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Château De Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thoma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontainebleau
Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissement'' of Fontainebleau. The commune has the largest land area in the Île-de-France region; it is the only one to cover a larger area than Paris itself. The commune is closest to Seine-et-Marne Prefecture, Melun. Fontainebleau, together with the neighbouring commune of Avon and three other smaller communes, form an urban area of 36,724 inhabitants (2018). This urban area is a satellite of Paris. Fontainebleau is renowned for the large and scenic forest of Fontainebleau, a favourite weekend getaway for Parisians, as well as for the historic Château de Fontainebleau, which once belonged to the kings of France. It is also the home of INSEAD, one of the world's most elite business schools. Inhabitants of Fontainebleau are sometimes calle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip IV Of France
Philip IV (April–June 1268 – 29 November 1314), called Philip the Fair (french: Philippe le Bel), was King of France from 1285 to 1314. By virtue of his marriage with Joan I of Navarre, he was also King of Navarre as Philip I from 1284 to 1305, as well as Count of Champagne. Although Philip was known to be handsome, hence the epithet ''le Bel'', his rigid, autocratic, imposing, and inflexible personality gained him (from friend and foe alike) other nicknames, such as the Iron King (french: le Roi de fer, link=no). His fierce opponent Bernard Saisset, bishop of Pamiers, said of him: "He is neither man nor beast. He is a statue." Philip, seeking to reduce the wealth and power of the nobility and clergy, relied instead on skillful civil servants, such as Guillaume de Nogaret and Enguerrand de Marigny, to govern the kingdom. The king, who sought an uncontested monarchy, compelled his upstart vassals by wars and restricted their feudal privileges, paving the way fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotto
A grotto is a natural or artificial cave used by humans in both modern times and antiquity, and historically or prehistorically. Naturally occurring grottoes are often small caves near water that are usually flooded or often flooded at high tide. Sometimes, artificial grottoes are used as garden features. The '' Grotta Azzurra'' at Capri and the grotto at Tiberius' Villa Jovis in the Bay of Naples are examples of popular natural seashore grottoes. Whether in tidal water or high up in hills, grottoes are generally made up of limestone geology, where the acidity of standing water has dissolved the carbonates in the rock matrix as it passes through what were originally small fissures. Etymology The word ''grotto'' comes from Italian ''grotta'', Vulgar Latin ''grupta'', and Latin ''crypta'' ("a crypt"). It is also related by a historical accident to the word ''grotesque''. In the late 15th century, Romans accidentally unearthed Nero's '' Domus Aurea'' on the Palatine Hill, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance Garden
The Italian Renaissance garden was a new style of garden which emerged in the late 15th century at villas in Rome and Florence, inspired by classical ideals of order and beauty, and intended for the pleasure of the view of the garden and the landscape beyond, for contemplation, and for the enjoyment of the sights, sounds and smells of the garden itself. In the late Renaissance, the gardens became larger, grander and more symmetrical, and were filled with fountains, statues, grottoes, water organs and other features designed to delight their owners and amuse and impress visitors. The style was imitated throughout Europe, influencing the gardens of the French Renaissance, the English knot garden, and the French formal garden style developed in the 17th century. Background Prior to the Italian Renaissance, Italian Medieval gardens were enclosed by walls, and were devoted to growing vegetables, fruits and medicinal herbs, or, in the case of monastic gardens, for silent meditation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Renaissance Architecture
French Renaissance architecture is a style which was prominent between the late 15th and early 17th centuries in the Kingdom of France. It succeeded French Gothic architecture. The style was originally imported from Italy after the Hundred Years' War by the French kings Charles VII, Louis XI, Charles VIII, Louis XII and François I. Several notable royal châteaux in this style were built in the Loire Valley, notably the Château de Montsoreau, the Château de Langeais, the Château d'Amboise, the Château de Blois, the Château de Gaillon and the Château de Chambord, as well as, closer to Paris, the Château de Fontainebleau. This style of French architecture had two distinct periods. During the first period, between about 1491 and 1540, the Italian style was copied directly, often by Italian architects and craftsmen. In the second period, between 1540 and the end of the Valois dynasty in 1589, French architects and craftsmen gave the style a more distinctive and original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin. Its eighteen integral regions (five of which are overseas) span a combined area of and contain clos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
School Of Fontainebleau
The School of Fontainbleau (french: École de Fontainebleau) (c. 1530 – c. 1610) refers to two periods of artistic production in France during the late Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming the Northern Mannerism. First School of Fontainebleau (from 1531) In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by François I to come to France, where he began an extensive decorative program for the Château de Fontainebleau. In 1532 he was joined by another Italian artist, Francesco Primaticcio (from Bologna). Rosso died in France in 1540. On the advice of Primaticcio, Niccolò dell'Abbate (from Modena) was invited to France in 1552 by François's son Henri II. Although known for their work at Fontainebleau, these artists were also invited to create works of art for other noble families of the period and were much esteemed and well-paid. The works of thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Primaticcio
Francesco Primaticcio (April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Scibec Da Carpi
Francesco Scibec, called Scibec da Carpi, was a 16th-century Italian furniture maker from Carpi near Modena. He worked for the French royal court amongst a group of artists now called the first school of Fontainebleau. Francesco arrived at the building of Fontainebleau for Francis I of France at the same time as his compatriot, Rosso Fiorentino in 1530. There he completed the panelling of the Gallerie François Ier. One of his contracts for the renewed furnishing in oak and walnut of the great gallery and pavilion near the lake at Fontainebleau was made according to the king's personal instructions in February 1541. He also worked at the Château d'Anet for Diane de Poitiers. In 1549 he was contracted to decorate boats for a pageant on the Seine for the entry of Henry II of France to Paris. Francesco also made furniture and panelling for private and ecclesiastical clients. In July 1552 he accepted as apprentice Bartholomew, the son of another Italian painter colleague at Font ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosso Fiorentino
Giovanni Battista di Jacopo (8 March 1495 in Gregorian style, or 1494 according to the calculation of times in Florence where the year began on 25 March – 14 November 1540), known as Rosso Fiorentino (meaning "Red Florentine" in Italian), or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school. Biography Born in Florence with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. His early works include '' Holy Family with the Infant Saint John the Baptist'' (Walters Art Gallery), ''Cherub Playing a Lute'' (Uffizi) and '' The Infant Saint John the Baptist'' (private collection), all produced around 1521. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Serlio
Sebastiano Serlio (6 September 1475 – c. 1554) was an Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau. Serlio helped canonize the classical orders of architecture in his influential treatise variously known as ''I sette libri dell'architettura'' ("Seven Books of Architecture") or ''Tutte l'opere d'architettura et prospetiva'' ("All the works on architecture and perspective"). Biography Born in Bologna, Serlio went to Rome in 1514, and worked in the atelier of Baldassare Peruzzi, where he stayed until the Sack of Rome in 1527 put all architectural projects on hold for a time. Like Peruzzi, he began as a painter. He lived in Venice from about 1527 to the early 1540s but left little mark on the city. Serlio's model of a church façade was a regularized version, cleaned up and made more classical, of the innovative method of providing a façade to a church with a high vaulted nave flanked by low side aisles, providing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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