Collage (Horner)
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Collage (Horner)
''Collage: A Concerto for Four Horns and Orchestra'' is a concerto for four horns and orchestra by the American composer James Horner. The piece was commissioned by the Houston Symphony and the International Horn Society and was premiered on March 27, 2015, at the Royal Festival Hall in London. The premiere was conducted by Jaime Martín and performed by the London Philharmonic Orchestra with soloists David Pyatt, John Ryan, James Thatcher, and Richard Watkins. ''Collage'' was Horner's last completed concert work before his death in June 2015. Composition The London Philharmonic announced in January 2014 that it would be premiering a new concerto by James Horner—the news came only a few months before the premiere of Horner's double concerto for violin and cello, '' Pas de Deux''. Horner had previously worked with three of the four soloists on his film scores and had himself played the French horn The French horn (since the 1930s known simply as the horn in profession ...
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ...
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Double Concerto
A double concerto (Italian: ''Doppio concerto''; German: ''Doppelkonzert'') is a concerto featuring two performers—as opposed to the usual single performer, in the solo role. The two performers' instruments may be of the same type, as in Bach's Double Violin Concerto, or different, as in Brahms's Concerto for Violin, Cello and Orchestra. The term can also refer to the use of a double orchestral body where a work is in concerto grosso form; for example, Martinů's '' Double Concerto for Two String Orchestras, Piano, and Timpani'' is commonly known by the title "Double Concerto," where the word "double" refers to the two string bodies rather than to the piano and timpani, who are not soloists in the conventional sense. Triple and quadruple concertos Concertos with more than two solo parts may be known by the terms "triple concerto", "quadruple concerto", etc., but not usually when the instruments are of the same type (for example, Vivaldi's Concerto for Four Violins in B min ...
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Concertos For Multiple Instruments
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian ...
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Horn Concertos
Horn most often refers to: *Horn (acoustic), a conical or bell shaped aperture used to guide sound ** Horn (instrument), collective name for tube-shaped wind musical instruments *Horn (anatomy), a pointed, bony projection on the head of various animals, either the "true" horn, or other horn-like growths ** Horn, a colloquial reference to keratin, the substance that is the main component of the tissue that sheaths the bony core of horns and hoofs of various animals Horn may also refer to: Audio * Horn loudspeaker * Vehicle horn ** Train horn Personal name * Horn (surname) * Freyja, also known as ''Hörn'', a Norse goddess of love, beauty, fertility, war and death Places * Cape Horn, the southernmost point of South America * Horn of Africa, a peninsula in northeast Africa * Horn (district), a district of the state of Lower Austria in Austria ** Horn, Austria, a small town, capital of the Horn District * Horn, Germany, a municipality in Rhineland-Palatinate, Germany * Horn, Ha ...
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2015 Compositions
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Compositions By James Horner
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ...
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Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi Germany, Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable phonograph, gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the w ...
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Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to ...
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Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or sect ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Cocoon (film)
''Cocoon'' is a 1985 American science fiction comedy-drama film directed by Ron Howard and written by Tom Benedek from a story by David Saperstein. The film stars Don Ameche, Wilford Brimley, Hume Cronyn, Brian Dennehy, Jack Gilford, Steve Guttenberg, Maureen Stapleton, Jessica Tandy, Gwen Verdon, Herta Ware, Tahnee Welch, and Linda Harrison, and follows a group of elderly people rejuvenated by aliens. The film was shot in and around St. Petersburg, Florida, with locations including the St. Petersburg Shuffleboard Club, Suncoast Manor Retirement Community, the Coliseum, and Snell Arcade buildings. The film earned Academy Awards for Best Supporting Actor (Don Ameche) and Best Visual Effects, and was followed by the sequel '' Cocoon: The Return'' in 1988, in which almost all of the original cast reprised their roles. Plot About 10,000 years ago, peaceful aliens from the planet Antarea set up an outpost on Earth on Atlantis. When Atlantis sank, twenty aliens were left behind, ke ...
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Pas De Deux (Horner)
''Pas de Deux'' is a double concerto for violin, cello, and orchestra by the American composer James Horner. The work was commissioned by the Norwegian brother/sister musical duo of the violinist Mari Samuelsen and the cellist Håkon Samuelsen with contributions from the A. Wilhelmsen Foundation. It was composed from 2011 through 2014 and was premiered on November 13, 2014, with Mari and Håkon accompanied by the Royal Liverpool Philharmonic under the conductor Vasily Petrenko. ''Pas de Deux'' marked Horner's first major foray into classical music since the 1980s. Composition ''Pas de Deux'' has a duration of roughly 30 minutes and is composed in three continuous movements. The style of the piece has been compared to the music of Gustav Holst and Ralph Vaughan Williams, but the music critics Tim Ashley and Glyn Môn Hughes have also noted similarities to the works of Henryk Górecki and Benjamin Britten. Reception Critical response to the work has been mixed. Reviewing the ...
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