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Chitharal Jain Monuments
The Chitharal Jain Monuments and Bhagavati Temple, also known as Chitharal Malai Kovil (literally "Temple on the Hill"), Chitaral Cave Temple or Bhagwathi Temple, are located near Chitharal village in Kanyakumari district, Tamil Nadu, India. They consist of stone beds with inscriptions, and two monuments – one rock cut Jain temple with outer wall reliefs and one Hindu goddess temple next to it that is a combination of rock-cut and stone that was added during the reign of Vikramaditya Varaguna Pandya. The monuments are from the 9th century CE. Location The Chitharal Jain Monuments and Bhagavati Temple are situated near the southern tip of peninsular India, about 55 kilometers northwest of Kanyakumari (Highway 66) and about 4 kilometers northeast of Kuzhittura town (Highway 90). They are on the Thiruchanattu Malai (Thiruchanattu hillocks) locally known as Chokkanthoongi Hills. The monuments are on the north side of Chitharal village. The monuments' entrance is marked and is un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitral
Chitral ( khw, , lit=field, translit=ćhitrār; ur, , translit=ćitrāl) is situated on the Chitral River in northern Khyber Pakhtunkhwa, Pakistan. It serves as the capital of the Chitral District and before that as the capital of Chitral princely state that encompassed the region until its direct incorporation into West Pakistan on 14 August 1947. It has a population of 49,780 per the 2017 census. History Gankoreneotek Grave This city was founded as the name of Qāshqār in ancient timesIt was famous Gandharan trade route at this time.Gankorineotek cemetery is also existed here. Early history The Kho Chitralis came to Chitral as part of the Indo-Aryan migration into South Asia. They settled in the northern parts of Chitral near the Torkhow and Mulkhow Region. Ancient era The existence of the Gandharan Grave Culture in Chitral, found in various grave sites scattered over its valleys, indicate its proximity towards the Gandharan culture alongside giving insigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatteluttu
''Vatteluttu,'' popularly romanised as ''Vattezhuthu'' ( ta, வட்டெழுத்து, ' and ml, വട്ടെഴുത്ത്, ', ), was a syllabic alphabet of south India (Tamil Nadu and Kerala) and Sri Lanka used for writing the Tamil and Malayalam languages. belonged to the group of Tamil-Malayalam scripts among the Southern Brahmi derivatives. The script was used for centuries in inscriptions and manuscripts of south India. Etymology Three possible suggestions for the etymology of the term '' are commonly proposed. ''Eluttu'' (''ezhuthu)'' is literally 'written form' in this context; and affixed here it means 'writing system' or 'script'. The three suggestions are: * ''Vatte'' + ''eluttu''; 'rounded script' * ''Vata'' + ''eluttu''; 'northern script' * ''Vette'' + ''eluttu''; 'chiseled script' The script was also known as Tekken-Malayalam or Nana-mona. The name "Nana-mona" is given to it because, at the time when it is taught, the words "namostu" etc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manasara
The ''Mānasāra'', also known as ''Manasa'' or ''Manasara Shilpa Shastra'', is an ancient Sanskrit treatise on Indian architecture and design. Organized into 70 ''adhyayas'' (chapters) and 10,000 ''shlokas'' (verses), it is one of many Hindu texts on ''Shilpa Shastra'' – science of arts and crafts – that once existed in 1st-millennium CE. The ''Manasara'' is among the few on Hindu architecture whose complete manuscripts have survived into the modern age. It is a treatise that provides detailed guidelines on the building of Hindu temples, sculptures, houses, gardens, water tanks, laying out of towns and other structures. Title The word ''Manasara'' is a compound of Sanskrit ''māna'' (measurement) and ''sara'' (essence), meaning "essence of measurement" states P.K. Acharya – the scholar who discovered the complete manuscript (70 chapters) and was first to translate it into English in early 20th-century. While the text is now commonly referred as simply ''Manasara'', the San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
9th Century Padmavati Devi Bas-relief Jain Monuments Chitaral Tamil Nadu India
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vidyadhara
Vidyadhara(s) (Sanskrit , literally "wisdom-holders") are a group of supernatural beings in Indian religions who possess magical powers. In Hinduism, they also attend Shiva, who lives in the Himalayas. They are considered ''Upadeva''s, or demi-gods. In Hinduism In Hindu epics In the Hindu epics, Vidyādharas are described as essentially spirits of the air. They are described as doing different activities in the epics like gazing at human prowess with astonishment, strewing flowers watching a combat, rejoicing with music and laughter, crowned with wreaths and fleeing with their wives from danger. They possess great magical powers like the ability to diminish their size. They are endowed with epithets describing them as "doers of good and devoted to joy". They also live in Gandhamandhana mountain and other Himalayan mountains with Kinnaras. They are also described residing on Mount Krauncha, on Citrakuta where Rama saw Vidyadhara women playing, in the hills of Malabar and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambika (Jainism)
In Jainism, Ambika ( sa, अम्बिका, "Mother") or Ambika Devi ( "the Goddess-Mother") is the "dedicated attendant deity" or "protector goddess" of the 22nd Tirthankara, Neminatha. She is also known as ''Ambai'', ''Amba'', ''Kushmandini'' and ''Amra Kushmandini''. She is often shown with one or more children and often under a tree. She is frequently represented as a pair (Yaksha Sarvanubhuti on the right and Kushmandini on the left) with a small Tirthankar image on the top. The name ''ambika'' literally means mother, hence she is Mother Goddess. The name is also a common epithet of Hindu Goddess Parvati. Etymology The name Ambika is a Sanskrit words, that translates to mother. Jain Biography Early life According to Jain text, Ambika is said to have been an ordinary woman named Agnila who became a Goddess. She lived in the city of Girinagar with her husband, ''Soma'' as per Śhvētāmbara tradition and ''Somasarman'' as per Digambara tradition and her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahavira
Mahavira (Sanskrit: महावीर) also known as Vardhaman, was the 24th ''tirthankara'' (supreme preacher) of Jainism. He was the spiritual successor of the 23rd ''tirthankara'' Parshvanatha. Mahavira was born in the early part of the 6th century BCE into a royal Kshatriya Jain family in ancient India. His mother's name was Trishala and his father's name was Siddhartha. They were lay devotees of Parshvanatha. Mahavira abandoned all worldly possessions at the age of about 30 and left home in pursuit of spiritual awakening, becoming an ascetic. Mahavira practiced intense meditation and severe austerities for twelve and a half years, after which he attained '' Kevala Jnana'' (omniscience). He preached for 30 years and attained Moksha (liberation) in the 6th century BCE, although the year varies by sect. Historically, Mahavira, who revived and preached Jainism in ancient India, was an older contemporary of Gautama Buddha. Jains celebrate ''Mahavir Janma Kalyanak'' every ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotus Position
Lotus position or Padmasana ( sa, पद्मासन, translit=padmāsana) is a cross-legged sitting meditation pose from ancient India, in which each foot is placed on the opposite thigh. It is an ancient asana in yoga, predating hatha yoga, and is widely used for meditation in Hindu, Tantra, Jain, and Buddhist traditions. Variations include easy pose (Sukhasana), half lotus, bound lotus, and psychic union pose. Advanced variations of several other asanas including yoga headstand have the legs in lotus or half lotus. The pose can be uncomfortable for people not used to sitting on the floor, and attempts to force the legs into position can injure the knees. Shiva, the meditating ascetic God of Hinduism, Gautama Buddha, the founder of Buddhism, and the Tirthankaras in Jainism have been depicted in the lotus position, especially in statues. The pose is emblematic both of Buddhist meditation and of yoga, and as such has found a place in Western culture as a symbol of health ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmavati (Jainism)
Padmāvatī is the protective goddess or śāsana devī (शासनदेवी) of Parshvanatha, Pārśvanātha, the twenty-third Jain tirthankara, tīrthāṅkara, complimenting Parshwa yaksha in Swetambara and Dharanendra in digambar the shasan deva. She is a yakshi (attendant goddess) of Parshwanatha. Jain Biography There is another pair of souls of a nāga and Nāga, nāginī who were saved by Parshwanath while being burnt alive in a log of wood by the tapas kamath, and who were subsequently reborn as Indra (Dharanendra in particular) and Padmavati (different from sashan devi) after their death. According to the Jainism, Jain tradition, Padmavati and her husband Dharanendra protected Lord Parshvanatha when he was harassed by Meghmali. After Padmavati rescued Parshvanatha grew subsequently powerful in to yakshi, a powerful tantric deity and surpassed other snake goddess ''Vairotya''. Legacy Worship Goddess Padmavati along with Ambika (Jainism), Ambika, Chakreshvar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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