Come Tomorrow (song)
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Come Tomorrow (song)
Come Tomorrow may refer to: * ''Come Tomorrow'' (album) by Dave Matthews Band * "Come Tomorrow" (Barbra Streisand and Barry Gibb song), 2005 *"Come Tomorrow", a song by Chicane from the album '' Somersault'' * "Come Tomorrow" (Marie Knight song), a song by Marie Knight, later a hit for the band Manfred Mann *"Come Tomorrow", a 1970 song by the British band Vanity Fare {{Disambiguation ...
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Come Tomorrow (album)
''Come Tomorrow'' is the ninth studio album by Dave Matthews Band, and was released on June 8, 2018. The album is their first since 2012's '' Away from the World.'' Recording Working between tours at studios in Seattle, Los Angeles and Charlottesville, Dave Matthews Band chose to record with several different producers, including John Alagia, Mark Batson, Rob Cavallo and Rob Evans. Nine of the 14 tracks on ''Come Tomorrow'' were played live prior to the official album announcement on April 25, 2018. "Do You Remember" was debuted at Farm Aid in 2017, "Again and Again" appeared on DMB setlists in 2016 as "Bob Law", "Samurai Cop" had been a regular at Dave solo, Dave & Tim acoustic and full band shows since 2016, "Here on Out" was played live just once before the announcement and that came on the Seasons of Cuba PBS-televised special in 2016 with Dave being backed by the Chamber Orchestra of Havana. The band had regularly featured "Black and Blue Bird" and "Virginia in the Rain" a ...
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Come Tomorrow (Barbra Streisand And Barry Gibb Song)
"Come Tomorrow" is a song recorded by American singer Barbra Streisand for her 31st studio album, '' Guilty Pleasures'' (2005). The track was written by Ashley Gibb, Barry Gibb and Stephen Gibb while production was handled by Barry Gibb and John Merchant. Commercially, "Come Tomorrow" entered the charts in Scotland and the United Kingdom and peaked at numbers 57 and 95, respectively. Background "Come Tomorrow" was written by Ashley Gibb, Barry Gibb and Stephen Gibb Stephen Thadeus Crompton Gibb (born 1 December 1973) is a British-American guitarist. He has been a member of numerous hard rock and metal bands including 58, Black Label Society, Crowbar, Kingdom of Sorrow, The Underbellys, SkilletHead, an ... while production was handled by Barry Gibb and John Merchant. The track includes backing vocals from singers Beth Cohen and Leesa Richards, in addition to featured artist Barry Gibbs, who backed for Streisand on each of the album's 12 songs. Track listing Chart ...
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Somersault (Chicane Album)
''Somersault'' is the third studio album by British electronic music artist Chicane, released on 23 July 2007.Smith, Gary (2007) "Turning the Corner", '' Billboard'', 21 July 2007, p.38 It is Chicane's first album to be self-released on his record label, Modena Records. History " Stoned in Love", the first officially released song from ''Somersault'', was first heard as a single in April 2006, at which time little was known about the then-untitled album. Several other songs that were to appear on the album were first played live by Chicane in concerts during the same month; one of these songs, "Come Tomorrow", was announced as the follow-up single at this time. It was released on July 16, 2007. In February 2007, Chicane's official website announced his departure from Universal Records, the label that released "Stoned in Love", and the subsequent scheduled release of "Come Tomorrow" and the forthcoming album on Modena; the title ''Somersault'' was subsequently announced in March. ...
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Come Tomorrow (Marie Knight Song)
"Come Tomorrow" is a song written by American songwriters Bob Elgin, Dolores Phillips and Frank Augustus for rhythm and blues singer Marie Knight, who issued it as a single in October 1961 through Okeh Records, a release which received good reviews, though failed to chart. The best known version of the song was recorded by British pop band Manfred Mann, who took it to the top-ten in the United Kingdom in 1965. Marie Knight version The original version of "Come Tomorrow" was cut by singer Marie Knight. Knight, originally from the US, had become important for the blossoming merseybeat scene in the UK, with a visit to the Cavern Club in Liverpool in 1958 bringing her to the attention of the skiffle groups of the time. However, despite having recorded for well over ten years by 1961, she had virtually only seen small commercial success. Her best performing single on the ''Billboard'' Hot 100 up until that point was a duet with Rex Garvin, "I Can't Sit Down", which had reached numb ...
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