Claire Calvert
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Claire Calvert
Claire Louise Calvert (born 1988) is an English ballet dancer and is a first soloist at the Royal Ballet. Early life and training Calvert started ballet training at the age of three. She started attending The Royal Ballet School when she was 11, where she was coached by Darcey Bussell. She danced lead roles ''Raymonda'' Act III and ''Jabula'' on her graduation year. While she was a student, she danced roles such as a swan in '' Swan Lake'', a nymph in '' The Sleeping Beauty'' and a snowflake in ''The Nutcracker'' at The Royal Ballet. Career Calvert graduated into The Royal Ballet in 2007. In 2009, while she was still an Artist, she made her principal role debut, as The Lilac Fairy in '' The Sleeping Beauty''. She was subsequently named First Artist in 2010, Soloist in 2012 and First Soloist in 2016. She has since other principal roles such as the Queen of Dryads and Mercedes in ''Don Quixote'', Lescaut’s Mistress in '' Manon'', Queen of the Willis in '' Giselle'', Hermione in ...
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Bath, Somerset
Bath () is a city in the Bath and North East Somerset unitary area in the county of Somerset, England, known for and named after its Roman-built baths. At the 2021 Census, the population was 101,557. Bath is in the valley of the River Avon, west of London and southeast of Bristol. The city became a World Heritage Site in 1987, and was later added to the transnational World Heritage Site known as the " Great Spa Towns of Europe" in 2021. Bath is also the largest city and settlement in Somerset. The city became a spa with the Latin name ' ("the waters of Sulis") 60 AD when the Romans built baths and a temple in the valley of the River Avon, although hot springs were known even before then. Bath Abbey was founded in the 7th century and became a religious centre; the building was rebuilt in the 12th and 16th centuries. In the 17th century, claims were made for the curative properties of water from the springs, and Bath became popular as a spa town in the Georgian era. ...
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La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian '' Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. ...
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People Educated At The Royal Ballet School
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet (based at the Royal Opera House in London) and the Birmingham Royal Ballet. Admission to the school is based purely on dancing talent and potential, regardless of academic ability or personal circumstances, and 90% of current students rely on financial support to attend the school. The school is based at two sites, White Lodge, Richmond Park (for students aged 11–16) and Covent Garden (for students from 16 to 19 years old) based in purpose-built studios on Floral Street, adjacent to the Royal Opera House. The Royal Ballet School has produced dancers and choreographers of international renown, including Dame Margot Fonteyn, Dame Beryl Grey, Sir Kenneth MacMillan, Dame Darcey Bussell, Alessandra Ferri, Viviana Dur ...
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English Ballerinas
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community ...
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After The Rain (ballet)
''After the Rain'' is a ballet choreographed by Christopher Wheeldon on New York City Ballet to music of Arvo Pärt, including ''Tabula Rasa'' (first movement, ''Ludus'') and ''Spiegel im Spiegel''. The ballet premiered on January 22, 2005, at the New York State Theater, Lincoln Center. The final ''pas de deux'' is commonly performed separately from the remainder of the ballet. Production Background ''After the Rain'' was commissioned as a part of New York City Ballet's annual New Combinations Evening, which honors the anniversary of George Balanchine’s birth with new ballets. It was the last ballet Wheeldon created for Jock Soto before Soto's retirement in June 2005. Choreography and music The first part of the ballet, set to Arvo Pärt's ''Tabula Rasa'', features three couples. The second part is a pas de deux originated by Soto and Wendy Whelan, which Wheeldon said it was a "love letter, this poem to both of them as artists." The music, Pärt's ''Spiegel im Spiegel'', was ...
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Concerto (ballet)
''Concerto'' is a one-act ballet in three movements created by Kenneth MacMillan in 1966 for the Deutsche Oper Ballet. The music is Dmitri Shostakovich's Second Piano Concerto (1957). The ballet premiered on 30 November 1966. Production The ballet is plotless and consists of three movements. The first was originated by Didi Carli and Falco Kapuste. The second movement is a '' pas de deux'' originated by Lynn Seymour and Rudolf Holz, and was inspired by Seymour's warm up. MacMillan had said that he "decided to incorporate the idea of the barre work into the choreography." The man acts as a "barre" for the female dancer. The third and final movement was intended for a "playful" lead couple, but the male dancer broke his foot prior to the premiere, so MacMillan turned the pas de deux to a female solo, danced by Silvia Kesselheim. The ballet also includes a corps de ballet, that dances in unison, originally 16 women and 8 men. The original design by Jürgen Rose uses a yellow ba ...
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Manon (ballet)
''L'histoire de Manon'', generally referred to as ''Manon'', is a ballet choreographed by Kenneth MacMillan to music by Jules Massenet and based on the 1731 novel '' Manon Lescaut'' by Abbé Prévost. The ballet was first performed by The Royal Ballet in London in 1974 with Antoinette Sibley and Anthony Dowell in the leading roles. It continues to be performed and recognised internationally. Background Kenneth MacMillan had been thinking about choreographing a ballet about the story of Manon Lescaut for some time. Three years into his artistic directorship of The Royal Ballet, he wanted to create a large-scale operatic ballet that would provide exciting roles both for the company's principal dancers and the ''corps de ballet''.Parry, p. 428 On the last night of the company's summer season in 1973, MacMillan left a copy of Prévost's novel in Antoinette Sibley's dressing room, with a note informing her that it would "come in handy for March 7, '74". As the copy of ''Manon Lesca ...
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Cinderella (Ashton)
This version of the ''Cinderella'' ballet, using Sergei Prokofiev's ''Cinderella'' music and re-choreographed by Frederick Ashton, is a comic ballet. Ballet productions Plot outline Ashton's ''Cinderella'' is his own realised dream of a Petipa ballet and the ballet itself enacts the realisation of dreams, notably Cinderella's own. When we first see her she is a demi-caractere dancer dreaming of being a ballerina—that seems to be the balletic point of her solo with the broomstick in the kitchen—and it is as a ballerina that she magically enters the ballroom, stepping ''en pointe'' down the stairs and advancing in ''pas de bourree'' to the front of the stage. Back in the kitchen she recalls the slipper (or rather the pointe shoe) that she carries in her apron; the shoe is the clue to her dream and persuades her it was true. The Prince finds Cinderella, but in his arms she discovers her own identity as a ballerina and her dream of herself has been realised. Cinderella's ...
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Romeo And Juliet (MacMillan)
Choreographer Sir Kenneth MacMillan's Royal Ballet production of Sergei Prokofiev's ''Romeo and Juliet'' premiered at the Royal Opera House, Covent Garden on 9 February 1965. Background Kenneth MacMillan had previously choreographed the balcony scene for Lynn Seymour and Christopher Gable to dance in September 1964 for Canadian Television. This scene provided an essential part of the ballet's overall structure. Seymour stated that the balcony scene pas de deux only took three rehearsals to fully choreograph. This experience made him seem a good candidate to choreograph the entire ballet for Covent Garden, when the Soviet Union refused to allow Leonid Lavrovsky's classic production to tour to London. MacMillan prepared his version with the blessing of Frederick Ashton. MacMillan only had five months to choreograph the full ballet as The Royal Ballet hoped to perform Romeo and Juliet in its upcoming American tour. He, Seymour, and Gable planned the ballet around the characte ...
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Anastasia (ballet)
''Anastasia'' is a ballet created by Kenneth MacMillan. The first version in one act was premiered in 1967 by the Deutsche Oper Berlin, Deutsche Oper Ballet. In 1971 MacMillan expanded the work to three acts for the Royal Ballet; the original one-act version became the final act of the 1971 work."Anastasia (three acts)"
Royal Opera House Collections Online, retrieved 10 October 2014
The 1967 version uses Bohuslav Martinů's Symphony No. 6 (Martinů), Symphony No. 6 (1953) and untitled electronic music by Fritz Winckel and Rüdiger Rüfer. The three-act version also used Pyotr Ilyich Tchaikovsky, Tchaikovsky's Symphony No. 1 (Tchaikovsky), Symphony No. 1 and Symphony No. 3 (Tchaikovsky), Symphony No. 3. The ballet is based on the story of Anna Anderson, who purported to be the Grand Duchess Anastasia N ...
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The Dream (ballet)
''The Dream'' is a one-act ballet adapted from Shakespeare's '' A Midsummer Night's Dream'', with choreography by Frederick Ashton to music by Mendelssohn arranged by John Lanchbery. It was premiered by The Royal Ballet at the Royal Opera House, Covent Garden on 2 April 1964 in a triple bill with Kenneth MacMillan's ''Images of Love'' and Robert Helpmann's ''Hamlet''. Background The ballet was presented to mark the 400th anniversary of Shakespeare's birth. Ashton drastically trimmed Shakespeare's plot, discarding Theseus and Hippolyta and the play-within-a-play, ''Pyramus and Thisbe''. The focus of the ballet is on the fairies and the four lovers from Athens lost in the wood. Lanchbery adapted the overture and incidental music Mendelssohn had written for the play in 1826 and 1842. Ashton and his designers, Henry Bardon and David Walker, set the action in or about the 1840s. Plot In the forest outside Athens, Oberon, king of the fairies, fights furiously with his wife Titani ...
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