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Conception (song)
"Conception" is a 1950 jazz standard written by George Shearing in the bebop style. The composition is in the key of Db and is noticeable for its chromatic descending chord sequences. The original score was adapted by Miles Davis in 1950, who created an arrangement that kept Shearing's chord changes and main theme, but replaced the composition's bridge and ending with new melodic material. This arrangement is documented on a February 1950 broadcast recording in New York City featuring Stan Getz, J.J. Johnson, and Art Blakey. Davis recorded this same arrangement in October 1951 for his first LP, '' The New Sounds'' (Prestige Records, 1951). Davis also did a complete rewrite of 'Conception' in 1950 (creating an entire new main theme) for his Birth of the Cool nonet, giving the composition the title 'Deception'. 'Deception', recorded in March 1950, retained the rewritten bridge melody from Davis' 1950 'Conception' arrangement, as well as Shearing's original chord progression. Davis's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and " fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Rosenwinkel
Kurt Rosenwinkel (born October 28, 1970) is an American jazz guitarist, keyboardist, composer, bandleader, producer, educator and record label owner. Biography A native of Philadelphia, Rosenwinkel attended the Philadelphia High School for the Creative and Performing Arts. He studied at Berklee College of Music for two and a half years before leaving in his third year to tour with Gary Burton, the dean of the school at the time. After moving to Brooklyn, he began performing with Human Feel, Paul Motian's Electric Bebop Band, Joe Henderson, and the Brian Blade Fellowship. In 1995 he won the Composer's Award from the National Endowment for the Arts and was signed by Verve. Since then, he has played and recorded as a leader and sideman with Mark Turner, Brad Mehldau, Joel Frahm, and Brian Blade. He collaborated with Q-Tip, who co-produced his studio album '' Heartcore'' that includes bassist Ben Street, drummer Jeff Ballard, and saxophonist Mark Turner. He played guitar on Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Jazz Standards
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Interpretations By Bud Powell
''Piano Interpretations by Bud Powell'' is a studio album by jazz pianist Bud Powell, released in 1956 by Norgran, featuring two sessions that Powell recorded at Fine Sound Studios in New York in April 1955. The album was re-issued on LP by Verve (MGV 8167), and released as a CD replica by Verve (Japan) in 2006 (POCJ-2743). The sessions (with alternate takes) are also available on '' The Complete Bud Powell on Verve'' (1994) CD box set. History The album presents the April 25 master takes in full, apart from "Bean and the Boys" (the version here is from April 27). The April 27 session is split between this album and '' The Lonely One...''. Track listing 12" LP (MGN 1077, MGV 8167) #"Conception" (George Shearing) – 3:36 #"East of the Sun (and West of the Moon)" (Brooks Bowman) – 3:55 #" Heart and Soul" (Hoagy Carmichael, Frank Loesser) – 3:18 #"Willow Groove" (aka "Willow Grove") (Bud Powell) – 4:25 #"Crazy Rhythm" ( Joseph Meyer, Roger Wolfe Kahn, Irvin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Of The Road (music)
Middle of the road (also known by its acronym MOR) is a commercial radio format and popular music genre. Music associated with this term is strongly melodic and uses techniques of vocal harmony and light orchestral arrangements. The format was eventually rebranded as soft adult contemporary. Etymology and usage According to music academic Norman Abjorensen, "middle of the road" has referred to a commercial radio format more often than a music genre, although "it has been used to describe a broad type of music" of numerous styles, usually characterized by vocal harmony techniques, prominent melodies, and subtle orchestral arrangements. MOR is somewhat often used as a derogatory term for this type of music. Radio stations that played beautiful music during the 1960s and 1970s were marketed as "MOR radio" in order to differentiate them from related soft adult contemporary and smooth jazz stations. Soft rock groups like the Association, the 5th Dimension, and Simon & Garfunkel i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis Porter
Lewis Robert Porter (born May 14, 1951) is an American jazz pianist, composer, author, and educator. Education and career Porter was born in Scranton, Pennsylvania, but raised primarily in the Bronx in New York City. Porter decided at age 10 that he wanted to be a musician, and took violin lessons from about age 10 to 12, then taught himself at the family's upright piano, eventually taking some lessons in college and afterward. Porter earned a Bachelor of Arts in Psychology from the University of Rochester in 1972, and, while there, studied music at Eastman. He went on to earn a Master of Education in Counseling from Northeastern University in 1976, followed by a master's degree in Music Theory from Tufts University in 1979, under T. J. Anderson, his primary mentor. In 1983, Porter received his Ph.D. in Musicology from Brandeis University, where he studied under Joshua Rifkin. He first taught at Tufts University, jazz history, part-time, starting in January 1977. (This led to hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Williamson
Claude Berkeley Williamson (November 18, 1926 – July 16, 2016) was an American jazz pianist. Williamson was born in Brattleboro, Vermont, United States. He studied at the New England Conservatory of Music before moving to jazz, influenced mainly by Teddy Wilson, then by Al Haig and Bud Powell. In 1947, he moved to California, working first with Teddy Edwards, then with Red Norvo in San Francisco, with Charlie Barnet in 1949, and with June Christy for two years. Later he worked with Max Roach, Art Pepper and others. Williamson was a longtime member of the Lighthouse All-Stars (substituting for pianist Russ Freeman), performing with Bud Shank, Stan Levey, Bob Cooper, Conte Candoli and Howard Rumsey. In 1956, he became the piano player in the Bud Shank quartet. In 1968, he started working as a pianist for NBC, first on ''The Andy Williams Show'', then for Sonny and Cher. In 1978, Williamson went back to the jazz world and released many albums, mainly for Japanese labels, of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Melle
Gil or GIL may refer to: Places * Gil Island (other), one of several islands by that name * Gil, Iran, a village in Hormozgan Province, Iran * Hil, Azerbaijan, also spelled ''Gil, a village in Azerbaijan * Hiloba, also spelled ''Gil, a village in Azerbaijan People * Gil (given name) * Gil (surname) * Gil (footballer, born 1950), Brazilian footballer, Gilberto Alves *Gil (footballer, born June 1987), Brazilian footballer, Carlos Gilberto Nascimento Silva *Gil (footballer, born September 1987), Brazilian footballer, José Gildeixon Clemente de Paiva *Gil (footballer, born 1991), Brazilian footballer, Givanilton Martins Ferreira * José Gildeixon Clemente de Paiva (1987–2016), Brazilian footballer * Gil Gomes (born 1972), Portuguese retired footballer *Gilberto Ribeiro Gonçalves (born 1980), Brazilian footballer * Gilmelândia (born 1975), Brazilian singer known as "Gil" * Gill (musician) (born 1977), South Korean singer Fiction * Gil, a non-canon ''Star Trek'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeFranco
Boniface Ferdinand Leonard "Buddy" DeFranco (February 17, 1923 – December 24, 2014) was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s. Biography Born in Camden, New Jersey, United States, DeFranco was raised in South Philadelphia. He was playing the clarinet by the time he was nine years old and within five years had won a national Tommy Dorsey swing contest. He began his professional career just as swing music and big bands—many of which were led by clarinetists like Artie Shaw, and Benny Goodman—were in decline. While most jazz clarinet players did not adapt to this change, DeFranco successfully continued to play clarinet exclusively, and was one of the few bebop clarinetists. In 1950, DeFranco spent a year with Count Basie's septet. He then led a small combo in the early 1950s which included pianist Sonny Clark and guitarist Tal Farlow. In this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al McKibbon
Al McKibbon (January 1, 1919 – July 29, 2005) was an American jazz double bassist, known for his work in bop, hard bop, and Latin jazz. In 1947, after working with Lucky Millinder, Tab Smith, J. C. Heard, and Coleman Hawkins, he replaced Ray Brown in Dizzy Gillespie's band, in which he played until 1950. In the 1950s he recorded with the Miles Davis nonet, Earl Hines, Count Basie, Johnny Hodges, Thelonious Monk, Mongo Santamaria, George Shearing, Cal Tjader, Herbie Nichols and Hawkins. McKibbon was credited with interesting Tjader in Latin music while he played in Shearing's group. McKibbon has always been highly regarded (among other signs of this regard, he was the bassist for the Giants of Jazz), and continued to perform until 2004. In 1999, the first album in his own name, ''Tumbao Para Los Congueros De Mi Vida'', was released. McKibbon's second album, ''Black Orchid'', was released in 2004 and was recorded at Icon Recording Studios, Hollywood, California. The albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Baker
Chesney Henry "Chet" Baker Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter and vocalist. He is known for major innovations in cool jazz that led him to be nicknamed the "Prince of Cool". Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals: ''Chet Baker Sings'' (1954) and '' It Could Happen to You'' (1958). Jazz historian Dave Gelly described the promise of Baker's early career as " James Dean, Sinatra, and Bix, rolled into one". His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and 1980s. Biography Early years Baker was born and raised in a musical household in Yale, Oklahoma on 23 December 1929. His father, Chesney Baker Sr., was a professional guitarist, and his mother, Vera Moser, was a pianist who worked in a perfume factory. His maternal grandmother was Norwegian. Baker said tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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