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Claude Schnitzler
Claude Schnitzler (born in 1949) is a French organist and conductor. Career Born in Strasbourg, Schnitzler studied music at the Conservatoire de Strasbourg (organ, harpsichord, conducting, and writing) before completing his training as a conductor at the Mozarteum University Salzburg while giving numerous organ recitals in France and abroad. In 1971, he was appointed titular organist of the great organ of the Strasbourg Cathedral. He joined the Opéra national du Rhin in 1972 as a singing conductor and in 1975 became Alain Lombard's assistant at the Orchestre philharmonique de Strasbourg and at the Opéra national du Rhin, where he has since conducted numerous shows. From 1981 to 1985, he collaborated regularly with the Paris Opera, where he conducted opera and ballet shows at both the Palais Garnier and the Salle Favart. In 1986, he took over the direction of the Orchestra of the city of Rennes, combining this position with that of permanent conductor of the Opéra national ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre National D'Île-de-France
The Orchestre national d'Île-de-France is a French symphony orchestra with its administrative base in Alfortville. The orchestra, made up of ninety-five permanent musicians, gives around a hundred concerts each season, thus offering Ile-de-France residents a wide variety of programs spanning three centuries of music. The orchestra receives funding from the ''Conseil régional d’Île-de-France'' and the French Ministry of Culture. The precursor orchestra to the current ensemble was the Orchestre symphonique d'Île de France. In 1974, at the instigation of the culture minister Marcel Landowski, this orchestra was reorganised into the Orchestre national d'Île de France. Since 1996, the orchestra has been administratively situated in Alfortville. Past music directors include Jacques Mercier (1982-2002), Yoel Levi (2005-2012), and Enrique Mazzola (2012-2019). The current music director is Case Scaglione, starting with the 2019-2020 season. The orchestra gives concerts in a nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Owen Wingrave
''Owen Wingrave'', Op. 85, is an opera in two acts with music by Benjamin Britten and libretto by Myfanwy Piper, after a short story by Henry James. It was originally written for televised performance. Britten had been aware of the story since his work with Piper on his previous opera modelled after a James work, ''The Turn of the Screw'' in 1954. BBC television commissioned an opera for television from him in 1966 and, in 1968, he and Piper began work on the libretto. The work was completed by August 1970. The premiere was recorded at Snape Maltings in November 1970 and first broadcast on BBC2 on 16 May 1971. The music is influenced by Britten's interest in twelve-tone serialist techniques. A large tuned percussion section anticipates the musical treatment of his next (and last) opera, ''Death in Venice''. In addition to its being an expression of Britten's own pacifism, he was reported as saying that this opera was partly a response to the Vietnam War. The costumes were d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Prodromidès
Jean Prodromidès (3 July 1927 – 17 March 2016) was a French composer. He was born in Neuilly-sur-Seine in 1927 in a music-loving family. His father, of Greek origin, had a pianola by which he became familiar with works of Beethoven and Wagner. He was a pupil of René Leibowitz, who introduced him to dodecaphonic and serial composition. Together with other Leibowitz pupils, Serge Nigg, Antoine Duhamel and André Casanova, he gave the first performance of Leibowitz's ''Explications des Metaphors'', Op. 15, in Paris in 1948. Prodromidès composed for films such as '' Maigret et l'Affaire Saint-Fiacre'' and ''Danton.'' Prodromidés was elected to the Académie des Beaux-Arts in 1990 to Henry Sauguet's seat; Prodromidès was also president of the Academy and the Institut de France in 2005. Selected filmography *1956: ''Les biens de ce monde'' *1959: ''Archimède le clochard'' *1960: ''The Baron of the Locks'' (a.k.a. ''Le Baron de l'écluse'') *1960: ''Le Voyage en ballon'' (a.k.a. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Regio Di Torino
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. Teatro Regio, 1740 to 1936 The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's ''Arsace''. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery. However, the theatre was closed on royal order in 1792 and it became a wareho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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