Life
Fernández studied at the Instituto Nacional de Música with Francisco Braga, Frederico Nascimento, and Henrique Oswald. In 1923, Nascimento was taken seriously ill, and Fernández was designated his temporary substitute in the chair of upper-level harmony, an appointment which became permanent two years later. In 1936 he founded the Conservatório Brasileiro de Música in Rio de Janeiro, which he directed until his death. From 1939 onward, he also served as Professor of Choral Singing at the Conservatório Nacional de Canto Orfeônico. In 1930 Fernández composed the three-movement suite ''Reisado do Pastoreio'', the last movement of which, "Batuque" (an Afro-Brazilian folk dance), became very popular. He composed a three-act opera, ''Malazarte'' (1931–33), to a libretto by José Pereira Graça Aranha, who adapted it from his own play of the same title. For the premiere at the Teatro Municipal (Rio de Janeiro, 1941), the libretto was translated into Italian. ''Malazarte'' is a nationalist work in both its subject matter and its musical content, and is considered the first successful Brazilian opera of this type. He also composed one ballet, twoReferences
* Baumann, Simpson de Brito Melo. 1998. "O nacionalismo musical nas três suítes brasileiras de Oscar Lorenzo Fernandez". In ''Anais do I Simpósio Latino-Americano de Musicologia'', edited by Elisabeth Seraphim Prosser and Paulo Castagna. Curitiba: Fundação Cultural. * Béhague, Gerard. 1979. ''Music in Latin America: An Introduction''. Prentice-Hall History of Music Series. Englewood Cliffs, NJ: Prentice-Hall. (cloth) (pbk.) * * 1897 births 1948 deaths 20th-century classical composers 20th-century Brazilian musicians 20th-century male musicians Brazilian classical composers Brazilian male composers Brazilian opera composers Brazilian people of Spanish descent Ballet composers Male classical composers Musicians from Rio de Janeiro (city) {{Brazil-composer-stub