|
Collezione Dei Dipinti Antichi Della Banca Popolare Dell'Emilia Romagna
The Collezione di dipinti antichi della Banca Popolare dell’Emilia Romagna is a collection of classic Italian artworks from the last seven centuries in Emilia-Romagna, that has been purchased by Banca Popolare dell'Emilia Romagna. Modern viccisitudes have concentrated the collection of Italian art to a few entities, most prominently banks. Those artworks in private hands in Italy cannot win export licences, hence find local homes with such patrons. The collection of the ' is not unique in its scope, like most banks it focus on local talent; in fact this formidable collection includes artists from the last seven centuries from the region or whose paintings could be found locally. It is housed in Modena. Sources *To access images, descriptions, and biographies of the works and artists in the pinacoteca, go her then click on culture, then on pinacoteca. Collection See also * Art collection of Fondazione Cassa di Risparmio di Cesena The Galleria dei dipinti antichi or the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Cipriani
Giovanni Battista Cipriani (1727 – 14 December 1785) was an Italian painter and engraver, who lived in England from 1755. He is also called Giuseppe Cipriani by some authors. Much of his work consisted of designs for prints, many of which were engraved by his friend Francesco Bartolozzi. Life Cipriani was born in Florence. His family were originally from Pistoia. He first studied with Ignatius Hugford, a Florentine artist of English descent, and then under Anton Domenico Gabbiani. He spent the years 1750–53 in Rome, where he became acquainted with the architect, Sir William Chambers, and the sculptor, Joseph Wilton whom he accompanied to England in August 1755. He had already painted two pictures, a ''St Tesauro'' and ''St Peter Igneo'' for the abbey of San Michele in Pelago, Pistoia, which had brought him a favorable reputation. He also painted one of the canvases of the organ of the church of Santa Maria Maddalena dei Pazzi in Florence and the main altarpiece of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun '' guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescos (1615–1616) of Casa Pannini in Cento, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Graziani
The male first name Ercole, Italian version of Hercules, can refer to: People * Ercole (name), list of people with the name House of D'Este *Ercole I d'Este (1431–1505), Duke of Ferrara *Ercole II d'Este (1508–1559), Duke of Ferrara, Modena and Reggio *Ercole III d'Este (Ercole Rinaldo) (1727–1803), Duke of Modena and Reggio Opera and Film *''Ercole amante'' (Hercules in Love), an opera by Francesco Cavalli *''Ercole su'l Termodonte'' (Hercules in Thermodon), an opera by Antonio Vivaldi *''Le nozze d'Ercole e d'Ebe'' (The Marriage of Hercules and Hebe), an Italian-German opera *''Le pillole di Ercole, a 1962 Italian comedy film Places *Porto Ercole Italian town See also *Heracles (other) *Hercules (other) *Hercules' Club (other) Hercules' Club may refer to: * Hercules' Club (amulet), a Roman and Migration era artefact type. Plants *'' Aralia spinosa'' (also called ''angelica tree'', ''devil's walking stick'', ''prickly ash'') *'' Zanthoxylum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Da Carpi
Girolamo Da Carpi (1501 – 1 August 1556) was an Italian painter and decorator who worked at the Court of the House of Este in Ferrara. He began painting in Ferrara, by report apprenticing to Benvenuto Tisi (il Garofalo); but by age 20, he had moved to Bologna, and is considered a figure of Early Renaissance painting of the local Bolognese School. Career He trained in the studio of a local painter who showed the influence of Lorenzo Costa and Raphael. In the 1520s Girolamo visited Rome and Bologna and was inspired by the Mannerist style of Giulio Romano. Geographically and stylistically he straddles the various influences. He returned to Ferrara and collaborated with Dosso Dossi and Garofalo among others on commissions for the d’Este family. Girolamo became the architect to Pope Julius III in 1550 and supervised the remodeling of the Vatican's belvedere. Returning to Ferrara, he was charged of the enlargements of the Castello Estense. Da Carpi's paintings include a ''Desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Gennari
Cesare Gennari (12 December 1637 – 11 February 1688) was an Italian painter of the Baroque period. His ''Saint Mary Magdalene'' is in the Pinacoteca Civica di Cento. His ''Apparition of the Virgin to Saint Nicholas of Bari'' is at the Pinacoteca di Bologna. In his later work Cesare "shed all traces of Guercinesque idiom, adopting instead the courtly accents of St James's and Saint-Germain". Biography Son of Ercole Gennari and born at Cento, he was trained in the studio of his maternal uncle, Giovanni Francesco Barbieri called "Guercino", in Bologna. Cesare's uncle, Benedetto Gennari, and his brother, Benedetto II Gennari (1633–1715), were also painters in the circle of Guercino. Cesare and the younger Benedetto were heirs of Guercino's studio, papers and effects, preserved for some time at Casa Gennari, Bologna. He married Francesca Ripa, and had two sons, Gianfrancesco and Filippo.Rusconi 1861. Among his pupils was Ercole Gaetano Bertuzzi Ercole Gaetano Bertuzzi (Bologna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Franceschini
Marcantonio Franceschini (; 1648 – 24 December 1729) was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.''The picture collector's manual'' by James R. Hobbes London T&W Boone 1845 page 15/ref> Biography He was a pupil of Carlo Cignani, with whom he worked on the frescoes in the Palazzo del Giardino in Parma (1678–81). He worked closely for many years with his brother-in-law, Luigi Quaini, who also was the cousin of Cignani. Franceschini had a long career painting canvases on religious and mythological subjects for patrons throughout Europe. Franceschini decorated some ceilings in the Palazzo Ranuzzi (1680) and the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped paint in the tribune at church of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the ceiling of the ''Sala d'Onore'' ("Hall of Honor") in the Ducal Palace of Modena, commissioned in 1696 for the marr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Ferrari
Luca Ferrari (February 17, 1605 – February 8, 1654) was an Italian painter of the Baroque period. Biography Also called ''Luca da Reggio''. He was reputedly initially a trainee of Alessandro Tiarini. Moschini identifies him as a pupil of Guido Reni. He later worked with Leonello Spada, Alessandro Tiarini, and Carlo Bononi in the 1610 - 1620s were decorating the basilica of the Madonna della Ghiara in his native city of Reggio Emilia. In 1635 he joined the ''Fraglia dei pittori'' of Padua for two years. He frescoed episodes of the ''Life of Antenore'' (1650) for the Villa Selvatico at Battaglia Terme, and in the following years he painted seven panels depicting the ''Mysteries of the Rosary'' for the ceiling of San Tommaso Cantauriense's church in Padua. He painted both large historical canvases and small cabinet pieces. Among his pupils in Padua was Giulio Cirello Giulio Cirello (1633 in Padua – 1709) was an Italian painter. He trained under Luca Ferrari in Padua. He m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bianchi Ferrari
Francesco Bianchi (1447 – 8 February 1510) was an Italian painter of the Renaissance period. He is also known as ''Francesco del Bianchi Ferrara'' and ''Il Frare''. He was born at Ferrara. Modena is also mentioned as the place of his birth. His works were much esteemed in his time. He was a pupil of Cosimo Tura. He is said to have been an instructor of Correggio, but Bianchi would have died when the former was only 16 years old. He was prolific in painting altarpieces in Modena, but few remain. The Louvre has a ''Virgin and Child enthroned with two Saints''. A crowded ''Crucifixion with St Jerome and St Francis'' at the Galleria Estense of Modena Modena (, , ; egl, label=Emilian language#Dialects, Modenese, Mòdna ; ett, Mutna; la, Mutina) is a city and ''comune'' (municipality) on the south side of the Po Valley, in the Province of Modena in the Emilia-Romagna region of northern I ... is attributed to Bianchi. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michele Desubleo
Michele Desubleo (1601–1676), also called ''Michele Fiammingo'' (Flemish) or ''Michele di Giovanni de Sobleau'', was a Flemish painter active in Central and North Italy during the Baroque era. Biography Born in Maubeuge in 1601, Desubleo probably learned his trade in Flanders, although there is no proof he was trained in the workshop of Abraham Janssens together with his stepbrother Nicolas Régnier. With the latter he moved to Rome, where he is recorded in 1624 and 1625. By the beginning of the 1630s, he was working in Bologna, in the busy workshop of Guido Reni, who was a crucial influence on him and on other artists of his age or slightly younger, including Simone Cantarini and Jean Boulanger. Starting 1654, he worked for a decade in the Veneto region. After 1665, there is evidence of his presence in Parma, where the significant paintings he left include a large altarpiece with the Madonna and Saints for the cathedral and a canvas on the secular subject of ''Sacred Love Tri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Gioseffo Dal Sole
Giovanni Gioseffo dal Sole (10 December 1654 – 22 July 1719) was an Italian painter and engraver from Bologna, active in the late-Baroque period. Upon the death of Carlo Cignani, Gioseffo dal Sole became among the most prominent painters in Bologna, described as the ''Guido Moderno''. Biography His father, Giovanni Antonio Maria, also called ''Mochino de` Paesi'' due to his ambidextrous dexterity, was a landscape painter who trained with Francesco Albani. Giovanni Gioseffo first apprenticed with Domenico Maria Canuti, and then in 1672; he entered the Roman studio of Lorenzo Pasinelli. He painted frescoes in the cupola of ''Santa Maria dei Poveri'' in Bologna, and an altarpiece of the ''Trinity'' (1700) for the ''Chiesa del Suffragio'' in Imola. He is said to have collaborated with Giuseppe Maria Crespi. He was one of the painters who contributed a canvas depicting the mythologic scene of ''Andromache weeping before Aeneas'' for the renowned ''Aenid Gallery'' of the Palazzo Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Courtois
Jacques Courtois or Giacomo Cortese, called il Borgognone or le Bourguignon (12 ?December 162114 November 1676) was a Franche-Comtois–Italian painter, draughtsman, and etcher. He was mainly active in Rome and Florence and became known as the leading battle painter of his age. He also created history paintings and portraits. He became a Jesuit later in life but continued to paint.Ann Sutherland Harris. "Cortese." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 February 2017 Life Jacques Courtois was born in Saint-Hippolyte, near Besançon (Franche-Comté) in present-day France, but at the time, a Spanish possession in Holy Roman Empire. He was the son of the obscure painter Jean-Pierre Courtois. Very little is known about Guillaume’s youth but it is assumed he received his initial training from his father. He had two younger brothers who also became painters Guillaume (Guglielmo Cortese) (1628 - 1679) and Jean-François (c. 1627-?). As his brother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
