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Chronological List Of Brazilian Classical Composers
{{Short description, none The following is a chronological list of Brazilian classical composers: Baroque * António José da Silva (1705–1739) Classical * José Joaquim Emerico Lobo de Mesquita (1746–1805) * Francisco Gomes da Rocha (1746–1808) * André da Silva Gomes (1752–1844) * Marcos Coelho Neto (1763–1823) * José Maurício Nunes Garcia (1767–1830) Romantic * Damião Barbosa de Araújo (1778–1856) * Elias Álvares Lobo (1834–1901) * Antônio Carlos Gomes (1836–1896) * Brasílio Itiberê da Cunha (1846–1913) * Chiquinha Gonzaga (1847–1935) * Leopoldo Miguez (1850–1902) * Henrique Oswald (1852–1931) * Ernesto Nazareth (1863-1934) * Alexandre Levy (1864–1892) * Alberto Nepomuceno (1864–1920) * Antônio Francisco Braga (1868–1945) Modern/Contemporary * Zequinha de Abreu (1880–1935) * Heitor Villa-Lobos (1887–1959) * Ernani Braga (1888–1948) * Luciano Gallet (1893–1931) * Oscar Lorenzo Fernández (1897–1948) * Francisco Mign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
António José Da Silva
António José da Silva Coutinho (8 May 170518 October 1739) was a Portuguese dramatist born in colonial Brazil, known as "the Jew" (''O Judeu''). The Brazilian spelling of his first name is Antônio; António José da Silva Coutinho in Hebrew is . Life His parents, João Mendes da Silva and Lourença Coutinho, descended from Jews who had emigrated to the colony of Brazil to escape the Inquisition, but in 1702 that tribunal began to persecute the Marranos or anyone of Jewish descent in Rio, and in October 1712 Lourença Coutinho became a victim. Her husband and children accompanied her to Portugal when António was 7 years old, where she figured among the "reconciled" in the ''auto-da-fé'' of July 9, 1713, after undergoing the torment only. Her husband, having then acquired a fixed domicile in Lisbon, settled down to advocacy with success, and he was able to send António to the University of Coimbra, where he matriculated in the faculty of law. In 1726 António was suddenly im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zequinha De Abreu
José Gomes de Abreu, better known as Zequinha de Abreu (September 19, 1880 – January 22, 1935), was a Brazilian musician and composer. Abreu was born in Santa Rita do Passa Quatro, São Paulo state. He is best known for the famous choro tune "Tico-Tico no Fubá" (1917), whose original title was "Tico-Tico no Farelo". Other well-known tunes he wrote were "Branca" and "Tardes em Lindóia." Tico-Tico is played in various melodic versions all over the world. Abreu died in São Paulo São Paulo (, ; Portuguese for ' Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the Ga ..., aged 54. External links Website Zequinha de Abreu References * 1880 births 1935 deaths People from Santa Rita do Passa Quatro Brazilian composers {{Brazil-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogério Duprat
Rogério Duprat (7 February 1932 – 26 October 2006) was a Brazilian composer and musician. Biography Born in Rio de Janeiro, Duprat spent much of his life in São Paulo, where he died. It was there in the early 1960s that he developed an interest in the avant-garde art and music that would soon lead to him studying in Europe with Karlheinz Stockhausen and Pierre Boulez. Returning to Brazil, Duprat wrote scores for Walter Hugo Khouri's films. Against the background of military dictatorship, Duprat met the leaders of Tropicália: Caetano Veloso and Gilberto Gil. He found himself instantly drawn to the movement by their determination to absorb universal culture and revolutionize Brazilian music. He wrote most of the arrangements of tropicália albums by Caetano Veloso, Gilberto Gil, Tom Zé, Gal Costa, Os Mutantes, including the album ''Tropicália ou Panis et Circenses''. He also made arrangements for other artists, such as Chico Buarque, Alceu Valença, Geraldo Azevedo etc. Dup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osvaldo Lacerda
Osvaldo Costa de Lacerda (March 23, 1927 – July 18, 2011) was a Brazilian composer and professor of music. Lacerda is known for a Brazilian nationalist musical style that combines elements of Brazilian folk and popular music as well as twentieth-century art music, as exemplified in the works of his teacher M. Camargo Guarnieri (1907–1997). His compositional output includes works for orchestra, choir, smaller vocal and instrumental ensembles, voice and piano, solo instrument and piano, solo piano, and other solo instruments. He received several musical awards during his lifetime, including the John Simon Guggenheim Memorial Foundation Fellowship, and contributed significantly to the training of younger musicians in Brazil as a professor of composition and theory, member of various musical organizations and societies, and author of textbooks for theory, ear training, and notation. Biography Early life and musical training Lacerda was born in the city of São Paulo in 1927 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilberto Mendes
Gilberto Mendes (13 October 1922 – 1 January 2016) was a 20th-century Brazilian avant-garde composer, and one of the pioneering fathers of the company New Consonant Music. Biography Gilberto Mendes was born in Santos, Brazil, in 1922. He studied piano with Antonieta Rudge and harmony with Sabino de Benedictis. The influence of Villa-Lobos is evident in his early works, in some way preceding the advent of bossa nova in his early songs. His contact with the poets of the Noigandres group gave him the ideological inspiration to feed his talent. He attended the Santos Conservatory from 1941 to 1948, where he studied harmony with and piano with Antonietta Rudge. He later studied composition under Cláudio Santoro in 1954 and under George Olivier Toni from 1958 to 1960. In 1962 and 1968 he attended the Darmstadt International Summer Courses for New Music where he attended classes given by Pierre Boulez, Henri Pousseur, and Karlheinz Stockhausen. In 1962 he created the New M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cláudio Santoro
Cláudio Franco de Sá Santoro (23 November 1919 – 27 March 1989) was an internationally renowned Brazilian composer, conductor and violinist. Biography Early life A native of Manaus, the capital of Amazonas, Santoro started to study violin and piano as a child. His efforts made the Government of Amazonas send him to study at the Conservatório Brasileiro de Música in Rio de Janeiro. Career At the age of 18, he was already teaching violin at the conservatory. He was a pupil of Hans-Joachim Koellreutter, a composer who influenced him. He also studied in Paris with Nadia Boulanger. He co-founded and played in the Brazilian Symphony Orchestra. His prolific output was mostly instrumental and includes fourteen symphonies, three piano concertos and seven string quartets. He was invited by the Government of the German Federal Republic for the Program "Resident Artist in West Berlin" (1966/67) and by the Brahms Foundation as Resident Artist of the Brahms House (Baden Baden). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Guerra-Peixe
César Guerra-Peixe (March 18, 1914 – November 26, 1993) was a Brazilian violinist, composer, and conductor. Guerra-Peixe was born in Petrópolis, son of Portuguese immigrants with Romani origins. Throughout his lifetime, Guerra-Peixe held numerous positions playing in orchestras and working as a composer and arranger in the production of radio broadcasts, recording, films, and cultural documentaries. His music can be heard in many Brazilian films, such as ''Terra é Sempre Terra'', ''O Canto do Mar'', ''Quero Essa Mulher Tanto Assim'', ''Riacho de Sangue'', ''Meu Nome é Lampião'', and ''Soledade''. Although he strongly embraced serialist techniques through his compositional studies with Koellreutter, Guerra-Peixe took a strong interest in northeastern Brazilian traditional music and culture and integrated elements of Brazilian nationalism to varying degrees in his compositions. While living in Recife, Guerra-Peixe conducted field work on traditional Brazilian music and cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Smetak
Anton Walter Smetak (Zurich, Switzerland, 13 February 1913 – Salvador, Brazil, 30 May 1984) was a Swiss-born musician, composer, writer, sculptor and producer of musical instruments. Life and works Walter Smetak was born in Zurich of Czech origin and migrated to Brazil in 1937. He was a composer and inventor of instruments with which he would then play and conduct. He was a professor of composition at the Federal University of Bahia (UFBA) School of Music from 1957 to 1984. Relatively unknown, he is considered a forerunner and early influence on the musicians and artists who would form the core of Tropicalia, such as Caetano Veloso, Gilberto Gil, Tom Zé and Torquato Neto Torquato Pereira de Araújo Neto (November 9, 1944 – November 10, 1972) was a Brazilian journalist, poet and songwriter. He is perhaps best known as a lyricist for the Tropicália counterculture movement, which later expanded its influence .... One of his best known works is the experimental a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart Camargo Guarnieri
Mozart Camargo Guarnieri (February 1, 1907 – January 13, 1993) was a Brazilian composer. Name Guarnieri was born in Tietê, São Paulo, and registered at birth as Mozart Guarnieri, but when he began a musical career, he decided his first name was too pretentious. Thus he adopted his mother's maiden name Camargo as a middle name, and thenceforth signed himself M. Camargo Guarnieri. In 1948, he legally changed his name to Mozart Camargo Guarnieri, but continued to sign only the initial of his first name. Guarnieri's Italian father, Michele Guarneri, a lover of classical music, named one of Camargo's brothers Rossine (a Portuguese misspelling of Rossini), and two others Verdi and Bellini. Life Guarnieri studied piano with Ernani Braga and and composition with at the Conservatório Dramático e Musical de São Paulo. In 1938, a fellowship from the Council of Artistic Orientation allowed him to travel to Paris, where he studied composition and aesthetics with Charles Koechlin a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radamés Gnattali
Radamés Gnattali (27 January 1906 – 3 February 1988) was a Brazilian composer of both classical and popular music, as well as a conductor, orchestrator, and arranger. Biography Radamés Gnattali was born in Porto Alegre (the capital of Rio Grande do Sul, the southernmost state of Brazil) on 27 January 1906. His parents were both musicians who had emigrated from Italy at the end of the 19th century. His mother, Adélia Fossati, was a pianist and music teacher. His father, Alessandro Gnattali, had been a carpenter in Italy, but after arriving in Brazil applied his passion for music to creating a new career for himself as a successful bassoonist and conductor (as a union leader with strong anarchist sympathies he also went on to organize a strike of the musicians' union in 1921). The couple had five children, three of whom, including Radamés, were named after characters from Verdi operas (the others being ''Aida'' and ''Ernani''). He began to play the piano with his mother at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Mignone
Francisco Paulo Mignone (September 3, 1897, São Paulo – February 19, 1986, Rio de Janeiro) was one of the most significant figures in Brazilian classical music, and one of the most significant Brazilian composers after Heitor Villa-Lobos. In 1968 he was chosen as Brazilian composer of the year. Life and career A graduate of the São Paulo Conservatory and then of the Milan Conservatory, Mignone returned to São Paulo in 1929 to teach harmony, and in 1933 took a post in Rio de Janeiro at the Escola Nacional de Música. Mignone was a versatile composer, dividing his output nearly evenly between solo songs, piano pieces, chamber instrumental works, orchestral works, and choral works. In addition, he wrote five operas and eight ballets. Son of the Italian immigrant flutist Alferio Mignone, Francisco was already making his mark upon the musical world of Brazil by the time he was 10 years old, gaining notoriety around his district playing in the choro style. A pianist and orch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Lorenzo Fernández
Oscar Lorenzo Fernández (4 November 1897 – 27 August 1948) was a Brazilian composer of Spanish descent. He was born and died in Rio de Janeiro. Life Fernández studied at the Instituto Nacional de Música with Francisco Braga, Frederico Nascimento, and Henrique Oswald. In 1923, Nascimento was taken seriously ill, and Fernández was designated his temporary substitute in the chair of upper-level harmony, an appointment which became permanent two years later. In 1936 he founded the Conservatório Brasileiro de Música in Rio de Janeiro, which he directed until his death. From 1939 onward, he also served as Professor of Choral Singing at the Conservatório Nacional de Canto Orfeônico. In 1930 Fernández composed the three-movement suite ''Reisado do Pastoreio'', the last movement of which, "Batuque" (an Afro-Brazilian folk dance), became very popular. He composed a three-act opera, ''Malazarte'' (1931–33), to a libretto by Graça Aranha, José Pereira Graça Aranha, who adap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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