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Comin' Home Baby!
''Comin' Home Baby!'' is a 1962 studio album by Mel Tormé. Track listing # " Comin' Home Baby!" (Bob Dorough, Ben Tucker) – 2:41 # " Dat Dere" ( Oscar Brown, Jr., Bobby Timmons) – 2:58 # "The Lady's in Love with You" (Burton Lane, Frank Loesser) – 3:01 # " Hi-Fly" ( Jon Hendricks, Randy Weston) – 3:13 # " Puttin' on the Ritz" (Irving Berlin) – 2:23 # "Walkin'" (Richard Carpenter) – 2:59 # "Moanin'" (Hendricks, Timmons) – 3:03 # " Sing You Sinners" ( Sam Coslow, W. Franke Harling) – 2:27 # " Whisper Not" ( Leonard Feather, Benny Golson) – 2:49 # " On Green Dolphin Street" ( Bronislaw Kaper, Ned Washington) – 2:56 # "Sidney's Soliloquy" (Jimmy Wisner) – 2:30 # "Right Now" ( Herbie Mann, Carl Sigman) – 2:12 Personnel Recorded July 11 - September 13, 1962, in Los Angeles: * Mel Tormé – vocals, drums * Shorty Rogers – arranger and conductor * Claus Ogerman – arranger and conductor on "Comin' Home Baby!" and "Right Now" * Joe Burnett – trumpet * O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for " The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells. Early life Melvin Howard Tormé was born in Chicago, Illinois, to William David Torme, a Jewish immigrant from Poland, and Betty Torme (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing "You're Driving Me Crazy" at Chicago's Blackhawk restaurant. He played drums in the drum-and-bugle corps at Shakespeare Elementary School. From 1933 to 1941, he acted in the radio programs '' The Romance of Helen Trent'' and ''Jack Armstrong, the All-American Boy''. He wrote his first song at 13. Three years later his first published song, "Lament to Love", became a hit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include ''Finian's Rainbow'' in 1947 and '' On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, '' Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, ''Finian's Rainbow'' (1947) and '' On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On Green Dolphin Street (song)
"On Green Dolphin Street" (originally titled "Green Dolphin Street") is a 1947 popular song composed by Bronisław Kaper with lyrics by Ned Washington. The song was composed for the film '' Green Dolphin Street,'' which was based on a 1944 novel of the same name by Elizabeth Goudge, and became a jazz standard after it was recorded by Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ... in 1958. Renditions In popular culture "On Green Dolphin Street" is referenced in the sixth part of J''oJo's Bizarre Adventure'', ''Stone Ocean'' in the name of Green Dolphin Street Prison, the primary setting of the story. References {{Authority control 1940s jazz standards 1947 songs Songs with lyrics by Ned Washington Songs with music by Bronisław Kaper Jazz standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/ hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including " Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Feather
Leonard Geoffrey Feather (13 September 1914 – 22 September 1994) was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing. Biography Feather was born in London, England, into an upper middle-class Jewish family. He learned to play the piano and clarinet without formal training and started writing about jazz and film by his late teens. At the age of twenty-one, Feather made his first visit to the United States, and after working in the UK and the US as a record producer finally settled in New York City in 1939, where he lived until moving to Los Angeles in 1960. Feather was co-editor of ''Metronome'' magazine and served as chief jazz critic for the ''Los Angeles Times'' until his death. Feather made a significant contribution to the development of jazz broadcasting in Britain, first devising three ''Evergreens of Jazz'' programmes broadcast in August and September 1936, using George Scott-Wood and His Six Swingers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whisper Not (song)
"Whisper Not" is a composition by Benny Golson. It is in a minor key and contains a shout chorus (a special chorus between the final solo and the closing head). Golson's account of writing the piece is that "I wrote it in Boston at George Wein's Storyville club when I was with Dizzy Gillespie's big band. I wrote that tune in 20 minutes." Some sources indicate that the first recording was by Gillespie, while others indicate that trumpeter Lee Morgan was first. It quickly became popular with other musicians: Thad Jones and Morgan recorded their own versions before its composer had the chance to record it with his own group.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire'', p. 459. Oxford University Press. Golson's early version was on his 1957 album '' Benny Golson's New York Scene''. By 1960, John S. Wilson, critic at ''The New York Times'', had labelled the song, together with another Golson composition, " I Remember Clifford", "an established part of the jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Coslow
Sam Coslow (December 27, 1902 – April 2, 1982) was an American songwriter, singer, film producer, publisher and market analyst. Coslow was born in New York City. He began writing songs as a teenager. He contributed songs to Broadway revues, formed the music publishing company Spier and Coslow with Larry Spier and made a number of recordings as a performer. With the explosion of film musicals in the late 1920s, Hollywood attracted a number of ambitious young songwriters, and Coslow joined them in 1929. Coslow and his partner Larry Spier sold their publishing business to Paramount Pictures and Coslow became a Paramount songwriter. One of his first assignments for the studio was the score for the 1930 film '' The Virtuous Sin''. He formed a successful partnership with composer Arthur Johnston and together they provided the scores for a number of films including Bing Crosby vehicles. Coslow became a film producer in the 1940s and won the Academy Award for Best Short Film for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sing, You Sinners (song)
"Sing, You Sinners" is a popular song with music by W. Franke Harling and lyrics by Sam Coslow. In 1930 it was used in the film ''Honey'' starring Lillian Roth. The Bing Crosby 1938 Paramount musical '' Sing You Sinners'' also included the song in the title credits. Popular recordings in 1930 were by The High Hatters (on Victor 22322) and by Smith Ballew and his Orchestra. A good early recording is found on the album "The Song Hits of 1930 (Jazz Age Chronicles, Vol. 9)", and is sung by The Charleston Chasers. This is, perhaps, the way Coslow and Harling intended it to be performed. A version was released in 1930 by Hit of the Week Records, credited to ''Harlem Hot Chocolates'' but actually performed by Duke Ellington and his band. In Britain, the song was recorded by the duo Bob and Alf Pearson. A popular version was recorded by Tony Bennett for Columbia Records (No. CO44125) on July 20, 1950. Bennett also recorded the song on several more occasions. In addition it is featured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moanin' (song)
"Moanin'" is a composition by Bobby Timmons, first recorded by Art Blakey's band the Jazz Messengers for the album of the same titleSeymour, Gene (2005), in Kirchner, Bill (ed.), ''The Oxford Companion to Jazz'', p. 380. Oxford University Press. that was released by Blue Note Records. Composition "Moanin has a call and response melody. One account of its creation was given by Benny Golson, the tenor saxophonist in Blakey's band: Timmons had the opening eight bars, which he often played between tunes, but formed the complete song only after Golson encouraged him to add a bridge. It is played in F minor. Recordings and reception "Moanin was first recorded, by Art Blakey's band the Jazz Messengers, on October 30, 1958. It has been recorded numerous times and has become a jazz standard.Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentornpr music.Accessed July 31, 2013. Gary Giddins stated that the song "set the music world on its ear" and that it was "part of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, " Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound" YouTube video, March 27, 2018. Beginning in the 1950s, Weston worked often with trombonist and arranger . Described as "America's African Musical Ambassador", Weston once said: "What I do I do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
