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Chick Flick (TV Series)
Chick flick is a slang term, sometimes used pejoratively, for the film genre catered specifically to women's interests, and is marketed toward women demographics. They generally tend to appeal more to a younger female audience and deal mainly with love and romance. Although many types of films may be directed toward a female audience, the term "chick flick" is typically used only in reference to films that contain personal drama and emotion or themes that are relationship-based (although not necessarily romantic, as films may focus on parent-child or friend relationships). Chick flicks often are released ''en masse'' around Valentine's Day. Feminists such as Gloria Steinem have objected to terms such as "chick flick" and the related genre term "chick lit", and a film critic has called it derogatory. Definitions Generally, a chick flick is a film designed to have an innate appeal to women, typically young women. Defining a chick flick is, as ''The New York Times'' has stated, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charmed
''Charmed'' is an American fantasy drama television series created by Constance M. Burge and produced by Aaron Spelling and his production company Spelling Television, with Brad Kern serving as showrunner. The series was originally broadcast by The WB from October 7, 1998, until May 21, 2006. The series narrative follows a trio of sisters, known as The Charmed Ones, the most powerful good witches of all time, who use their combined "Power of Three" to protect innocent lives from evil beings such as demons and warlocks. Each sister possesses unique magical powers that grow and evolve, while they attempt to maintain normal lives in modern-day San Francisco. Keeping their supernatural identities separate and secret from their ordinary lives often becomes a challenge for them, with the exposure of magic having far-reaching consequences on their various relationships and resulting in a number of police and FBI investigations throughout the series. The series initially focuses on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryan Gosling
Ryan Thomas Gosling (born November 12, 1980) is a Canadian actor. Prominent in independent film, he has also worked in blockbuster films of varying genres, and has accrued a worldwide box office gross of over 1.9 billion USD. He has received various accolades, including a Golden Globe Award, and nominations for two Academy Awards and a BAFTA Award. Born and raised in Canada, he rose to prominence at age 13 for being a child star on the Disney Channel's ''The Mickey Mouse Club'' (1993–1995), and went on to appear in other family entertainment programs, including ''Are You Afraid of the Dark?'' (1995) and ''Goosebumps'' (1996). His first film role was as a Jewish neo-Nazi in '' The Believer'' (2001), and he went on to star in several independent films, including ''Murder by Numbers'' (2002), ''The Slaughter Rule'' (2002), and ''The United States of Leland'' (2003). Gosling gained wider recognition and stardom for the 2004 romance film ''The Notebook''. This was followed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Materialism
Materialism is a form of philosophical monism which holds matter to be the fundamental substance in nature, and all things, including mental states and consciousness, are results of material interactions. According to philosophical materialism, mind and consciousness are by-products or epiphenomena of material processes (such as the biochemistry of the human brain and nervous system), without which they cannot exist. This concept directly contrasts with idealism, where mind and consciousness are first-order realities to which matter is dependent while material interactions are secondary. Materialism is closely related to physicalism—the view that all that exists is ultimately physical. Philosophical physicalism has evolved from materialism with the theories of the physical sciences to incorporate more sophisticated notions of physicality than mere ordinary matter (e.g. spacetime, physical energies and forces, and dark matter). Thus, the term ''physicalism'' is preferred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loneliness
Loneliness is an unpleasant emotional response to perceived isolation. Loneliness is also described as social paina psychological mechanism which motivates individuals to seek social connections. It is often associated with a perceived lack of connection and intimacy. Loneliness overlaps and yet is distinct from solitude. Solitude is simply the state of being apart from others; not everyone who experiences solitude feels lonely. As a subjective emotion, loneliness can be felt even when a person is surrounded by other people. Hence, there is a distinction between being alone and feeling lonely. Loneliness can be short term (state loneliness) or long term (chronic loneliness). In either case, it can be intense and painful. The causes of loneliness are varied. Loneliness can be a result of genetic inheritance, cultural factors, a lack of meaningful relationships, a significant loss, an excessive reliance on passive technologies (notably the Internet in the 21st century), or a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Hollywood Cinema
Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which became characteristic of American cinema between the 1910s (rapidly after World War I) and the 1960s. It eventually became the most powerful and pervasive style of filmmaking worldwide. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity. For centuries, the only visual standard of narrative storytelling art was the theatre. Since the first narrative films in the mid-late 1890s, filmmakers have sought to capture the power of live theatre on the cinema screen. Most of these filmmakers started as directors on the late 19th-century stage, and likewise most film actors had roots in vaudeville (e.g. The Marx Brothers) or theatrical melodramas. Visually, early narrative films had adapted little from the stage, and their narratives had adapted very little from vaudeville and mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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