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Chocolate City (album)
''Chocolate City'' is the third album by the funk band Parliament, released in 1975. It was a "tribute to Washington D.C.", where the group had been particularly popular. The album's cover includes images of the United States Capitol, the Washington Monument, and the Lincoln Memorial in the form of a chocolate medallion, as well as sticker labeled "Washington DC". The album was very popular in the capitol city, selling 150,000 copies alone there. Track listing Side One # " Chocolate City" (George Clinton, Bootsy Collins, Bernie Worrell) – 5:37 (released as a single-Casablanca 831) # "Ride On" (Clinton, Collins, Worrell) – 3:34 (released as a single-Casablanca 843) # "Together" (Clinton, Collins, Worrell) – 4:07 # "Side Effects" (Clinton, Collins, Ahneua Hilson) – 3:13 # "What Comes Funky" (Clinton, Collins, Worrell) – 2:23 Side Two # "Let Me Be" (Clinton, Vivian Lewis) – 5:37 # "If It Don't Fit (Don't Force It)" (Clinton, Gary Shider, Worrell) – 2:07 # "I Mis ...
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Parliament (band)
Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish theatrics in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single " Give Up the Funk (Tear the Roof off the Sucker)," and Top 40 albums such as '' Mothership Connection'' (1975). History Parliament was originally The Parliaments, a doo-wop vocal group based at a Plainfield, New Jersey barbershop. The group was formed in the late 1950s and included George Clinton, Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. Clinton was the group leader and manager. The group scored a hit single in 1967 with " (I Wanna) Testify" (co-written by Clinton) on Revilot Records. To capitalize on this chart success, Clinton formed a touring band, featuring teenage barbershop employee Billy Nelso ...
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Album Cover
An album cover (also referred to as album art) is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to either the printed paperboard covers typically used to package sets of and 78-rpm records, single and sets of LPs, sets of 45 rpm records (either in several connected sleeves or a box), or the front-facing panel of a cassette J-card or CD package, and, increasingly, the primary image accompanying a digital download of the album, or of its individual tracks. In the case of all types of tangible records, it also serves as part of the protective sleeve. Early history Around 1910, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 10- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the producer or the retailer's name. These were invariab ...
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Eddie Hazel
Edward Earl Hazel (April 10, 1950 – December 23, 1992) was an American guitarist and singer in early funk music who played lead guitar with Parliament-Funkadelic. Hazel was a posthumous inductee to the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. His ten-minute guitar solo in the Funkadelic song "Maggot Brain" is hailed as "one of the greatest solos of all time on any instrument". In 2015, ''Rolling Stone'' ranked Hazel at no. 83 in its list of the 100 Greatest Guitarists. Biography Early life Born in Brooklyn, New York in 1950, Hazel grew up in Plainfield, New Jersey because his mother, Grace Cook, wanted her son to grow up in an environment without the pressures of drugs and crime that she felt pervaded New York City. Hazel occupied himself from a young age by playing a guitar, given to him as a Christmas present by his older brother. Hazel also sang in church. At age 12, Hazel met Billy "Bass" Nelson, and the pair qui ...
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Clarence "Fuzzy" Haskins
Clarence Eugene "Fuzzy" Haskins (born June 8, 1941) is a former singer with 1950s and 1960s doo-wop group, The Parliaments. He is a founding member of the groundbreaking and influential 1970s funk bands Parliament and Funkadelic, also known as Parliament-Funkadelic. He left Parliament-Funkadelic in 1977 to pursue a solo career. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards. Biography Haskins was born in Elkins, West Virginia, and starting in the late 1950s he was a founding member of doo wop vocal group The Parliaments, led by George Clinton. The group originated as a barbershop quintet in the back room of a barber shop on West 3rd Street in Plainfield, New Jersey. Haskins often sang lead in the group. They started traveling to Detroit, Michigan on weekends in order to audition for Motown Records and to participate in t ...
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Ramon "Tiki" Fulwood
Ramon "Tiki" Fulwood (May 23, 1944 – October 29, 1979) was an American musician. He was the drummer for the funk bands Parliament and Funkadelic, as well as a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Career Fulwood was born in Philadelphia, Pennsylvania in 1944. In the late 1960s, Fulwood was the house drummer for the Uptown Theater in Philadelphia when he met guitarist Eddie Hazel. Hazel and bassist Billy Bass Nelson were on tour as musical support for the doo wop vocal group The Parliaments. Hazel and Nelson convinced group leader George Clinton to add Fulwood to the group, where he replaced drummer Harvey McGee. Fulwood, Hazel, and Nelson formed the core of The Parliaments musical backing group, which later became known as Funkadelic. Fulwood first quit Funkadelic in 1971 following a pay dispute with Clinton, but played with Parliament-Funkadelic sporadically thereafter. Fulwood also played drums i ...
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Ray Davis (musician)
Raymond Davis (March 29, 1940 – July 5, 2005) was the original bass singer and one of the founding members of The Parliaments, and subsequently the bands Parliament, and Funkadelic, collectively known as P-Funk. His regular nickname while he was with those groups was "Sting Ray" Davis. Aside from George Clinton, he was the only original member of the Parliaments not to leave the Parliament-Funkadelic conglomerate in 1977. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Biography He was born in Sumter, South Carolina, and worked with Roger Troutman and Zapp in the early to mid-1980s. His distinctive bass can be heard on "I Can Make You Dance," and "Do Wa Ditty." He was also briefly in a later period line-up of The Temptations, joining after the death of original bass singer Melvin Franklin, and appearing on the 1995 album '' For Lovers Only.'' Davis left the group after being diagnosed with throat can ...
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Bootsy Collins
William Earl "Bootsy" Collins (born October 26, 1951) is an American bass guitarist and singer. Rising to prominence with James Brown in the early 1970s, and later with Parliament-Funkadelic, Collins established himself as one of the leading names and innovators in funk with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as Bootsy's Rubber Band. He was a frequent collaborator with other musicians from a variety of genres, including dance music ( Deee-Lite's " Groove Is in the Heart"), electronic big beat (Fatboy Slim's " Weapon of Choice"), and alternative metal (Praxis), among others. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with 15 other members of Parliament-Funkadelic. In 2020, ''Rolling Stone'' magazine ranked Collins number 4 in its list of the 50 greatest bassists of all time. Early life Collins was born in Cincinnati, Ohio, on October 26, 1951. He said that his mother nicknamed him "Bootsy". ...
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Common Law Wife
Common-law marriage, also known as non-ceremonial marriage, marriage, informal marriage, or marriage by habit and repute, is a legal framework where a couple may be considered married without having formally registered their relation as a civil or religious marriage. The original concept of a "common-law marriage" is one considered valid by both partners, but not formally recorded with a state or religious registry, nor celebrated in a formal civil or religious service. In effect, the act of the couple representing themselves to others as being married and organizing their relation as if they were married, means they are married. The term ''common-law marriage'' (or similar) has wider informal use, often to denote relations that are not legally recognized as marriages. It is often used colloquially or by the media to refer to cohabiting couples, regardless of any legal rights or religious implications involved. This can create confusion in regard to the term and to the legal ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mi ...
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Bonus Track
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at   rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeare ...
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Reissue
In the music industry, a reissue (also re-release, repackage or re-edition) is the release of an album or Single (music), single which has been released at least once before, sometimes with alterations or additions. Reasons for reissue New audio formats Recordings originally released in an audio format that has become technologically or commercially obsolete are reissued in new formats. For example, thousands of original vinyl record, vinyl albums have been reissued on Red Book (audio CD standard), CDs since introduction of that format in the early 1980s. With the introduction of the LP record in 1948, some collections of 78 rpm records were reissued on LP. More recently, many albums originally released on CD or earlier formats have been reissued on Super Audio CD, SACD, DVD-Audio, digital music downloads, and on streaming media, music streaming services. Budget records Beginning with Pickwick Records, which acquired the rights to reissue many of Capitol Records' non-current ...
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Chocolate City (song)
"Chocolate City" is a song by the funk band Parliament, the lead track of their 1975 album of the same name. It was also released as a two-part single, the first from the album. Background The song's largely spoken vocals (delivered by George Clinton) express pride in "Chocolate Cities", that is, cities with a majority black population. The song also reflects on the solidarity of African-American society at the time. The singer playfully hypothesizes what it would be like if there were an African American in the White House, and assigns the following people to positions in government: *Muhammad Ali - President of the United States *James Brown - Vice President of the United States * Reverend Ike - Secretary of the Treasury *Richard Pryor - Minister of Education ''(fictional - the United States Department of Education was not created until 1979, and was headed by a Secretary)'' *Stevie Wonder - Secretary of Fine Arts ''(fictional; the closest existing agency is the National En ...
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