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Concerto Amsterdam
Concerto Amsterdam was a classical chamber ensemble based in the Netherlands and active during the 1960s and 70s in both live performance and the recording studio. It was founded in 1960 by the Dutch violinist Jaap Schröder with most of its members drawn from Amsterdam's Royal Concertgebouw Orchestra. In addition to Schröder who served as the ensemble's concert master until 1973, its soloists have included keyboardist Gustav Leonhardt, violist Joke Vermeulen, flautist Frans Brüggen, and cellist Anner Bylsma.Lang, Paul Henry (July 1965)"Record Review: Telemann ''Musique de Table''" ''The Musical Quarterly'', Vol. 51, No. 3, pp. 580-585. Retrieved 28 September 2015 . Concerto Amsterdam's musicians originally played on modern instruments using " historically informed" performance techniques. However, in the late 1960s the ensemble transitioned to performing on "period" instruments. The mainstay of their repertoire was music from the Baroque and early Classical periods, but they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands
) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherlands , established_title2 = Act of Abjuration , established_date2 = 26 July 1581 , established_title3 = Peace of Münster , established_date3 = 30 January 1648 , established_title4 = Kingdom established , established_date4 = 16 March 1815 , established_title5 = Liberation Day (Netherlands), Liberation Day , established_date5 = 5 May 1945 , established_title6 = Charter for the Kingdom of the Netherlands, Kingdom Charter , established_date6 = 15 December 1954 , established_title7 = Dissolution of the Netherlands Antilles, Caribbean reorganisation , established_date7 = 10 October 2010 , official_languages = Dutch language, Dutch , languages_type = Regional languages , languages_sub = yes , languages = , languages2_type = Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Danzi
Franz Ignaz Danzi (15 June 1763 – 13 April 1826) was a German cellist, composer and conductor, the son of the Italian cellist Innocenz Danzi (1730–1798) and brother of the noted singer Franzeska Danzi. Danzi lived at a significant time in the history of European music. His career, spanning the transition from the late Classical to the early Romantic styles, coincided with the origin of much of the music that lives in our concert halls and is familiar to contemporary classical-music audiences. As a young man he knew Wolfgang Amadeus Mozart, whom he revered; he was a contemporary of Ludwig van Beethoven, about whom he — like many of his generation — had strong but mixed feelings; and he was a mentor for the young Carl Maria von Weber, whose music he respected and promoted. Life and career Born in Schwetzingen and raised in Mannheim, Danzi studied with his father and with Georg Joseph Vogler before he joined the superlative orchestra of the Elector Karl Theodor in 1778 as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warner Classics
Warner Classics is the classical music arm of Warner Music Group. The label began issuing new recordings under the Warner Classics banner in 1991. The company also includes the Erato Records, Teldec Records and NVC Arts labels. Based in France, Warner Classics also distributes the Lontano and Finlandia labels. History What was then known as Warner Bros.-Seven Arts, which owned Warner Bros. Records and Atlantic Records, acquired Elektra Records in 1969 which included Elektra's Nonesuch Records classical music label. This led to the formation of WEA, the forerunner of Warner Music Group. Nonesuch is now part of Warner Records. WEA acquired Teldec Records in 1988. Warner Classics was formed in 1991. The renamed Warner Music Group acquired Erato Records in 1992. Warner acquired the classical video company NVC in 1994. The label developed a larger profile in 2013 when it absorbed EMI Classics (including Pye Records' classical music catalogue) with that label's output absorbed into t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the '' Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle '' Das Marienleben'' (1923), '' Der Schwanendreher'' for viola and orchestra (1935), the opera '' Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laß, Fürstin, Laß Noch Einen Strahl, BWV 198
''Laß, Fürstin, laß noch einen Strahl'' (Let, Princess, let still one more glance) is a secular cantata composed as a funeral ode by Johann Sebastian Bach, first performed on 17 October 1727. In Wolfgang Schmieder's catalogue of Bach's works (BWV) it was assigned the number 198. It is also known as ' or as '. History and text Bach wrote several works for celebrations of the Leipzig University, ''Festmusiken zu Leipziger Universitätsfeiern''. He composed this cantata at the request of the university as a funeral ode for Christiane Eberhardine, wife of August II the Strong, the Elector of Saxony and King of Poland. The cantata was first performed on 17 October 1727 in the University Church in Leipzig. Bach himself directed from the harpsichord. The text was written by Johann Christoph Gottsched, professor of philosophy and poetry. The text is purely secular, proclaiming how the kingdom is in shock over the princess' death, how magnificent she was, and how sadly she will ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnes Giebel
Agnes Giebel (10 August 1921 – 24 April 2017) was a German classical soprano. She was born in Heerlen, in the Netherlands, where she lived the first years of her life. She studied at the Folkwangschule in Essen and made her first public appearance as a singer in 1947. Her career lasted until the 1990s during which she established a wide-ranging discography. Giebel's repertoire consisted predominantly of sacred works of music such as cantatas, oratorios, passions, and masses and was considered to be one of the greatest Bach singers of her generation. As an interpreter of lieder she often performed with the pianist Sebastian Peschko. She was also known for her performance in Beethoven's Ninth Symphony under the direction of Otto Klemperer. Giebel lived in Cologne. Her daughter, Kristina Kanders, and her granddaughter, Julia Giebel, are also musicians. For the Alois Kottmann Award she was member of the jury panel along composer Richard Rudolf Klein, the violinists Alois K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weichet Nur, Betrübte Schatten, BWV 202
''Weichet nur, betrübte Schatten'' (Dissipate, you troublesome shadows), BWV202, is a secular cantata by Johann Sebastian Bach. It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen. It is one of Bach's frequently recorded cantatas. The aria "Sich üben im Lieben" ("To practice sweet courtship, to joyously cuddle" or "To cultivate love") is often performed as a concert piece. History and text The cantata music survives only in a copy from the 1730s, which features a surprising style used by Bach only until around 1714. The librettist is not known with certainty, but Harald Streck suspects Salomon Franck, the Weimar court poet. Joshua Rifkin also argues for a Weimar date, rather than the more commonly assigned Köthen period, based on stylistic elements such as the short recitatives endi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jauchzet Gott In Allen Landen, BWV 51
Johann Sebastian Bach composed the church cantata ("Exult in God in every land" or "Shout for joy to God in all lands") 51, in Leipzig. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use (''ogni tempo)'', in other words not for a particular date in the church calendar, although he used it for the 15th Sunday after Trinity: the first known performance was on 17 September 1730 in Leipzig. The work may have been composed earlier, possibly for an occasion at the court of Christian, Duke of Saxe-Weissenfels, for whom Bach had composed the ''Hunting Cantata'' and the '' Shepherd Cantata''. The text was written by an unknown poet who took inspiration from various biblical books, especially from psalms, and included as a closing chorale a stanza from the hymn "Nun lob, mein Seel, den Herren". Bach structured the work in five movements, with the solo voice accompanied by a Baroque instrumental ensemble of a virtuoso trumpet, stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jauchzet Gott In Allen Landen
Johann Sebastian Bach composed the church cantata ("Exult in God in every land" or "Shout for joy to God in all lands") 51, in Leipzig. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use (''ogni tempo)'', in other words not for a particular date in the church calendar, although he used it for the 15th Sunday after Trinity: the first known performance was on 17 September 1730 in Leipzig. The work may have been composed earlier, possibly for an occasion at the court of Christian, Duke of Saxe-Weissenfels, for whom Bach had composed the ''Hunting Cantata'' and the '' Shepherd Cantata''. The text was written by an unknown poet who took inspiration from various biblical books, especially from psalms, and included as a closing chorale a stanza from the hymn "Nun lob, mein Seel, den Herren". Bach structured the work in five movements, with the solo voice accompanied by a Baroque instrumental ensemble of a virtuoso trumpet, stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boccherini
Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and ''galante'' style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 ( G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini's output also includes several guitar quintets. The final movement of the Guitar Quintet No. 4 in D (G 448) is a fandango, a lively Spanish dance. Biography Boccherini was born into a musical family in Lucca, Italy in 1743. He was the third child of Leopoldo Boccherini, a cellist and double-bass player, and the brother of Giovanni Gastone Boccherini, a poet and dancer who wrote librettos for Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tafelmusik
Tafelmusik (German: literally, "table-music") is a term used since the mid-16th century for music played at feasts and banquets. Table music could be either instrumental, vocal, or both. As might be expected, it was often of a somewhat lighter character than music for other occasions. In solemn banquets, starting with wedding dinners, the presence of singers and instrumentalists is customary and almost obligatory. Origin The custom of accompanying banquets and symposia with music has been attested by ancient Egyptian, Hebrew, Greek and the Romans in Roman temples. The term was often used as a title for collections of music, some of which were intended to be used at banquets as a musical background, or during outdoor events. The tradition lasts in the Middle Ages and takes on new vigor in the 15th century. The short compositions of Gioachino Rossini, a composer who also gained fame as a gourmet, titles "antipasto" and "dessert" are recognized as related to "table music". Practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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