Charleston Renaissance
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Charleston Renaissance
The Charleston Renaissance is a period between World Wars I and II in which the city of Charleston, South Carolina, experienced a boom in the arts as artists, writers, architects, and historical preservationists came together to improve and represent their city. The Charleston Renaissance was related to the larger interwar artistic movement known as the Southern Renaissance and is credited with helping to spur the city's tourist industry. History In the Antebellum era, Charleston was one of the ten largest cities in America. The Civil War destroyed the city's prosperity, and the economic after-effects lingered through the Reconstruction era into the early 20th century. Beginning around World War I, however, the city experienced a renaissance in the arts as the local art community worked on bettering their city and representing it in various media. The Charleston Renaissance contributed to the rise of such art institutions as the Gibbes Museum of Art (which grew out of the Caroli ...
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Bayou Scene Alice Ravenel Huger Smith 1920
In usage in the Southern United States, a bayou () is a body of water typically found in a flat, low-lying area. It may refer to an extremely slow-moving stream, river (often with a poorly defined shoreline), marshy lake, wetland, or creek. They typically contain brackish water highly conducive to fish life and plankton. Bayous are commonly found in the Gulf Coast region of the southern United States, especially in the Mississippi River Delta, though they also exist elsewhere. A bayou is often an anabranch or minor braid of a braided channel that is slower than the mainstem, often becoming boggy and stagnant. Though fauna varies by region, many bayous are home to crawfish, certain species of shrimp, other shellfish, catfish, frogs, toads, salamanders, newts, American alligators, American crocodiles, herons, lizards, turtles, tortoises, spoonbills, snakes, and leeches, as well as many other species. Etymology The word entered American English via Louisiana French in Louisiana and ...
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Dorothy Heyward
Dorothy Heyward (née Kuhns; June 6, 1890 – November 19, 1961) was an American playwright. In addition to several works of her own, she co-authored the play '' Porgy'' (1927) with her husband DuBose Heyward, adapting it from his novel by the same name. Their work is now known best in its adaptation as the opera ''Porgy and Bess'' (1935), with music by George Gershwin. Early life and education She was born in Wooster, Ohio, as Dorothy Kuhns, and lived in New York, Puerto Rico, and Washington, DC, throughout her childhood years. She was interested in literature from an early age and started writing plays. After graduating from high school, she attended Harvard University, where she studied to become a playwright. In 1922, Kuhns attended MacDowell Colony, where she met DuBose Heyward. They married in September 1923 and she changed her name. Career as a playwright In 1924, Heyward wrote her first play, ''The Dud'', for which she won a Harvard Prize. ''The Dud'' was later r ...
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Childe Hassam
Frederick Childe Hassam (; October 17, 1859 – August 27, 1935) was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century. Early years Hassam was known to all as "Childe" (pronounced like ''child''), a name taken from an uncle. Hassam was born in the family home on Olney Street on Meeting House Hill in the Dorchester neighborhood of Boston, on October 17, 1859. His father, Frederick Fitch Hassam (1825–1880), was a moderately successful cutlery businessman with a large collection of art and antiques. He descended from a long line of New Englanders. His mother, Rosa Delia Hawthorne (1832–1880), a native of Maine, shared an ancestor wit ...
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Edward Hopper
Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker. While he is widely known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching. Hopper created subdued drama out of commonplace subjects 'layered with a poetic meaning', inviting narrative interpretations. He was praised for "complete verity" in the America he portrayed. His career benefited significantly from his marriage to fellow-artist Josephine Nivison, who contributed much to his work, both as a life-model and as a creative partner. Biography Early life Hopper was born in 1882 in Nyack, New York, a yacht-building center on the Hudson River north of New York City. He was one of two children of a comfortably well-off family. His parents, of mostly Dutch ancestry, were Elizabeth Griffiths Smith and Garret Henry Hopper, a dry-goods merchant.Levin, Gail, ''Edward Hopper: An Intimate Biography'', Alfred A. Knopf, New York, 1995, p.11, ...
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Gabrielle D
Gabrielle may refer to: * Gabrielle (given name), a French female given name derived from Gabriel Film and television * ''Gabrielle'' (1954 film), a Swedish film directed by Hasse Ekman * ''Gabrielle'' (2005 film), a French film directed by Patrice Chéreau * ''Gabrielle'' (2013 film), a Canadian film directed by Louise Archambault * Gabrielle (''Xena: Warrior Princess''), a character in the television series ''Xena: Warrior Princess'' * ''Gabrielle'' (TV series), a daytime talk show Music * Gabrielle (singer) (born 1969), English singer ** ''Gabrielle'' (album), her self-titled second album * "Gabrielle", song by Hootenanny Singers, 1964 * "Gabrielle" (Johnny Hallyday song), 1976 * Gabrielle Leithaug (born 1985), Norwegian X Factor contestant and singer known as Gabrielle * "Gabrielle", a 1980 single by The Nips * "Gabrielle", a 2020 single by Brett Eldredge * "Gabrielle", a song from the album ''Nymphetamine'' by Cradle of Filth * "Gabrielle", a song from the album ''Lov ...
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Ellen Day Hale
Ellen Day Hale (February 11, 1855February 11, 1940) was an American Impressionism, Impressionist painter and printmaker from Boston. She studied art in Paris and during her adult life lived in Paris, London and Boston. She exhibited at the Paris Salon and the Royal Academy of Arts. Hale wrote the book ''History of Art: A Study of the Lives of Leonardo, Michelangelo, Raphael, Titian, and Albrecht Dürer'' and mentored the next generation of New England female artists, paving the way for widespread acceptance of female artists. Biography Early life Ellen Day Hale was born on February 11, 1855 in Worcester, Massachusetts, into an elite Boston Brahmin family. Hale's father was author and orator Edward Everett Hale, and her mother was Emily Baldwin Perkins. Although the Hale family was well respected among the Boston upper class, they were not exceptionally wealthy. Her father acted as a Unitarianism, Unitarian chaplain in the U.S. Senate from 1904 until his death in 1909, and Hale ...
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William Posey Silva
William Posey Silva (1859–1948) was an early 20th century American painter noted for atmospheric landscapes painted in a lyrical impressionist style. His work is associated with the Charleston Renaissance and with the art colony in Carmel, California, where he lived for thirty-six years. An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website (http://www.tfaoi.com/aa/10aa/10aa557.htm). Biography William Posey Silva was born in Savannah, Georgia, on October 23, 1859. His paternal grandfather was a Portuguese immigrant from the Azores. He graduated from Chatham Academy in 1875 and went on to study engineering for a short time at the University of Virginia. While still a young man, he inherited his father's prosperous china and hardware business, which he ran until he sold the business in 1906. He married Caroline Walker Beecher and had a son, Abbott, who joined the Forest Service. Silva had been interested in painting for many ...
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Anne Taylor Nash
Anne Taylor Nash (1884–1968) was an American painter, largely of portraits. Born Anne Mauger Taylor in Pittsboro, North Carolina, Nash did not begin painting until she was forty, being inspired to do so by her friend Elizabeth O'Neill Verner. She studied art at the Gibbes Museum of Art, the Pennsylvania Academy of the Fine Arts, the École des Beaux-Arts in Fontainbleau, and the New England School of Fine Arts, and she was a pupil of Verner's in 1924. She was an active member of the Southern States Art League and the Carolina Art Association. Nash married Edmund Strudwick Nash, a descendant of Francis Nash and a relative of Ogden Nash, in 1906, and shortly thereafter moved to Charleston, South Carolina. Her portraits were exhibited at the Gibbes in 1933. In 1937 the family moved to Savannah, Georgia, where she remained active for the rest of her life, exhibiting at the Telfair Museum of Art Telfair Museums, in the historic district of Savannah, Georgia, was the first public a ...
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Edwin Harleston
Edwin Augustus Harleston (March 14, 1882 – May 10, 1931) was an American artist and founding president of the Charleston, South Carolina, branch of the National Association for the Advancement of Colored People. He is known for his realistic portraits inspired by classical paintings. He was excluded from the whites-only artistic movement known as the Charleston Renaissance. Personal life He was born in Charleston, South Carolina, on March 14, 1882. He was one of five surviving children of Louisa Moultrie Harleston and Edwin Gaillard Harleston, a prosperous former coastal schooner captain who owned the Harleston Funeral Home. His mother traced her lineage through several generations of free people of color, while his father was descended from a white planter and one of his slaves. His family referred to him as "Teddy" to distinguish him from his father. Harleston won a scholarship to study at the Avery Normal Institute, from which he graduated as valedictorian in 1900. He went ...
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Elizabeth O'Neill Verner
Elizabeth O'Neill Verner (December 21, 1883 – April 17, 1979) was an artist, author, lecturer, and preservationist who was one of the leaders of the Charleston Renaissance. She has been called "the best-known woman artist of South Carolina of the twentieth century." Early life and education Elizabeth Quale O'Neill was born Dec. 21, 1883, in Charleston, South Carolina. She first studied art with Alice Ravenel Huger Smith. In 1901, after attending a Catholic girls’ school in Columbia, S.C., she enrolled at the Pennsylvania Academy of Fine Arts, where she studied for two years with Thomas Anshutz. When she left the academy, she taught art in Aiken, South Carolina, for a time. She then returned to Charleston, where she took up her art studies with Smith as well as with Gabrielle D. Clements and Ellen Day Hale. Inspired by Clements and Hale, she was a founding member of the Charleston Etchers Club and helped to found the Southern States Art League. In 1907, she married E. Pettigrew ...
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Anna Heyward Taylor
Anna Heyward Taylor (November 13, 1879 – March 4, 1956) was a painter and printmaker who is considered one of the leading artists of the Charleston Renaissance. Early life and education Anna Heyward Taylor was born November 13, 1879, in Columbia, South Carolina, one of eight children of Benjamin Walter Taylor—a physician and surgeon who had served in the Civil War in the Army of Northern Virginia—and Marianna (Heyward) Taylor. The Taylor family was prominent in the cotton industry and in the development of the city of Columbia. Her older brother Thomas Taylor would later build Taylor House, which became the first location of the Columbia Museum of Art. Taylor received education at the South Carolina College for Women, graduating in 1897. She traveled to Holland in 1903 to study with the painter William Merritt Chase, afterward traveling around Europe for another few years as well as to China and Japan in 1914. Taylor served eighteen months in the American Red Cross in France ...
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Alice Ravenel Huger Smith
Alice Ravenel Huger Smith (July 14, 1876 – February 3, 1958) was an American painter and printmaker. She was one of the leading figures in the so-called Charleston Renaissance, along with Elizabeth O'Neill Verner, Alfred Hutty, and Anna Heyward Taylor. Family and education Smith was a native of Charleston, South Carolina, and had been born into one of the most prominent families of the city. Her parents were Caroline (Ravenel) Smith and Daniel Elliott Smith. Through her great-great-grandfather Daniel Ravenel (1762-1807), she was a distant cousin of the writers Harriott Horry Ravenel, Beatrice Ravenel, and Beatrice St. Julien Ravenel. Smith received some basic training, early in her career, at the Carolina Art Association, but otherwise remained largely self-taught throughout her life. She traveled rarely, only traveling once to Canada, and hated change; she disliked the automobile intensely, and preferred to walk. Art career Smith began her career as a portraitist, copying ...
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