to symbolize his unknown African ancestral surname while discarding "the White slavemaster name of 'Little'"), and after his parole in 1952 quickly became one of the organization's most influential leaders. He was the public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrocentrism
Afrocentrism is an approach to the study of world history that focuses on the history of people of recent African descent. It is in some respects a response to Eurocentric attitudes about African people and their historical contributions. It seeks to counter what it sees as mistakes and ideas perpetuated by the racist philosophical underpinnings of Western academic disciplines as they developed during and since Europe's Early Renaissance as justifying rationales for the enslavement of other peoples, in order to enable more accurate accounts of not only African but all people's contributions to world history. Afrocentricity deals primarily with self-determination and African agency and is a Pan-African point of view for the study of culture, philosophy, and history. Gates, Henry Louis, and Kwame Anthony Appiah (eds), '' Africana: The Encyclopedia of the African and African-American'' Volume 1, p. 111, Oxford University Press. 2005. Afrocentrism is a scholarly movement that see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Nationalism
Black nationalism is a type of racial nationalism or pan-nationalism which espouses the belief that black people are a race, and which seeks to develop and maintain a black racial and national identity. Black nationalist activism revolves around the social, political, and economic empowerment of black communities and people, especially to resist their assimilation into white culture (through integration or otherwise), and maintain a distinct black identity. Black nationalists often promote black separatism, which posits that black people should form territorially separate nation-states. Without achieving this goal, some black separatists employ a "nation within a nation" approach, advocating for various degrees of localized separation. Pan-African black nationalists variously advocate for continental African unity (aiming to eventually transition away from racial nationalism) or cultural unity among the African diaspora, which entails either a return to Africa or a sustaine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sub-Saharan African Music Traditions
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression. African dances are largely participatory: there are traditionally no barriers between dancers and onlookers except with regard to spiritual, religious and initiation dances. Even ritual dances often have a time when spectators participate. Dances help people work, mature, praise or criticize members of the community, celebrate festivals and funerals, compete, recite history, proverbs and poetry and encounter gods. They inculcate social patterns and values. Many dances are performed by only males or females. Dances are often segregated by gender, reinforcing g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highlife
Highlife is a music genre that started in present-day Ghana in the 19th century, during its Gold Coast (British colony), history as a colony of the British Empire and through its trade routes in coastal areas. It describes multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional Akan people, Akan music, Kpanlogo Music of the Ga people, but is typically played with Western instruments. Highlife is characterized by jazzy Horn section, horns and multiple guitars which lead the band and its use of the two-finger plucking Guitar picking, guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. Highlife gained popularity in the genre "Native Blues" prior to World War II before production was shut down. After the war its popularity came back within the Igbo people of Nigeria, taking their own traditional guitar riffs and the influence of the Ghanaian highlife performi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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