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Clairval
Clairval, real name Jean-Baptiste Guignard, (27 April 1735, Étampes – 1795, Paris) was an 18th-century French operatic singer (tenor), comedian and librettist. He played with the same authority drama, comedy and opera, in a considerable number of roles. Among the most notable were: *1765: '' Tom Jones'' (part of Tom Jones) by Philidor *1765: '' La fée Urgèle'' (part of Robert, a knight) by Egidio Duni *1768: ''Le Huron'' (an officer), by Grétry *1769: ''Le tableau parlant'' (part of ''Pierrot''), by Grétry *1769: '' Le déserteur'' (part of Montauciel), by Monsigny *1771: ''Zémire et Azor'', (part of Azor), by Grétry :: This opéra comique was a version of ''Beauty and the Beast'' imagined by Marmontel, where Clairval had to become ugly; but he refused to don the first scheduled disguise: an animal fur. This role was one of his best success. *1776: '' Les mariages samnites'' (part of Agathis), by Grétry *1778: ''L'amant jaloux'', (part of Don Alonze), by Grétry *1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clairval En Costume De Blondel
Clairval, real name Jean-Baptiste Guignard, (27 April 1735, Étampes – 1795, Paris) was an 18th-century French operatic singer (tenor), comedian and librettist. He played with the same authority drama, comedy and opera, in a considerable number of roles. Among the most notable were: *1765: '' Tom Jones'' (part of Tom Jones) by Philidor *1765: ''La fée Urgèle'' (part of Robert, a knight) by Egidio Duni *1768: ''Le Huron'' (an officer), by Grétry *1769: ''Le tableau parlant'' (part of ''Pierrot''), by Grétry *1769: '' Le déserteur'' (part of Montauciel), by Monsigny *1771: ''Zémire et Azor'', (part of Azor), by Grétry :: This opéra comique was a version of ''Beauty and the Beast'' imagined by Marmontel, where Clairval had to become ugly; but he refused to don the first scheduled disguise: an animal fur. This role was one of his best success. *1776: '' Les mariages samnites'' (part of Agathis), by Grétry *1778: ''L'amant jaloux'', (part of Don Alonze), by Grétry *177 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Coeur-de-lion (opera)
''Richard Cœur-de-lion'' (''Richard the Lionheart'') is an opéra comique, described as a ''comédie mise en musique'', by the Belgian composer André Grétry. The French text was by Michel-Jean Sedaine. The work is generally recognised as Grétry's masterpiece and one of the most important French ''opéras comiques''. It is based on a legend about King Richard I of England's captivity in Austria and his rescue by the troubadour Blondel de Nesle. On his way home from the Third Crusade, King Richard has been imprisoned by Leopold, Archduke of Austria. The king's faithful squire Blondel seeks him out disguised as a blind troubadour. He arrives in Linz where he meets the English exile Sir Williams and his daughter Laurette, who tell him of an unknown prisoner in the nearby castle. Laurette is in love with the prison governor, Florestan. Countess Marguerite, who is in love with King Richard, arrives and offers Blondel her help. Blondel goes to the castle where he sings the song ''Une f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'amant Jaloux
''L'amant jaloux, ou Les fausses apparences'' (''The Jealous Lover, or False Appearances'') is a French comédie mêlée d'ariettes in three acts by André Grétry first performed at Versailles on 20 November 1778. The libretto is by the Irish playwright Thomas Hales (also known by the French name Thomas d'Hèle) with the verse passages provided by F. Levasseur. It was based on the play ''The Wonder: A Woman Keeps a Secret'' (1714) by Susannah Centlivre. The most famous arias in the opera include ''O douce nuit'', the tenor serenade ''Tandis que tout sommeille'' (''While all are sleeping'') (recorded by Roberto Alagna, amongst others) and the coloratura display piece ''Je romps la chaîne qui m'engage''. The composer admitted the last named aria had no dramatic function, but he wanted to give his soprano star Marie-Jeanne Trial ("the finest voice ever formed by nature") "a chance to shine". The musicologist David Charlton claims Mozart and his librettist Lorenzo da Ponte knew Grét ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zémire Et Azor
' (''Zémire and Azor'') is an opéra comique, described as a ''comédie-ballet mêlée de chants et de danses'', in four acts by the Belgian composer André Grétry. The French text was by Jean-François Marmontel based on ''La Belle et la bête'' (''Beauty and the Beast'') by Jeanne-Marie Leprince de Beaumont, and ''Amour pour amour'' by Pierre-Claude Nivelle de La Chaussée. The opera includes the famous coloratura display piece ''La Fauvette'' in which the soprano imitates birdsong. Performance history It was first performed by the Comédie-Italienne at Fontainebleau on 9 November 1771 and at the Hôtel de Bourgogne in Paris on 16 December 1771. It stayed in the French repertory until at least 1821 and enjoyed worldwide success. It was staged at the court of Saint Petersburg, Russia, in 1774. It was performed at the Swedish court at the Drottningholm Palace Theatre in 1778, and in London at the King's Theatre in 1779. In modern times ''Zémire et Azor'' was performed at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Huron
''Le Huron'' (''The Huron'') is a French ''opéra comique'' in two acts by André Grétry. The libretto is by Jean-François Marmontel based on the story ''L'Ingénu'' (1767) by Voltaire. It was the composer's first big success with Parisian audiences. Performance history It was first performed on 20 August 1768 by the Comédie-Italienne at the Hôtel de Bourgogne in Paris. It was revived in 2010 and 2011: * 12 December 2010, Bourgueil Abbey (France), conductor: Julien Dubruque (concert version) * 1 November 2011, Theatre Adyar (Paris, France), conductor: Julien Dubruque; stage director: Henri Dalem Roles Synopsis The story is set in Brittany and concerns a love affair between a local girl and a man raised by the Huron Indians in America. Sources Further reading *''The Oxford Dictionary of Opera'', by John Warrack John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fée Urgèle
''La fée Urgèle, ou Ce qui plaît aux dames'' (''The Fairy Urgèle, or What Pleases Women'') is an ''opéra comique'' (specifically a ''comédie mêlée d'ariettes'') in four acts by the composer Egidio Duni. The libretto, by Charles-Simon Favart, is based on Voltaire's ' and Chaucer's "The Wife of Bath's Tale". Performance history The opera was first performed at the Théâtre Royal de la Cour at the Palace of Fontainebleau on 26 October 1765. The elaborate medieval staging cost 20,000 livres according to Grimm in his ''Correspondance littéraire''. It was revived at the Comédie-Italienne on 4 December 1765 and given over 100 times in the following years, popularizing medieval settings for other operas such as André Grétry's ''Aucassin et Nicolette'' (1779) and '' Richard Coeur-de-lion'' (1784). The opera was revived at the Opéra Comique for 8 performances from 12–20 April 1991 by Les Arts Florissants ensemble under the baton of Christophe Rousset and with Monique Zanetti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aucassin Et Nicolette (Grétry Opera)
''Aucassin et Nicolette, ou Les moeurs du bon vieux tems'' (''Aucassin and Nicolette, or The Customs of the Good Old Days'') is a French ''opéra comique'' by André Grétry. It takes the form of a ''comédie mise en musique'' in four acts. The work was first performed by the Comédie-Italienne at the Palace of Versailles on 30 December 1779 and subsequently at the Hôtel de Bourgogne in Paris on 3 January 1780. It was also revived in 1782 in a version reduced to three acts. The libretto is by Michel-Jean Sedaine, after the early medievalist Jean-Baptiste de La Curne de Sainte-Palaye's ''Les amours du bon vieux tems'', a modernised version of the Old French ''chantefable'' ''Aucassin et Nicolette ''Aucassin et Nicolette'' (12th or 13th century) is an anonymous medieval French fictional story. It is the unique example of a ''chantefable'', literally, a "sung story", a combination of prose and verse (similar to a ''prosimetrum''). History ...''. Roles Synopsis Act 1 Aucassi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Jones (Philidor)
''Tom Jones'' is a comédie mêlée d'ariettes, a kind of opéra comique, by the French composer and chess champion François-André Danican Philidor which first appeared at the Comédie-Italienne, Paris, on 27 February 1765. Its French libretto, by Antoine-Alexandre-Henri Poisenet and Bertin Davesne, is loosely based on the The History of Tom Jones, a Foundling, 1749 novel by Henry Fielding. The opera was initially a failure but Philidor had the libretto revised by Michel-Jean Sedaine and this new version, first performed on 30 January 1766, proved one of the most popular ''opéras comiques'' of the late 18th century. It was produced in a number of other countries, and translated into German, Swedish and Russian. Roles Recordings François-André Danican Philidor: ''Tom Jones'', Lausanne Opera and Le Sinfonietta de Lausanne *Conductor: Jean-Claude Malgoire *Principal singers: Sébastien Droy, Sophie Marin-Degor, Marc Barrard, Sibyl Zanganelli, Carine Séchehaye, Rodolphe Bria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabre D'Églantine
Philippe François Nazaire Fabre d'Églantine (, 28 July 1750 – 5 April 1794), commonly known as Fabre d'Églantine, was a French actor, dramatist, poet, and politician of the French Revolution. He is best known for having invented the names of the months in the French Republican calendar, and for the song Il pleut, il pleut, bergère which is still a popular nursery rhyme today. Early life He was born in Carcassonne, Aude. His surname was Fabre, the ''d'Églantine'' being added in commemoration of his receiving a silver wild rose (french: églantine) from Clémence Isaure from the Academy of the ''Jeux Floraux'' at Toulouse. He married Marie Strasbourg Nicole Godin on 9 November 1778. His earliest works included the poem ''Étude de la nature'', "The Study of Nature", in 1783. After travelling in the provinces as an actor, he came to Paris, where he produced an unsuccessful comedy entitled ''Les Gens de lettres, ou Le provincial à Paris'' (1787). A tragedy, ''Augusta'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Dalayrac
Nicolas-Marie d'Alayrac (; bapt. 13 June 175326 November 1809), nicknamed the Musician poet, more commonly Nicolas Dalayrac, was a French composer of the Classical period. Intended for a military career, he made the acquaintance of many musicians in the Parisian salons, which convinced him of his true vocation. Among his most popular works, '' Nina, or The Woman Crazed with Love'' (1786), which tackles the theme of madness and arouses real enthusiasm during its creation, premiered on 23 November at the Stroganov Palace. '' The Two Little Savoyards'' (1789), which deals with the rapprochement of social classes, a theme bearing the ideals of the French Revolution, Camille ou le Souterrain (1791), judged as his best production or even Léon ou le Château de Monténéro (1798) who by his leitmotifs announces a new genre. If he forges an international reputation, he remains nevertheless less known in the lyrical field than André Grétry. His first compositions were violin du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapeau Clairval
A chapeau is a flat-topped hat once worn by senior clerics. In heraldry In European ecclesiastical heraldry, it is used as a mark of ecclesiastical dignity, especially that of cardinals, where it is called the ''red chapeau''. It is worn over the shield by way of crest, as mitres and coronets are. A galero chapeau is flat, very narrow atop, but with a broad brim, adorned with long silken strings interlaced; suspended from within with rows of tassels, called by the Italians ''fiocchi'', increasing in number as they come lower. The hat was given to them by Innocent IV in 1250, but was not used in arms till the year 1300. Until that time, the cardinals were represented with mitres. Archbishops and patriarchs bore a green hat, with four rows of tassels; bishops wore the same color, but with three; abbots and apostolical prothonotaries with two. The chapeau is also sometimes used as a mark of secular dignity, such as a cap or coronet armed with ermine, worn by dukes, etc. In this ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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