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Choreography On Broadway
Chroniclers of the musical theater have been around for years, collecting pictorial surveys, librettos and scores, and recording the careers of various theatrical celebrities. Nothing in the American musical theater has been more inaccessible, however, than the record of its dance traditions, and there are many to recount. For the most part, dance movement itself was either the last to be mentioned by critics or ignored altogether, resulting in dance numbers in musicals going unrecorded. The only way to preserve dance movements from generation to generation was by demonstration, imitation, practice, and personal supervision. Not until 1960, with the musical ''Bye Bye Birdie'', did the permanent notation of a show's complete choreography exist. History In the late 1920s, the importance of dance in a musical changed. Seymour Felix realized dance needed to aid in plot and character development as well as enhance the spirit of the show. Having convinced Florenz Ziegfe ...
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Musical Theater
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre wor ...
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Bob Fosse
Robert Louis Fosse (; June 23, 1927 – September 23, 1987) was an American actor, choreographer, dancer, and film and stage director. He directed and choreographed musical works on stage and screen, including the stage musicals ''The Pajama Game'' (1954), ''Damn Yankees'' (1955), ''How to Succeed in Business Without Really Trying'' (1961), '' Sweet Charity'' (1966), ''Pippin'' (1972), and ''Chicago'' (1975). He directed the films '' Sweet Charity'' (1969), ''Cabaret'' (1972), '' Lenny'' (1975), '' All That Jazz'' (1979), and ''Star 80'' (1983). Fosse's distinctive style of choreography included turned-in knees and " jazz hands". He is the only person ever to have won Oscar, Emmy, and Tony awards in the same year (1973). He was nominated for four Academy Awards, winning Best Director for ''Cabaret'', and won the Palme D'Or in 1980 for ''All That Jazz.'' He won a record eight Tonys for his choreography, as well as one for direction for ''Pippin''. Early life Fosse was born ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Tony Award For Best Choreography
The Tony Award for Best Choreography is awarded to acknowledge the contributions of choreographers in both musicals and plays. The award has been given since 1947, but nominees were not announced until 1956. Winners and nominees 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020s Award records Multiple wins ;8 Wins * Bob Fosse ;5 Wins * Michael Bennett * Gower Champion * Michael Kidd ;4 Wins * Susan Stroman * Tommy Tune ;3 Wins * Andy Blankenbuehler * Kathleen Marshall * Jerome Robbins ;2 Wins * Bob Avian * Agnes de Mille * Ron Field * Bill T. Jones * Joe Layton * Jerry Mitchell * Donald Saddler * Christopher Wheeldon Multiple nominations ;11 Nominations * Bob Fosse ;10 Nominations * Michael Bennett * Susan Stroman ;8 Nominations * Graciela Daniele * Michael Kidd * Onna White ;7 Nominations * Rob Ashford * Gower Champion * Jerry Mitchell ;6 Nominations * Wayne Cilento * Casey Nicholaw * Tommy Tune ;5 Nominations * Patricia Birch * Andy Bla ...
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Dramatic Structure
Dramatic structure (also known as dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of dramatic structures worldwide which have been hypothesized by critics, writers and scholars alike over time. This article covers the range of dramatic structures from around the world. How the acts are structured, what the center of the story is supposed to be about widely varies by region and time period. Africa and African diaspora Karibbean Kwik Kwak The structure is: #Tell riddles to test the audience. #Audience becomes a chorus and comments on the story. Usually there is a ritual ending. West Africa Griot A story structure commonly found in West Africa told by Griot storytellers, who tell their stories orally. Famous stories from this tradition include Anansi folktales. This storytelling type had influence on later African American, Creole, and Caribbean African diaspora stories. The story structure is as foll ...
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42nd Street (musical)
''42nd Street'' is a 1980 stage musical with a book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren. The 1980 Broadway production won the Tony Awards for Best Musical and Best Choreography and it became a long-running hit. The show was also produced in London in 1984 (winning the Olivier Award for Best Musical) and its 2001 Broadway revival won the Tony Award for Best Revival. Based on the 1932 novel by Bradford Ropes and the subsequent 1933 Hollywood film adaptation, the backstage musical show that follows the rehearsal process of a broadway show being put on during the height of the great depression. The show is a jukebox musical of sorts, in that, in addition to songs from the 1933 film ''42nd Street'', it includes songs that Dubin and Warren wrote for many other films at around the same time, including ''Gold Diggers of 1933'', ''Roman Scandals'', ''Dames'', ''Gold Diggers of 1935'', ''Go into Your Dance,'' ''Gold Digge ...
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Musical Comedy
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque"
''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011
The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris

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Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ...
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Chicago (musical)
''Chicago'' is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the jazz age, the musical is based on a 1926 play of the same title by reporter Maurine Dallas Watkins, about actual criminals and the crimes on which she reported. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal". The original Broadway production opened in 1975 at the 46th Street Theatre and ran for 936 performances, until 1977. Bob Fosse directed and choreographed the original production, and his style is strongly identified with the show. It debuted in the West End in 1979, where it ran for 600 performances. ''Chicago'' was revived on Broadway in 1996, and a year later in the West End. The 1996 Broadway production holds the record as the longest-running musical revival and the longest-running American musical in Broadway history. It is the second longest-running show ...
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Pippin (musical)
''Pippin'' is a 1972 musical with music and lyrics by Stephen Schwartz and book by Roger O. Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The musical uses the premise of a mysterious performance troupe, led by the Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. The 'fourth wall' is broken numerous times during most traditional productions. The protagonist, Pippin, and his father, Charlemagne, are characters derived from two historical figures of the early Middle Ages, though the plot is fictional and presents no historical accuracy regarding either. The show was partially financed by Motown Records. As of April 2019, the original run of ''Pippin'' is the 36th longest-running Broadway show. Ben Vereen and Patina Miller won Tony Awards for their portrayals of the Leading Player in the original Broadway production and the 2013 revival, respectively, making them the fi ...
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Sweet Charity
''Sweet Charity'' is a musical with music by Cy Coleman, lyrics by Dorothy Fields and book by Neil Simon. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon alongside John McMartin. It is based on the screenplay for the 1957 Italian film ''Nights of Cabiria''. However, whereas Federico Fellini's black-and-white film concerns the romantic ups-and-downs of an ever-hopeful prostitute, in the musical the central character is a dancer-for-hire at a Times Square dance hall. The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography. The production also ran in the West End as well as having revivals and international productions. The musical was adapted for the screen in 1969 with Shirley MacLaine as Charity and John McMartin recreating his Broadway role as Oscar Lindquist. For Bob Fosse, who directed and choreographed, the film was his feature-film directorial debu ...
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