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Cincinnati Symphony Orchestra
The Cincinnati Symphony Orchestra is an American orchestra based in Cincinnati, Ohio. Its primary concert venue is Music Hall. In addition to its symphony concerts, the orchestra gives pops concerts as the Cincinnati Pops Orchestra. The Cincinnati Symphony is the resident orchestra for the Cincinnati May Festival, the Cincinnati Opera, and the Cincinnati Ballet. Additionally, the orchestra supports the Cincinnati Symphony Youth Orchestra (CSYO), a program for young musicians in grades 9 to 12. History Several orchestras had existed in Cincinnati between 1825 and 1872. The immediate precursor ensemble to the current orchestra was the Cincinnati Orchestra, founded in 1872. In 1893, Helen Herron Taft founded the Cincinnati Orchestra Association, and the name of the orchestra was formalised to the Cincinnati Symphony Orchestra. The Cincinnati Symphony Orchestra gave its first concerts in 1895 at Pike's Opera House. A year later, the orchestra moved to Music Hall. Its firs ...
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Cincinnati Symphony Orchestra Logo
Cincinnati ( ) is a city in the U.S. state of Ohio and the county seat of Hamilton County, Ohio, Hamilton County. Settled in 1788, the city is located at the northern side of the confluence of the Licking River (Kentucky), Licking and Ohio River, Ohio rivers, the latter of which marks the state line with Kentucky. The city is the economic and cultural hub of Cincinnati metropolitan area, the Cincinnati metropolitan area. With an estimated population of 2,256,884, it is Ohio's largest metropolitan area and the Metropolitan statistical area, nation's 30th-largest, and with a city population of 309,317, Cincinnati is the list of cities in Ohio, third-largest city in Ohio and list of united states cities by population, 64th in the United States. Throughout much of the 19th century, it was among the top 10 U.S. cities by population, surpassed only by New Orleans and the older, established settlements of the United States East Coast of the United States, eastern seaboard, as well as be ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section ( violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound ...
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Max Rudolf (conductor)
Max Rudolf (June 15, 1902 — February 28, 1995) was a German conductor and music institute teacher. Rudolf was born in Frankfurt am Main, where he studied cello, piano, organ and trumpet. He was a composition student of Bernhard Sekles at the Hoch Conservatory in Frankfurt.''A musical life: writings and letters''. Max Rudolf, Michael Stern and Hanny Bleeker White. Published by Pendragon Press, 2001. He held positions in Freiburg as assistant conductor at the Städtisches Theater, and as second conductor at the Hessisches Staatstheater in Darmstadt. In 1929, he became principal conductor of the German Theatre in Prague. In 1940, Rudolf emigrated to the United States, and took American citizenship in 1945. He served on the conducting staff of the Metropolitan Opera between 1946 and 1958, and had the title of musical administrator of the company between 1950 and 1958. In 1958, Rudolf became music director of the Cincinnati Symphony Orchestra, and held this post until 1970. ...
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Remington Records
Remington Records was a low budget record label. It existed from 1950 until 1957 and specialized in classical music. Unfortunately, the discs suffered from considerable surface noise.Soundfountain website History The earliest Remington recordings were made in Vienna. They were produced by Marcel Prawy from 1950 till 1953. In 1953 Berlin became the recording venue outside the United States.Soundfountain Producer Don Gabor, recording director Laszlo Halasz and engineer Robert Blake made the very first commercial stereophonic tape recordings in the United States in 1953 with Thor Johnson and the Cincinnati Symphony Orchestra. They included Dvořák's ''Symphony No. 8'' (then No. 4) and symphonic and choral works by Sibelius. These stereo recordings were released as mono records in 1954. Mono and stereo recordings were also made in Berlin with the RIAS (Radio in the American Sector) Symphony Orchestra. The recordings were supervised by Don Gabor and conductor Laszlo Halasz. Beside ...
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Thor Johnson
Thor Martin Johnson (June 10, 1913 – January 16, 1975) was an American conductor. He was born in Wisconsin Rapids, Wisconsin. He studied at the University of North Carolina at Chapel Hill, where he was president of the Alpha Rho chapter of Phi Mu Alpha Sinfonia fraternity. He was the first recipient of the fraternity's national Charles E. Lutton Man of Music Award in 1952. He was an initiate of the Alpha Xi chapter of Pi Kappa Alpha fraternity. From 1940 to 1942, he was music director of the Grand Rapids Symphony in Grand Rapids, Michigan, which was a community orchestra at the time. In 1947 he was appointed conductor of the Cincinnati Symphony Orchestra, the youngest American born conductor of a major American orchestra at that time. That same year, Johnson was named the first Music Director of the Ojai Music Festival in Ojai, California. He served in that capacity from 1947–1950 and again from 1952–53. A member of the Moravian Church, he was deeply devoted to promo ...
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Lincoln Portrait
''Lincoln Portrait'' (also known as ''A Lincoln Portrait'') is a classical orchestral work written by the American composer Aaron Copland. The work involves a full orchestra, with particular emphasis on the brass section at climactic moments. The work is narrated with the reading of excerpts of Abraham Lincoln's great documents, including the Gettysburg Address. An orchestra usually invites a prominent person to be the narrator. History Conductor Andre Kostelanetz commissioned Copland to write a musical portrait of an "eminent American" for the New York Philharmonic. Copland chose President Abraham Lincoln, and used material from speeches and letters of Lincoln, as well as original folk songs of the period, including " Camptown Races" and " On Springfield Mountain". Copland finished ''Lincoln Portrait'' in April 1942. The first performance was by the Cincinnati Symphony Orchestra on 14 May 1942, with William Adams as the narrator. Because of his leftist views Copland was bl ...
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Fanfare For The Common Man
''Fanfare for the Common Man'' is a musical work by the American composer Aaron Copland. It was written in 1942 for the Cincinnati Symphony Orchestra under conductor Eugene Goossens and was inspired in part by a speech made earlier that year by then American Vice President Henry A. Wallace, in which Wallace proclaimed the dawning of the "Century of the Common Man". Several alternative versions have been made and fragments of the work have appeared in many subsequent US and British cultural productions, such as in the musical scores of movies. Instrumentation This fanfare is written for the following instruments: * four horns (in F) * three trumpets (in B) * three trombones * tuba * timpani * bass drum * tam-tam The Fanfare Copland, in his autobiography, wrote of the request: " Eugene Goossens, conductor of the Cincinnati Symphony Orchestra, had written to me at the end of August about an idea he wanted to put into action for the 1942–43 concert season. During World W ...
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Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid'' and ''Rodeo'', his ''Fanfare for the Common Man'' and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Coplan ...
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Eugene Aynsley Goossens
Sir Eugene Aynsley Goossens (; 26 May 189313 June 1962) was an English conductor and composer. Biography He was born in Camden Town, London, the son of the Belgian conductor and violinist Eugène Goossens (''fils'', 1867–1958) and Annie Cook, a Carl Rosa Opera Company singer. He was the grandson of the conductor Eugène Goossens (''père'', 1845–1906; his father and grandfather spelled Eugène with a grave accent; he himself did not). He studied music at the age of ten in Bruges, three years later at Liverpool College of Music, and in 1907 in London on a scholarship at the Royal College of Music under composer Charles Villiers Stanford and the violinist Achille Rivarde among others. He won the silver medal of the Worshipful Company of Musicians and was made associate of the Royal College of Music.Banfield, Stephen'Goossens, Sir (Aynsley) Eugene' in Grove Music Online, 2001 He was a first violin in Henry Wood's Queen's Hall Orchestra from 1911 to 1915 and as seco ...
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Fritz Reiner
Frederick Martin "Fritz" Reiner (December 19, 1888 – November 15, 1963) was a prominent conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s. Life and career Reiner was born in Budapest, Austria-Hungary into a secular Jewish family that resided in the Pest area of the city. After preliminary studies in law at his father's urging, Reiner instead decided to pursue the study of piano, piano pedagogy, and composition at the Franz Liszt Academy. During his last two years there, his piano teacher was the young Béla Bartók. After early engagements at opera houses in Budapest and Dresden (June 1914 to November 1921), where he worked closely with Richard Strauss, he moved to the United States in 1922 to take ...
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Eugène Ysaÿe
Eugène-Auguste Ysaÿe (; 16 July 185812 May 1931) was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar". Legend of the Ysaÿe violin Eugène Ysaÿe came from a background of "artisans", though a large part of his family played instruments. As violinist Arnold Steinhardt recounts, a legend was passed down through the Ysaÿe family about the first violin brought to the lineage: It was told of a boy whom some woodcutters found in the forest and brought to the village. The boy grew up to be a blacksmith. Once, at a village festival, he astonished everyone by playing the viol beautifully. From then on the villagers took pleasure in dancing and singing to the strains of his viol. One day an illustrious stranger stopped in front of the smithy to have his horse shod. The count's servant saw the viol inside and told the young smith that he had heard a new Italian instrument played by some ...
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Ernst Kunwald
Ernst Kunwald (April 14, 1868 – December 12, 1939) was an Austrian conductor. Life Ernst Kunwald was born and died in Vienna. He studied law at the University of Vienna, earning his Dr. Juris in 1891. He also studied piano with Teodor Leszetycki and composition with Hermann Graedener. At the Leipzig Conservatory he studied with the composer Salomon Jadassohn. He conducted opera in the following cities: Rostock (1895–1897), Sondershausen (1897–1898), Essen (1898–1900), Halle (1900–1901), Madrid (1901–1902), Frankfurt (1902–1905), and at Berlin’s Kroll Opera House (1905−1906). He served as assistant conductor of the Berlin Philharmonic (1907–1912). He was the conductor of the Cincinnati Symphony Orchestra 1912–1917 and the Cincinnati May Festival 1914–1917. His approach to conducting was very different than his predecessor in Cincinnati, the flamboyant Leopold Stokowski. A Stokowski detractor, J. Herman Thuman, wrote a review in ''The Cincinnati En ...
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