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Christoffer Wilhelm Eckersberg
Christoffer Wilhelm Eckersberg (2 January 1783 – 22 July 1853) was a Danish painter. He was born in Blåkrog in the Southern Jutland region of Denmark. He went on to lay the foundation for the period of art known as the Golden Age of Danish Painting, and is referred to as the "Father of Danish painting". Life Growing up and early training On 2 January 1783, Christoffer Wilhelm Eckersberg was born in Blåkrog in the Duchy of Schleswig (now in Aabenraa Municipality, in the southern part of Jutland in Denmark), to Henrik Vilhelm Eckersberg, a painter and carpenter, and Ingeborg Nielsdatter. In 1786 the family moved to Blans, a village near the Alssund, where he enjoyed drawing pictures of the surrounding countryside, and taking sailing tours in his father's boat. After confirmation he began his training as a painter under church and portrait painter Jes Jessen of Aabenraa (1797–1800). He continued his training at age 17 under Josiah Jacob Jessen in Flensborg, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Albrecht Jensen
Christian Albrecht Jensen (26 June 1792 – 13 July 1870) was a Danish portrait painter who was active during the Golden Age of Danish Painting in the first half of the 19th century. Painting more than 400 portraits over the course of his career, he depicted most of the leading figures of the Danish Golden Age, including the writer Hans Christian Andersen, the painter Christoffer Wilhelm Eckersberg, the sculptor Bertel Thorvaldsen, the physicist Hans Christian Ørsted and the theologian N. F. S. Grundtvig. Although Jensen experienced considerable commercial success, he received little official appreciation from the artistic establishment of his day. In particular, the art historian and critic Niels Lauritz Høyen criticized his style, finding his paintings 'unfinished'. Early life and education Jensen was born at Bredstedt in Nordfriesland. From 1810 to 1816, he attended the Royal Danish Academy of Fine Arts in Copenhagen where he studied under Christian August Lorentze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Frederik Clemens
Johan Frederik Clemens (29 November 1749 – 5 November 1831) was a Pomeranian- Danish printmaker in etching. Early life and education Clemens was born in Gollnow (now Goleniów) near Stettin (now Szczecin) in Pomerania, to a poor Saxon weaver, Johan David Clemens, and his wife Anna Francken. The father, along with his son Johan, moved to Copenhagen when the boy was still quite young. He sought to begin his training at the Royal Danish Academy of Art (''Det Kongelige Danske Kunstakademi'') already in 1760 at the age of 11. He enrolled for training, but was rejected by Drawing Master Hans Clio as being too young and little. Sculptor Simon Carl Stanley took an interest in the child, and with his help Johan came into the School of Drawing in 1761. He trained both as a decorative painter, and as a craftsman painter. In 1764 at the age of 15 Clemens was in training under an alcoholic painting master, where he was put to work with simple decorations work. When he became a painti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jens Peter Møller
Jens Peter Møller (4 October 1783 Faaborg – 29 September 1854) was a Danish painter. Early life Møller was a landscape painter and the son of a potter. He was born in Faaborg and grew up with a relative in Eckernförde in Schleswig. Together with his fellow painter and friend Christoffer Wilhelm Eckersberg Møller moved to Copenhagen in 1803 to study at the Royal Danish Academy of Fine Arts. At the Academy he won the silver medal and was the first student of Nicolai Abildgaard and later was taught by Christian August Lorentzen. Career Christian VIII of Denmark supported Møller as a patron. At the same time Møller decided to learn how to restore paintings In 1810 he received a travel grant partly by the Prince's support. Møller first traveled to Brussels and from there to Paris. In Paris he studied partly its technical subject and partly made landscape studies of nature by copying examples of works by Claude Lorrain. Here Møller again met Eckersberg and lived with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself to Brussels, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of acid, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape
A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the physical elements of geophysically defined landforms such as (ice-capped) mountains, hills, water bodies such as rivers, lakes, ponds and the sea, living elements of land cover including indigenous vegetation, human elements including different forms of land use, buildings, and structures, and transitory elements such as lighting and weather conditions. Combining both their physical origins and the cultural overlay of human presence, often created over millennia, landscapes reflect a living synthesis of people and place that is vital to local and national identity. The character of a landscape helps define the self-image of the people who inhabit it and a sense of place that differentiates one region from other regions. It is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaj Abraham Abildgaard
Nicolai Abraham Abildgaard (11 September 1743 – 4 June 1809) was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace (some destroyed by fire 1794), Fredensborg Palace, and Levetzau Palace at Amalienborg. Biography Nicolai Abraham Abildgaard was born in Copenhagen, Denmark, as the son of Anne Margrethe (née Bastholm) and Søren Abildgaard, a noted antiquarian draughtsman. Abildgaard was trained by a painting master before he joined the Royal Danish Academy of Art (''Det Kongelige Danske Kunstakademi'') in Copenhagen, where he studied under the guidance of Johan Edvard Mandelberg and Johannes Wiedewelt. He won a series of medallions at the Academy for his brilliance from 1764 to 1767. The Large Gold Medallion from the Academy won in 1767 included a travel stipend, which he waited f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nordre Toldbod
Nordre Toldbod is a waterfront area in Copenhagen, Denmark, located at the north end of Larsens Plads and just south of Kastellet. It takes its name after the custom house or ''toldbod'' which used to be located in the area. Most of the historic buildings in the area were torn down in 1973 when the site was redeveloped but its central waterfront space has remained intact and features a number of structures which bear testament to its former use. Among the modern buildings in the area are the headquarters of Mærsk and the Danish Energy Agency. The area is adjacent to Churchill and Langelinie Parks. History The Custom House In Copenhagen, customs duties have been collected from ships since the 13th century. In 1617, the Royal Anchor Forge came into use as a custom house but when the king's grand plans for St. Ann's Rotunda, a monumental naval development, were abandoned and it was decided to convert the Anchor Forge to a naval church in its place, now the Church of Holmen, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
