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Charles Friant
Auguste Charles Paul Friant (12 January 1890 – 22 April 1947) was a French tenor. Friant was born in the Montmartre district of Paris. His father was a principal ballet dancer, and his grandfather a professor of ballet at the Paris Opéra. While a boy, Charles Friant sang in the opera chorus, and appeared in the premiere of Vincent d'Indy’s opera ''L'Etranger'' in 1902. Friant attended ballet school in Paris from 1901 to 1906. He met his wife to be, Mademoiselle Mougot, at the ballet school where she taught an acting course in which Friant enrolled. He then trained as an actor with Sarah Bernhardt, joining her company touring Europe from 1908 to 1909. This included performing opposite Bernhardt in Edmond Rostand’s ''L'Aiglon''. In 1910 it was discovered he had a tenor voice, and he went to the Conservatoire de Paris to study singing with noted baritone Léon Melchissédec. On graduating in 1914, he was awarded a first prize in singing as a pupil of Alphonse Ledu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Levadé
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Aubert
Louis François Marie Aubert (19 February 1877 – 9 January 1968) was a French composer. Biography Born in Paramé, Ille-et-Vilaine, Louis Aubert was a child prodigy. His parents, recognizing their son's musical talent, sent him to Paris to receive an education at an early age. He became recognised for his voice, primarily for his renditions of the ''Pie Jesu'' from Gabriel Fauré's Requiem at the Église de la Madeleine. The young Aubert met Fauré at the Paris Conservatoire, and he regularly attended at his composition classes, which greatly influenced his development. Aubert became an excellent pianist. In 1911, he premiered Maurice Ravel's ''Valses nobles et sentimentales'', which were written for and dedicated to him. He also worked as a piano and composition teacher, both privately and on the faculty of the Conservatoire de Paris. He counted among his students Henry Barraud, Jean-Marie Beaudet, Jean Berger, Marinus Flipse, and Georges Savaria. He composed music for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Louis Auguste Samuel-Rousseau
Marcel may refer to: People * Marcel (given name), people with the given name Marcel * Marcel (footballer, born August 1981), Marcel Silva Andrade, Brazilian midfielder * Marcel (footballer, born November 1981), Marcel Augusto Ortolan, Brazilian striker * Marcel (footballer, born 1983), Marcel Silva Cardoso, Brazilian left back * Marcel (footballer, born 1992), Marcel Henrique Garcia Alves Pereira, Brazilian midfielder * Marcel (singer), American country music singer * Étienne Marcel (died 1358), provost of merchants of Paris * Gabriel Marcel (1889–1973), French philosopher, Christian existentialist and playwright * Jean Marcel (died 1980), Madagascan Anglican bishop * Jean-Jacques Marcel (1931–2014), French football player * Rosie Marcel (born 1977), English actor * Sylvain Marcel (born 1974), Canadian actor * Terry Marcel (born 1942), British film director * Claude Marcel (1793-1876), French diplomat and applied linguist Other uses * Marcel (''Friends''), a fictional monkey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Szulc
Josef Zygmunt Szulc (4 April 1875, Warsaw, Warsaw Governorate, Russian Empire – 10 April 1956, Paris, France) was a composer and conductor. He also used the pseudonym Jan Sulima. Life Born in Poland to a musical family, he began his formal training as a pianist at the Warszawa Conservatory under Moszkowski. He also lived in Berlin briefly (using the name Joseph Schultz) and later moved to Paris to complete his studies in conducting and composition in 1899, converting the spelling of his first name to Joseph. At the conservatoire he trained under Jules Massenet. In 1903 he moved to Brussels, where he was made chief conductor at the Théâtre de la Monnaie and saw instant success with his ballet ''Ispahan'' and several tunes. His wife, Suzy Delsart, was an operetta star (operette divette) and sang the title role of ''The Merry Widow'' by Franz Lehár and also influenced her husband into writing lighter and more popular tunes. In 1907 he completed the music for Marcel Gerbidon's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Benatzky
Ralph Benatzky (5 June 1884 – 16 October 1957), born in Mährisch Budwitz (Moravské Budějovice) as Rudolph Franz rantišekJosef Benatzky, was an Austrian composer of Moravian origin. He composed operas and operettas, such as ''Casanova'' (1928)'', Die drei Musketiere'' (1929), '' Im weißen Rössl'' (1930) and ''Meine Schwester und ich'' (1930). He died in Zürich, Switzerland. Works * ''Laridon'' (1911) * ''Cherchez la femme'' (1911) * ''Der lachende Dreibund'' (1913) * ''Anno 14'' (1914) * ''Prinzchens Frühlingserwachen'' (1914) * ''Liebe im Schnee'' (1916) * ''Die tanzende Maske'' (1918) * ''Die Verliebten'' (1919) * ''Apachen'' (1920) * ''Ein Märchen aus Florenz'' (1923) * ''Casanova'', with music by Johann Strauss II (1928) * ' (1929) * '' Im weißen Rößl'' (1930) * ''Meine Schwester und ich'' (1930) * ''Zur goldenen Liebe'' (1931) * ''Zirkus Aimée'' (1932) * ''Büxl'' (1932) * ''Bezauberndes Fräulein'' (1933) * ''Reichste Mann der Welt'' (1935) * ''Der König ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Bruneau
Louis Charles Bonaventure Alfred Bruneau (3 March 1857 – 15 June 1934) was a French composer who played a key role in the introduction of realism in French opera. Life Born in Paris, Bruneau studied the cello as a youth at the Paris Conservatory and played in the Pasdeloup orchestra. He soon began to compose, writing a cantata, ''Geneviève de Paris'', while still a young man. In 1884, his ''Ouverture héroïque'' was performed, followed by the choral symphonies '' Léda'' (1884) and '' La Belle au bois dormant'' (1886). In 1887, he produced his first opera, ''Kérim''. The following year, Bruneau met Émile Zola, launching a collaboration between the two men that would last for two decades. Bruneau's 1891 opera '' Le Rêve'' was based on the Zola story of the same name, and in the coming years Zola would provide the subject matter for many of Bruneau's works, including ''L'attaque du moulin'' (1893). Zola himself wrote the libretti for the operas ''Messidor'' (1897) and '' L'Ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Jongleur De Notre Dame
''Le Jongleur de Notre Dame'' is a religious miracle story by the French author Anatole France, first printed in a newspaper in 1890, and published in a short story collection in 1892. It is based on an old medieval legend, similar to the later Christmas carol ''The Little Drummer Boy''. The title character is a monk who was formerly a carnival performer. The other monks all have made beautiful works in honor of the Virgin Mary: hymns, icons, stained glass windows, and so on. But he has no such craft. So one night he goes into the chapel and performs his best juggling tricks before the statue of the Virgin. The other monks see this and would punish him for blasphemy, but the statue comes to life and blesses the juggler for his gift. Adaptations of the story Books * ''THE LITTLE JUGGLER and Other French Tales Retold'' (1917), by children's author and illustrator Violet Moore Higgins *'' The Juggler of Our Lady'' (1953), by cartoonist R.O. Blechman *''The Little Juggler'' (1961) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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