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Come And Get It (Badfinger Song)
"Come and Get It" is a song composed by English singer-songwriter Paul McCartney for the 1969 film '' The Magic Christian''. The song was performed by Badfinger, produced by McCartney and issued as a single 5 December 1969 in the UK, and 12 January 1970 in the US, on the Beatles' Apple label. It was the band's first release under the Badfinger name (having previously recorded as The Iveys) and was their international breakthrough, hitting the top 10 in both the UK and US singles charts. The Beatles (Paul McCartney) version Paul McCartney recorded a solo demo of the song on 24 July 1969, after arriving early for a Beatles recording session for their ''Abbey Road'' album. Singing the double-tracked lead vocal and playing all the instruments, he laid down the vocals and piano on the first take, sang again and played maracas on the first overdub, then added drums, and finally put in the bass guitar track. It took less than an hour to finish. The biggest differences between the Mc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badfinger
Badfinger were a Welsh rock band formed in Swansea, who were active from the 1960s to the 1980s. Their best-known lineup consisted of Pete Ham (vocals, guitar), Mike Gibbins (drums), Tom Evans (bass), and Joey Molland (guitar). They are recognised for their influence on the 1970s power pop genre. It is estimated that the band sold 14 million records. The band renamed themselves Badfinger, after the working title for the Beatles' 1967 song "With a Little Help from My Friends" ("Bad Finger Boogie"). From 1968 to 1973, Badfinger recorded five albums for Apple and toured extensively, before they became embroiled in the chaos of Apple's dissolution. Badfinger had four consecutive worldwide hits from 1970 to 1972: " Come and Get It" (written and produced by Paul McCartney, 1970), " No Matter What" (produced by Mal Evans, 1970), " Day After Day" (produced by George Harrison, 1971), and " Baby Blue" (produced by Todd Rundgren, 1972). Their song " Without You" (1970) has been recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, record producer, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a Music publisher (popular music), publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small multitrack recording, four- or eight-track machines, or on personal computers with au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Gibbins
Michael George Gibbins (12 March 1949 – 4 October 2005) was a Welsh musician, most notable for being the drummer of Badfinger. Early life Mike Gibbins was born on 12 March 1949 in Swansea, Wales. He began playing drums at age 14, and joined his first band, "The Club 4" in the early 1960s. He played around South Wales for a time with a group called "The Misfits" before auditioning for the rival Welsh band The Iveys in 1964. The Iveys Iveys member Ron Griffiths invited Gibbins to audition for the group in 1964, when Gibbins was 15. Members Pete Ham, Dai Jenkins, and Griffiths subsequently invited Gibbins, who reluctantly had to cut his hair from a rocker style to that of a mod in order to join. In 1966, Tom Evans replaced Jenkins, and in 1968, The Iveys were signed to the Beatles' Apple Records. In 1969, Paul McCartney produced the song " Come and Get It" for The Iveys, who prior to its release, changed their name to Badfinger and replaced Griffiths with guitarist Joey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Ham
Peter William Ham (27 April 1947 – 24 April 1975) was a Welsh singer, songwriter and guitarist best known as a lead vocalist of and composer for the 1970s rock band Badfinger, whose hit songs include " No Matter What", " Day After Day" and " Baby Blue". He also co-wrote the ballad " Without You", a worldwide number-one hit for Harry Nilsson that has become a standard covered by hundreds of artists. Ham was granted two Ivor Novello Awards related to the song in 1973. Ham died by suicide in 1975 at the age of 27, when he became depressed while embroiled in band-related issues, such as label and management problems, as well as a lack of funds. The emotional scar his death left on Badfinger eventually led to the suicide of former bandmate Tom Evans in 1983. Early life Ham was born in Swansea, Wales. He formed a local rock group called The Panthers circa 1961. This group would undergo several name and line-up changes before it became The Iveys in 1965. The band was relocated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Evans (musician)
Thomas Evans (5 June 1947 – 19 November 1983) was a British musician and songwriter, most notable for his work with the band Badfinger. He co-wrote the song " Without You". The Iveys In July 1967, the Iveys (Pete Ham, Ron Griffiths, Mike Gibbins and Dave Jenkins) went to Liverpool at the suggestion of their manager, Bill Collins, to recruit a replacement for Dave Jenkins, their rhythm guitarist and frontman. They discovered Tommy Evans singing with Them Calderstones and invited him to London to audition for the band. He eventually accepted and joined the Iveys in August 1967. His first gig with the Iveys was on 20 August 1967 at the Starlite Ballroom in Crawley. On 23 July 1968, the Iveys were signed to the Beatles' Apple Records label. Their debut worldwide single release was " Maybe Tomorrow" which was a Tom Evans composition, written for his girlfriend in Liverpool, Leslie Sandton, who he used to date when he was a member of Them Calderstones. On 15 November 1968, " M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian MacDonald
Ian MacCormick (known by the pseudonym Ian MacDonald; 3 October 1948 – 20 August 2003) was a British music critic and author, best known for both '' Revolution in the Head'', his critical history of the Beatles which borrowed techniques from art historians, and ''The New Shostakovich'', a study of Russian composer Dmitri Shostakovich. Biography MacDonald briefly attended King's College, Cambridge, at first to study English, then archaeology and anthropology. He dropped out after a year. While at Cambridge, he was distantly acquainted with the singer/songwriter Nick Drake. From 1972 to 1975 he served as assistant editor at the '' NME''. MacDonald began a songwriting collaboration as lyricist with Quiet Sun, which included his brother Bill MacCormick and future Roxy Music guitarist Phil Manzanera. The collaboration resumed in the late 1970s, with MacDonald providing lyrics for the album ''Listen Now''. Later, Brian Eno assisted MacDonald in producing ''Sub Rosa'', an album of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolution In The Head
''Revolution in the Head: The Beatles' Records and the Sixties'' is a book by British music critic and author Ian MacDonald, discussing the music of the Beatles and the band's relationship to the social and cultural changes of the 1960s. The first edition was published in 1994, with revised editions appearing in 1997 and 2005, the latter following MacDonald's death in 2003. Background MacDonald first began working as a journalist with the ''New Musical Express'' in the 1970s. He had moved away from popular music writing by the early 1990s with ''The New Shostakovich'', his re-evaluation of the composer Dmitri Shostakovich against earlier KGB written accounts. The success of ''Revolution in the Head'' would inspire MacDonald to return to popular music writing for the music magazine ''Mojo'' in the late '90s, with many of these reviews and essays eventually collected in ''The People's Music'' (2003). Format The book's main section comprises entries on every song recorded by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootleg Recording
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's ''Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' ''Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in '' Rolling St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from '' Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
