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Chattra
The ''chhatra'' (from sa, छत्र, meaning "umbrella") "jewelled/precious parasol" is an auspicious symbol in Hinduism, Jainism and Buddhism. The ''chhatra'' in various traditions According to Hindu mythology, it is the emblem of Varuna, also considered an embodiment of kingship. ''Chhatra'' is also a deity, yidam and ishta-devata. In various Dharmic traditions it is an accoutrement of ''chakravartin''. A number of deities are depicted with ''chhatra'', and they include Revanta, Surya, and Vishnu (in his Vamana avatar). The ''chhatra'' is cordoned amongst the symbols that approach universality within the numerous octavalent suites or sets of Ashtamangala, e.g., in the Digambar Jain tradition, and the Vajrayana tradition. In Dharmic tradition iconography, traditional Tibetan medicine thangkas and Ayurvedic diagrams, the ''chhatra'' is uniformly represented as the Sahasrara. In Vajrayana Buddhism, the umbrella or parasol is included in the 'Eight Auspicious Signs' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gupta Era
The Gupta era is a historical calendar era that begins from c. 318–319 CE. It was used by the Gupta emperors, as well as their vassals and their successors in present-day northern India and Nepal. It is identical to the Vallabhi era (or Valabhi era), which was used in the Saurashtra region of western India, although regional differences lead to a slightly different calculation for the conversion of Vallabhi era years to Common Era (CE). History The Gupta era is now believed to have been started by the Gupta kings, although there have been several debates over its origin in the past. The 11th century Persian writer Al-Biruni, who described the Guptas as "wicked", incorrectly stated that the Gupta era marked the end of the Gupta dynasty. He dated the beginning of the Gupta era to the year 241 of the Shaka era, that is, 318–319 CE. Al-Biruni's claim later led to debates about the era's origin among the 19th century historians. John Faithfull Fleet analysed the Gupta insc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universality (philosophy)
In philosophy, universality or absolutism is the idea that universal facts exist and can be progressively discovered, as opposed to relativism, which asserts that all facts are merely relative to one's perspective. Absolutism and relativism have been explored at length in contemporary analytic philosophy. Also see Kantian and Platonist notions of "universal", which are considered by most philosophers to be separate notions. Universality in ethics When used in the context of ethics, the meaning of ''universal'' refers to that which is true for "all similarly situated individuals". Rights, for example in natural rights, or in the 1789 Declaration of the Rights of Man and of the Citizen, for those heavily influenced by the philosophy of the Enlightenment and its conception of a human nature, could be considered universal. The 1948 Universal Declaration of Human Rights is inspired by such principles. Universality about truth In logic, or the consideration of valid arguments, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burmese Culture
The culture of Myanmar (also known as Burma) ( my, မြန်မာ့ယဉ်ကျေးမှု) has been heavily influenced by Buddhism. Burmese culture has also been influenced by its neighbours. In more recent times, British colonial rule and easternisation have influenced aspects of Burmese culture, including language and education. Arts Historically, Burmese art was based on Buddhist or Hindu myths. There are several regional styles of Buddha images, each with certain distinctive characteristics. For example, the Mandalay style, which developed in the late 1800s, consists of an oval-shaped Buddha with realistic features, including naturally curved eyebrows, smaller but still prominent ears, and a draping robe. There are 10 traditional arts, called ''pan sè myo'' (), listed as follows: # Blacksmith ( ''ba-bè'') # Woodcarving ( ''ba-bu'') # Goldsmith ( ''ba-dein'') # Stucco relief ( ''pandaw'') # Masonry ( ''pa-yan'') # Stone carving ( ''pantamaw'') # Turner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvakarman
Vishvakarma or Vishvakarman ( sa, विश्वकर्मा, Viśvakarmā, all maker) is a craftsman deity and the divine architect of the devas in contemporary Hinduism. In the early texts, the craftsman deity was known as Tvastar and the word "Vishvakarma" was originally used as an epithet for any powerful deity. However, in many later traditions, Vishvakarma became the name of the craftsman god. Vishvakarma crafted all of the chariots of the devas and weapons including the ''Vajra'' of the god Indra. Vishvakarma was related to the sun god Surya through his daughter Samjna. According to the legend, when Samjna left her house due to Surya's energy, Vishvakarma reduced the energy and created various other weapons using it. Vishvakarma also built various cities like Lanka, Dvaraka, and Indraprastha. According to the epic ''Ramayana'', the '' vanara'' (forest-man or monkey) Nala was the son of Vishvakarma, created to aid the avatar Rama. Literature and legends Vedas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldachin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashtamangala
The Ashtamangala is a sacred suite of ''Eight Auspicious Signs'' endemic to a number of religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" () are yidam and teaching tools. Not only do these attributes (or energetic signatures) point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities" (Sanskrit: ''guṇa''; ). Many cultural enumerations and variations of the Ashtamangala are extant. In Buddhism Tibetan Buddhism, Tibetan Buddhists make use of a particular set of eight auspicious symbols, ''ashtamangala'', in household and public art. Some common interpretations are given along with each symbol although different teachers may give different interpretations: Conch The right-turning white conch shell (Sanskrit: shankha, ; ) represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahasrara
Sahasrara ( sa, सहस्रार, IAST: , en, "thousand-petalled", with many alternative names and spellings) or the crown chakra is considered the seventh primary chakra in some yoga traditions. Hatha yoga The Sahasrara is described in a few medieval hatha yoga texts including the '' Śivasaṃhitā'' and the ''Tirumantiram'', but not within the Paścimāmnāya and Nath traditions; the '' Kubjikamatatantra'' describes only the six lower chakras. The scriptures vary in the position of the Sahasrara; the ''Siva Samhita'' states that it is beyond the body, whereas others place it at the fontanelle or brahmarandhra on the top of the head where the soul leaves the body at death. Description The Sahasrara is described as a lotus flower with 1,000 petals of different colors. These are arranged in 20 layers, each with approximately 50 petals. The pericarp is golden and within it a circular moon region is inscribed with a luminous triangle, which can be either upward- or do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ayurvedic
Ayurveda () is an alternative medicine system with historical roots in the Indian subcontinent. The theory and practice of Ayurveda is pseudoscientific. Ayurveda is heavily practiced in India and Nepal, where around 80% of the population report using it. Ayurveda therapies have varied and evolved over more than two millennia. Therapies include herbal medicines, special diets, meditation, yoga, massage, laxatives, enemas, and medical oils. Ayurvedic preparations are typically based on complex herbal compounds, minerals, and metal substances (perhaps under the influence of early Indian alchemy or '' rasashastra''). Ancient Ayurveda texts also taught surgical techniques, including rhinoplasty, kidney stone extractions, sutures, and the extraction of foreign objects. The main classical Ayurveda texts begin with accounts of the transmission of medical knowledge from the gods to sages, and then to human physicians. Printed editions of the ''Sushruta Samhita'' (''Sushruta's Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'', variously spelled as ''thangka'', ''tangka'', ''thanka'', or ''tanka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा), is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Tibetan Medicine
Traditional Tibetan medicine (), also known as Sowa-Rigpa medicine, is a centuries-old traditional medical system that employs a complex approach to diagnosis, incorporating techniques such as pulse analysis and urinalysis, and utilizes behavior and dietary modification, medicines composed of natural materials (e.g., herbs and minerals) and physical therapies (e.g. Tibetan acupuncture, moxabustion, etc.) to treat illness. The Tibetan medical system is based upon Indian Buddhist literature (for example Abhidharma and Vajrayana tantras) and Ayurveda. It continues to be practiced in Tibet, India, Nepal, Bhutan, Ladakh, Siberia, China and Mongolia, as well as more recently in parts of Europe and North America. It embraces the traditional Buddhist belief that all illness ultimately results from the three poisons: delusion, greed and aversion. Tibetan medicine follows the Buddha's Four Noble Truths which apply medical diagnostic logic to suffering. History As Indian culture floo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semioti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrayana
Vajrayāna ( sa, वज्रयान, "thunderbolt vehicle", "diamond vehicle", or "indestructible vehicle"), along with Mantrayāna, Guhyamantrayāna, Tantrayāna, Secret Mantra, Tantric Buddhism, and Esoteric Buddhism, are names referring to Buddhist traditions associated with Tantra and "Secret Mantra", which developed in the medieval Indian subcontinent and spread to Tibet, Nepal, other Himalayan states, East Asia, and Mongolia. Vajrayāna practices are connected to specific lineages in Buddhism, through the teachings of lineage holders. Others might generally refer to texts as the Buddhist Tantras. It includes practices that make use of mantras, dharanis, mudras, mandalas and the visualization of deities and Buddhas. Traditional Vajrayāna sources say that the tantras and the lineage of Vajrayāna were taught by Śākyamuni Buddha and other figures such as the bodhisattva Vajrapani and Padmasambhava. Contemporary historians of Buddhist studies meanwhile argue that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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