Charles Jalabert
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Charles Jalabert
Charles François Jalabert (1819–1901) was a French painter in the academic style. He rapidly gained renown as an artist among Parisian high society in the second half of the 19th century and attended the salon of Madame Sabatier. Some of his works are now in the Musée des Beaux-Arts de Nîmes. Jalabert was born in Nîmes. One of his most famous works was the oil on canvas painting called ''The Plague of Thebes''. The painting referred to the Athenian tragedy 'Oedipus Rex' by Sophocles. Thebes is ravaged by plague as a result of the corruption in the place and the murderer of Laius, the former king of the city. The attempts of Oedipus, the incumbent ruler, to allay the plague bring him only to the realization that he is the cause of the plague. His murdering his own father and marrying his mother, he comes to see, is what brought the curse to Thebes. The Plague of Thebes, and other famous works of Jalabert's, like Oedipus and Antigone, are now on display at the Musée d ...
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Charles Francois Jalabert
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depre ...
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Walters Art Museum
The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed substantially by major American art and sculpture collectors, a father and son: William Thompson Walters, (1819–1894), who began collecting when he moved to Paris as a nominal Southern/Confederate sympathizer at the outbreak of the American Civil War in 1861; and Henry Walters (1848–1931), who refined the collection and made arrangements for the construction of a later landmark building to rehouse it. After allowing the Baltimore public to occasionally view his father's and his growing added collections at his West Mount Vernon Place townhouse/mansion during the late 1800s, he arranged for an elaborate stone palazzo-styled structure built for that purpose in 1905–1909. Located across the back alley, a block south of the Walters mansio ...
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19th-century French Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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1901 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipkno ...
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1819 Births
Events January–March * January 2 – The Panic of 1819, the first major peacetime financial crisis in the United States, begins. * January 25 – Thomas Jefferson founds the University of Virginia. * January 29 – Sir Stamford Raffles lands on the island of Singapore. * February 2 – ''Dartmouth College v. Woodward'': The Supreme Court of the United States under John Marshall rules in favor of Dartmouth College, allowing Dartmouth to keep its charter and remain a private institution. * February 6 – A formal treaty, between Hussein Shah of Johor and the British Sir Stamford Raffles, establishes a trading settlement in Singapore. * February 15 – The United States House of Representatives agrees to the Tallmadge Amendment, barring slaves from the new state of Missouri (the opening vote in a controversy that leads to the Missouri Compromise). * February 19 – Captain William Smith of British merchant brig ''Williams'' sights Williams ...
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Musée Condé
The Musée Condé – in English, the Condé Museum – is a French museum located inside the Château de Chantilly in Chantilly, Oise, 40 km north of Paris. In 1897, Henri d'Orléans, Duke of Aumale, son of Louis Philippe I, bequeathed the château and its collections to the Institut de France. It included rooms remodeled as museum spaces and those left as residential quarters in the styles of the 18th and 19th centuries. Collections The collection of old master paintings is among the most important in France. It consists predominantly of Italian and French works and includes three paintings by Fra Angelico, three by Raphael, five by Nicolas Poussin, four by Antoine Watteau and five signed by Jean-Auguste-Dominique Ingres. The museum harbors a collection of 2,500 drawings and a library including 1,500 manuscripts, of which 200 are illuminated. The most renowned of the latter are the ''Très Riches Heures du Duc de Berry''. In addition to these, there are collections of prin ...
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Henri D'Orléans (1822-1897)
Henri d'Orléans may refer to: *Henry II of France (1519–1559), a French king of the house of Valois * Henri I d'Orléans, duc de Longueville (1568–1595), a French aristocrat and soldier *Henri d'Orléans, Duke of Aumale (1822–1897), fifth son of King Louis-Philippe of France * Prince Henri of Orléans (1867–1901), a French aristocrat and explorer *Henri, Count of Paris (1908–1999), a former pretender to the French throne *Henri, Count of Paris (1933–2019) Henri, Count of Paris, Duke of France (Prince ''Henri Philippe Pierre Marie d'Orléans''; 14 June 1933 – 21 January 2019), was the Orléanist pretender to the defunct French throne as Henry VII. He was head of the House of Orléans as senio ...
, a pretender to the French throne {{disambiguation ...
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Musée Des Beaux-arts De Marseille
The Musée des beaux-arts de Marseille is one of the main museums in the city of Marseille, in the Provence-Alpes-Côte d'Azur region. It occupies a wing of the Palais Longchamp, and displays a collection of paintings, sculptures and drawings from the 16th to 19th centuries. History The museum is one of five created by the Consulate in 1801, in the main cities of France. The basis for the collection was the seizure by revolutionaries of state property after the consular decree of 1 September 1800. Successive deposits of state property were made in 1814, 1817 and 1819, and throughout the rest of the 19th century. In 1856, the Borély collection was acquired by the museum. In 1869, the museum moved into the left wing of the Palais Longchamp. As of 2012, the museum was closed for renovations. Building The museum is located in the right wing of the Palais Longchamp, built by the architect Henri-Jacques Espérandieu between 1862 and 1869 to commemorate the arrival in the city of ...
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Orpheus
Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades, to recover his lost wife Eurydice. Ancient Greek authors as Strabo and Plutarch note Orpheus's Thracian origins. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular ...
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Academic Painting
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influ ...
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Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains ...
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Oedipus
Oedipus (, ; grc-gre, Οἰδίπους "swollen foot") was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family. The story of Oedipus is the subject of Sophocles' tragedy '' Oedipus Rex'', which is followed in the narrative sequence by ''Oedipus at Colonus'' and then ''Antigone''. Together, these plays make up Sophocles' three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the course of destiny in a harsh universe. In the best-known version of the myth, Oedipus was born to King Laius and Queen Jocasta of Thebes. Laius wished to thwart the prophecy, so he sent a shepherd-servant to leave Oedipus to die on a mountainside. However, the shepherd took pity on the baby and passed him to another shepherd who gave Oedipus to ...
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