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China National Opera House
The China National Opera House (CNOH) or China Central Opera (中央歌剧院) is a State-run opera company based in Beijing, China, and under the Chinese Ministry of Culture. CNOH consists of an opera troupe, a choir, a symphony orchestra and a stagecraft, costume and scenery departments. It is affiliated, through common direction under the Ministry of Culture, with the Shanghai Opera House company and other ''geju'' companies around China. History The China Central Opera was preceded in Yan'an in 1942 with the performance of the Yangko drama (秧歌剧) Brothers and Sisters Opening up the Wasteland (《兄妹开荒》),Contemporary Chinese theatre - Page 8 Roger Howard - 1978 "1 The yangko dramas Brothers and Sisters Open up Wasteland and The White-haired Girl were produced by the Lu Hsun Academy in Yenan. These musical plays owed something to the modern drama (huachu) — in particular in their more ." and the White-Haired Girl. The opera troupe relocated to Beijing in 1952 a ...
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China National Opera House (20220414162347)
The China National Opera House (CNOH) or China Central Opera (中央歌剧院) is a State-run opera company based in Beijing, China, and under the Chinese Ministry of Culture. CNOH consists of an opera troupe, a choir, a symphony orchestra and a stagecraft, costume and scenery departments. It is affiliated, through common direction under the Ministry of Culture, with the Shanghai Opera House company and other ''geju'' companies around China. History The China Central Opera was preceded in Yan'an in 1942 with the performance of the Yangko drama (秧歌剧) Brothers and Sisters Opening up the Wasteland (《兄妹开荒》),Contemporary Chinese theatre - Page 8 Roger Howard - 1978 "1 The yangko dramas Brothers and Sisters Open up Wasteland and The White-haired Girl were produced by the Lu Hsun Academy in Yenan. These musical plays owed something to the modern drama (huachu) — in particular in their more ." and the White-Haired Girl. The opera troupe relocated to Beijing in 1952 ...
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Three Tenors
The Three Tenors were an operatic singing trio, active during the 1990s and early 2000s, and termed as a supergroup (a title normally reserved for rock and pop groups) consisting of Italian Luciano Pavarotti and Spaniards Plácido Domingo and José Carreras. The trio began their collaboration with a performance at the ancient Baths of Caracalla in Rome, Italy, on 7 July 1990, the eve of the 1990 FIFA World Cup Final, watched by a global television audience of around 800 million. The image of three tenors in formal evening dress singing in a World Cup concert captivated the global audience. The recording of this debut concert became the best-selling classical album of all time and led to additional performances and live albums. They performed to a global television audience at three further World Cup Finals: 1994 in Los Angeles, 1998 in Paris, and 2002 in Yokohama. They also toured other cities around the world, usually performing in stadiums or similar large arenas to huge ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Carmen (opera)
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ...
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Madame Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ...
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Cairo Opera House
The Cairo Opera House ( ar, دار الأوبرا المصرية, ''Dār el-Opera el-Masreyya''; literally "Egyptian Opera House"), part of Cairo's National Cultural Centre, is the main performing arts venue in the Egyptian capital. Home to most of Egypt's finest musical groups, it is located on the southern portion of Gezira (Cairo), Gezira Island in the Nile River, in the Zamalek district near downtown Cairo. History The opera house was inaugurated on 10 October 1988. The funds for the complex were a gift from the nation of Japan to Egypt as a result of President of Egypt, President Hosni Mubarak's visit to Japan in April 1983. Construction began in May 1985 and lasted for three years. In October 1988, President Mubarak and Prince Tomohito of Mikasa, the younger brother of the Japanese Emperor, inaugurated the National Cultural Centre Cairo Opera House. It was the first time for Japan to stage a ''Kabuki'' show, a traditional popular drama with singing and dancing, in Afr ...
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Farewell My Concubine (modern Opera)
''Farewell My Concubine'' (Chinese: 歌剧《霸王别姬》, ''geju "Bawang bie ji"'') is a Chinese-language western-style opera composed by choral conductor and composer Xiao Bai (萧白), to a libretto by Wang Jian (writer), Wang Jian (王健) for China National Opera House which toured America with the opera in 2008. The opera is unrelated to the soundtrack to Chen Kaige's ''Farewell My Concubine (film), Farewell My Concubine'', which was composed by Zhao Jiping.Encyclopedia of Contemporary Chinese Culture - Page 1012 Edward L. Davis - 2012 Among his most famous film scores are those for Raise the Red Lantern (1991), To Live (1993) and Farewell My Concubine (1993). He is also a noted composer for the concert stage. Son of the painter Zhao Wangyun, Zhao Jiping was trained References

Chinese western-style operas Operas set in imperial China Operas 2008 operas {{opera-stub ...
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Requiem (Verdi)
The ''Messa da Requiem'' is a musical setting of the Catholic funeral mass (Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, whom Verdi admired. The first performance, at the San Marco church in Milan on 22 May 1874, marked the first anniversary of Manzoni's death. The work was at one time referred to as the Manzoni Requiem. Considered too operatic to be performed in a liturgical setting, it is usually given in concert form of around 90 minutes in length. Musicologist David Rosen calls it "probably the most frequently performed major choral work composed since the compilation of Mozart's Requiem". Composition history After Gioachino Rossini's death in 1868, Verdi suggested that a number of Italian composers collaborate on a ''Requiem'' in Rossini's honor. He began the effort by submitting the concluding movement, the " Libera me". During the next year a '' Messa per Rossini'' was compiled by Verdi and twelv ...
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Savonlinna Opera Festival
Savonlinna Opera Festival ( fi, Savonlinnan oopperajuhlat) is held annually in the city of Savonlinna in Finland. The Festival takes place at the medieval Olavinlinna (St. Olaf's Castle), built in 1475. The castle is located amid spectacular lake scenery. Origin The birth of the Savonlinna Opera Festival ties in closely with the emerging Finnish identity and striving for independence at the beginning of the 20th century. Attending a nationalist meeting in Olavinlinna Castle in 1907, the Finnish soprano Aino Ackté, already famous at opera houses the world over and an ardent patriot, immediately spotted the potential of the castle as the venue for an opera festival. The first opera festival was held in 1912. Aino Ackté directed the festival for five summers, staging four Finnish operas. The only opera by a non-Finnish composer was Charles Gounod’s ''Faust'', with Ackté herself in the leading female role of Marguerite. In 1917 the festival ran into difficulties because of Fir ...
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