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Choose Life, Uvacharta Bachayim
''Choose Life, Uvacharta Bachayim'', is a dramatic oratorio by composer Mona Lyn Reese and librettist Delores Dufner Order of Saint Benedict, OSB, that draws on Jewish and Christianity, Christian music and scripture, as well as the writings of Holocaust survivors, to create an Interfaith dialogue, interfaith commemoration of the Holocaust. San José Chamber Orchestra It was composed during Reese's 1993-94 Faith Partners Residency sponsored by the American Composers' Forum and the Otto Bremer Foundation. Alburger, Mark, "Mona Lyn Reese", ''Grove Music Online'', ed. D. Root. (Accessed September 19, 2011) ''Choose Life, Uvacharta Bachayim'', has received national acclaim. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lyn Reese
Mona Lyn Reese (born August 24, 1951) is an American composer, best known for her operas and choral music. Alburger, Mark, "Mona Lyn Reese", ''Grove Music Online'', ed. D. Root. (Accessed September 19, 2011) Her work is melodic and accessible with an emphasis on driving or complex rhythms, movement, and contrasting textures. Alburger, Mark, "Positively Mona Lyn Reese." ''21st-Century Music'', March 2011. Her music communicates and expresses emotions traditionally or experimentally without allowing a prevailing fashion to dictate style, form, or harmony. Biography Reese was born in[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Processional Hymn
A processional hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian Church, Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walking behind the processional cross. Occasionally, a service will also contain a recessional hymn, although in the Protestant tradition this is usually an organ voluntary (music), voluntary. The genre first appears in the early Middle Ages, and is a distinct genre from breviary hymns, often containing a refrain. With its longer cathedrals and churches, England was particularly rich in these and several are to be found in the ''Sarum Processional''. In ''The English Hymnal'' nos. 613 to 640 are described as "Processional" and nos. 641 to 646 are "Suitable for use in procession". The processional hymns include "Of the Father's Heart Begotten" (''Corde natus ex parentis'', by Prudentius), "Ride On, Ride On in Majesty!"(by Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthems
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse Anthem
In religious music, the verse anthem is a type of choral music, or song, distinct from the motet or 'full' anthem (i.e. for full choir). In the 'verse' anthem the music alternates between sections for a solo voice or voices (called the 'verse') and the full choir. The organ provided accompaniment in liturgical settings, but viols took the accompaniment outside of the church. In the 'verses', solo voices were expected to ornament their parts for expressive effect. The 'full choir' sections providing contrast in volume and texture. The verse anthems were a major part of the English Reformation due to the use of the vernacular. In addition to this, the use of soloists allowed the text to be expressed more clearly. For the choirmaster they were useful too: the choir only had to learn a small part of the anthem, leaving the hardest passages to a soloist to learn on their own, reducing rehearsal time. Verse anthems developed and were very popular during the early 17th to the middle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klezmer
Klezmer ( yi, קלעזמער or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker. After the destruction of Jewish life in Eastern Europe during the Holocau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymnody
Robert Gerhard's Hymnody is a contemporary classical work from 1963, which was an assignment from BBC #REDIRECT BBC #REDIRECT BBC Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ... .... This piece was written during February and March of that year. Composer notes A note from the composer: First citation comes from Psalm 22, vers 12: "... Cashan's strong bulls messed me up;" the second one from Psalm 88, vers 12: "will your wonders be known in the dark?" Orchestration and instruments This work was written in nine strongly contrasted sections, played without a break. Orchestration: flute, oboe, clarinet, horn, trumpet, trombone, tuba, percussion, vibraphone, Korean temple block, 3 Chinese toms, clave, timp, xylorimb, bonbo, tamb, xylophone. Premiere and criticism Hymnody, a BBC assignment, was written in Feb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adonai
Judaism considers some names of God so holy that, once written, they should not be erased: YHWH, Adonai, El ("God"), Elohim ("God," a plural noun), Shaddai ("Almighty"), and Tzevaot (" fHosts"); some also include Ehyeh ("I Will Be").This is the formulation of Joseph Karo (SA YD 276:9). Maimonides (MT Yesodei haTorah 6:2), Jacob b. Asher (AT YD 276), and Isaac Alfasi (HK Menachot 3b) also included Ehyeh, as do many later authorities, including Moses Isserles (SA YD 276:9). The original lists are found in y. Megillah 1:9 and b. Shavuot 35a, with some MSS agreeing with each authority. Maimonides and followers give the number of names as seven; however, manuscript inconsistency makes it difficult to judge which are included. Early authorities considered other Hebrew names mere epithets or descriptions of God and wrote that they and names in other languages may be written and erased freely. However, some moderns advise special care even in these cases, and many Orthodox Jews have a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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