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Choice Picks
''Choice Picks'' is a compilation album by the American pop rock duo The Rembrandts. The album contains re-recorded versions of the group's biggest hits, as well as other favorite songs from the group. There are two versions of ''Choice Picks'', one released through Awarestore.com which includes the new track "Chasin' Down a Rainbow". The other version was released on the Fuel 2000 label on November 15, 2005, with the new track "Don't Give Me Up". Track listing #"Just the Way It Is, Baby "Just the Way It Is, Baby" is a song by American alternative rock duo the Rembrandts. Released in 1990 on the Atco Records label, it served as the debut single from their first album, ''The Rembrandts''. It first appeared on the US ''Billboard'' ..." #"Someone" #"Show Me Your Love" #"Burning Timber" #"Johnny Have You Seen Her?" #"Maybe Tomorrow" #"Chase the Clouds Away" #"Rollin' Down the Hill" #" I'll Be There for You" #"Don't Hide Your Love" #"Drowning in Your Tears" #"This House Is Not a Ho ...
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The Rembrandts
The Rembrandts are an American alternative rock duo, formed by Danny Wilde and Phil Solem in 1989. They had previously worked together as members of Great Buildings in 1981. The Rembrandts are best known for the song " I'll Be There for You", which was used as the main theme song for the NBC sitcom ''Friends''. History Wilde was a member of 1970s cult recording act The Quick, and had released several mildly successful solo albums in the 1980s. Wilde and Solem had been in the power-pop quartet Great Buildings, a band that released one album for CBS in 1981 before dissolving. After establishing themselves as The Rembrandts in 1989, Solem and Wilde recorded a self-titled album largely in Wilde's home studio. From this album, the group had their first success during 1990 with " Just the Way It Is, Baby", which scored at number 14 on the Billboard Hot 100. The self-titled album scored number 88 on the Billboard 200. The next album ''Untitled'', of 1992, featured the minor suc ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ...
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Soft Rock
Soft rock is a form of rock music that originated in the late 1960s in Southern California and the United Kingdom which smoothed over the edges of singer-songwriter and pop rock, relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into a form of the synthesized music of adult contemporary in the 1980s. History Mid- to late 1960s Softer sounds in rock music could be heard in mid-1960s songs, such as " A Summer Song" by Chad & Jeremy (1964) and "Here, There and Everywhere" by the Beatles and "I Love My Dog" by Cat Stevens, both from 1966. By 1968, hard rock had been established as a mainstream genre. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock, with both emerging as major radio formats in the US. Late 1960s soft rock artists include the Bee Gees, whose song "I Started a Joke" was a number one single in several countries; Ne ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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Jangle Pop
Jangle pop is a subgenre of pop rock or college rock that emphasizes jangly guitars and 1960s-style pop melodies. The term originated from Bob Dylan's song " Mr. Tambourine Man", whose 1965 rendition by the Byrds became considered one of the genre's representative works. Since the 1960s, jangle pop has crossed numerous genres, including power pop, psychedelia, new wave, post-punk, and lo-fi. In the 1980s, the most prominent bands of early indie rock were jangle pop groups such as R.E.M., the Wedding Present, and the Smiths. In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground subgenre, which incorporated psychedelic influences. Etymology The term "jangle pop" was not used during the original movement of the 1960s, but was p ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ...
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Baroque Pop
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid 1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common. Although harpsichords had been deployed for a number of pop hits since the 1940s, starting in the 1960s, some record producers increasingly placed the instrument in the foreground of their arrangements. Inspired partly by the Beatles' song "In My Life" (1965), various groups were incorporating baroque and classical instrumentation by early 1966. The term "baroque rock" was coined in promotional material for the Left Banke, who used harpsichords and violins in their arrangements and whose 1966 song "Walk Away Renée ...
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Fuel 2000
Fuel 2000 is an independent record label, formed in 1994 as part of the Fuel Label Group. One of the biggest independent record labels, it has amassed a catalog with over 20,000 master recordings. Since its inception, the company has released over 900 album titles, including reissues and offerings from Jethro Tull, Deep Purple, Julian Lennon, Creedence Clearwater Revisited, Ian Hunter, Edgar Winter, Jefferson Starship, The Smithereens, Berlin, Missing Persons, Culture Club, Sheena Easton, Asia, The Rembrandts, The Archies, The Zombies, Phil Seymour, Carla Olson and others. The Fuel Label Group assets were acquired by IP Investment Fund 43 North in 2015. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... External links Official site* America ...
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Lost Together (The Rembrandts Album)
''Lost Together'' is an album by the American pop rock duo The Rembrandts. It was released on J-Bird Records on October 2, 2001. Critical reception AllMusic called the album "a respectable, likable, even modest pop/rock record, better than those of many indies with cooler reputations." The ''Corvallis Gazette-Times The ''Corvallis Gazette-Times'' is a daily newspaper for Corvallis, Benton County, Oregon, United States. The newspaper, along with its sister publication, the ''Albany Democrat-Herald'' of neighboring Albany, Oregon, is owned by Lee Enterprises ...'' called it "a raucous reunion worthy of the Rembrandts name." Track listing #"Lost Together" #"St. Paul" #"Too Late" #"You Are the One" #"One Of Us" #"The Way She Smiles" #"Another Day Down" #"Buddy Jo" #"Long Way to Go" #"Big Plans" #"Some Other World" #"Happiness" References The Rembrandts albums 2001 albums {{2000s-pop-rock-album-stub ...
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Greatest Hits (The Rembrandts Album)
''Greatest Hits'' is a compilation album by the American pop rock duo The Rembrandts. Unlike their previous compilation album, ''Choice Picks'', all of the songs are in their original forms and are not re-recorded. The first two songs were made by Great Buildings, a band in which Danny Wilde and Phil Solem had been together before they created The Rembrandts. Track listing #"Hold on to Something" - Great Buildings #"Maybe It's You" - Great Buildings #"Just the Way It Is, Baby "Just the Way It Is, Baby" is a song by American alternative rock duo the Rembrandts. Released in 1990 on the Atco Records label, it served as the debut single from their first album, ''The Rembrandts''. It first appeared on the US ''Billboard'' ..." #"Someone" #"Save Me" #"New King" #"If Not for Misery" #"Follow You Down" #"Johnny, Have You Seen Her?" #"Rolling Down the Hill" #" I'll Be There for You" #"Don't Hide Your Love" #"April 29" #"End of the Beginning" #"This House Is Not a Home" #"Shakespeare's ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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