|
Chôros No. 3
''Chôros No. 3'', "Pica-pau" (Woodpecker) is a work for male choir or instrumental septet, or both together, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled ''Chôros'', ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras. and in duration up to over an hour. ''Chôros No. 3'' is one of the shorter members of the series, a performance lasting about three-and-a-half minutes. History ''Chôros No. 3'' was composed in São Paulo in 1925, the year after ''Chôros No. 2, Chôros Nos. 2 and ''Chôros No. 7, 7 were written, and the score is dedicated to the painter Tarsila do Amaral and the poet Oswald de Andrade. It was premiered 30 November 1925 at the Theatro Municipal (São Paulo), Theatro Municipal in São Paulo by Antenor Driussi (clarinet), Canelle, Pierre, Martin Palka, Nicola Micelli, Paulo Alpenien, and Frederic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' Choro, chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottisc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros No
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1925 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * 19 (film), ''19'' (film), a 2001 Japanese film * Nineteen (film), ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * 19 (Adele album), ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD (rapper), MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * XIX (EP), ''XIX'' (EP), a 2019 EP by 1the9 Songs * 19 (song), "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee (Bad4Good album), Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * Nineteen (song), "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Heitor Villa-Lobos
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonograph Cylinder
Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" in their era of greatest popularity (c. 1896–1916), these hollow cylindrical objects have an audio recording engraved on the outside surface, which can be reproduced when they are played on a mechanical cylinder phonograph. In the 1910s, the competing disc record system triumphed in the marketplace to become the dominant commercial audio medium. Early development In December 1877, Thomas Edison and his team invented the phonograph using a thin sheet of tin foil wrapped around a hand-cranked, grooved metal cylinder. Tin foil was not a practical recording medium for either commercial or artistic purposes, and the crude hand-cranked phonograph was only marketed as a novelty, to little or no profit. Edison moved on to developing a practical incandescent electric light, and the next improvements to sound recording technology were made by others. Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colaptes Melanochloros -Bataguassu, Mato Grosso Do Sul, Brazil-8
''Colaptes'' is a genus of birds in the woodpecker family Picidae. The 14 species are found across the Americas. ''Colaptes'' woodpeckers typically have a brown or green back and wings with black barring, and a beige to yellowish underside, with black spotting or barring. There are usually colorful markings on the head. Many of these birds – particularly the northerly species – are more terrestrial than usual among woodpeckers. Historically, there has been considerable uncertainty in assigning woodpecker species to genera and it is only by comparing DNA sequences that it has become possible to confidently place many of the species. Taxonomy The genus ''Colaptes'' was introduced by the Irish zoologist Nicholas Aylward Vigors in 1825 with the northern flicker (''Colaptes auratus'') as the type species. The name is from the Ancient Greek κολάπτης (''kolaptēs'') meaning "chiseller". The genus forms part of the woodpecker subfamily Picinae and has a sister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaveau
Gaveau of Paris was a French piano manufacturer. The company was established by Joseph Gabriel Gaveau in 1847 in Paris and was one of the three largest piano makers in France (after Érard and Pleyel). Its factory was located at Fontenay-sous-Bois. Some Gaveau pianos were constructed with art cabinets. Many pianos have been equipped with pneumatic systems (Odeola, Ampico and Welte). In 1960, Gaveau merged with Érard. From 1971 to 1994 Gaveau pianos were made by pianoforte manufacturing company Wilhelm Schimmel. The brand is currently owned by Manufacture Française de Pianos, the same company that owns the Pleyel and Erard brands. Today, Manufacture Française de Pianos manufactures certain models under the Gaveau name. Family competition Joseph Gabriel Gaveau had six children, and Étienne Gaveau received competition from his brothers. Gabriel Gaveau was established in 1911. Gabriel Gaveau made some pianos with pedal or Duo-Art systems, and was located in 1919, 55-57 Av. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oswald De Andrade 1920
Oswald may refer to: People *Oswald (given name), including a list of people with the name *Oswald (surname), including a list of people with the name Fictional characters *Oswald the Reeve, who tells a tale in Geoffrey Chaucer's ''The Canterbury Tales'' *Oswald, servant of Goneril in Shakespeare's play ''King Lear'' * Oswald Bastable, in E. Nesbit's novel ''The Story of the Treasure Seekers'' and Michael Moorcock's unrelated novel ''The Warlord of the Air'' *Roald Dahl's title character in the novel ''My Uncle Oswald'', as well as two short stories *Oswald the Lucky Rabbit, a cartoon character from the 1920s and 1930s created by Walt Disney *Oswald Chesterfield Cobblepot, Batman villain better known as the Penguin *Oswald Baskerville, in the Pandora Hearts manga * Oswald (comics), a Marvel Comics mutant *Clara Oswald, a character in the British science fiction TV series ''Doctor Who'' *Oswald Danes, in the British science fiction TV series ''Torchwood: Miracle Day'' *Oswald "Ott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarsila Do Amaral, Ca
Tarsila de Aguiar do Amaral (; 1 September 1886 – 17 January 1973) was a Brazilian painter, draftswoman, and translator. She is considered one of the leading Latin American modernist artists, and is regarded as the painter who best achieved Brazilian aspirations for nationalistic expression in a modern style.Lucie-Smith, Edward. Latin American Art of the 20th Century. London: Thames & Hudson Ltd, 2004: 42. As a member of the ''Grupo dos Cinco'', Tarsila is also considered a major influence in the modern art movement in Brazil, alongside Anita Malfatti, Menotti Del Picchia, Mário de Andrade, and Oswald de Andrade. She was instrumental in the formation of the aesthetic movement, ''Antropofagia'' (1928–1929); in fact, Tarsila was the one with her celebrated painting, ''Abaporu'', who inspired Oswald de Andrade's famous ''Manifesto Antropófago''.C. Jauregui "Antropofagia" https://www.academia.edu/6998258/Antropofagia_Cultural_cannibalism_ Early life and education Tarsila do Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatro Municipal (São Paulo)
Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of Modern Art in 1922, which revolutionised the arts in Brazil. The building now houses the São Paulo Municipal Symphonic Orchestra, the ''Coral Lírico'' (Lyric Choir) and the City Ballet of São Paulo. History Design, construction and inauguration The idea of building a representative theatre for the city of São Paulo was inspired by its increasing importance on the international stage. From the beginning of 20th century it was inhabited by the Brazilian bourgeoisie, of which a great part was involved in the business of coffee farming. The city had also quite a large Italian population. So far, the city could only rely on the Teatro São José, which after a fire was no longer suitable for large foreign productions, and more modest theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
