Chapel Of St Nicholas, Fort Ricasoli
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Chapel Of St Nicholas, Fort Ricasoli
The Chapel of St Nicholas ( mt, Kappella ta' San Nikola) is a Roman Catholic chapel located in Fort Ricasoli in Kalkara, Malta. It was built between 1696 and 1698 as a parish church for the fort's garrison, and it was dedicated to Saint Nicholas of Bari. The chapel remained in use until the fort was decommissioned in the 1960s, and it fell into a state of disrepair. Currently there are plans to restore the chapel along with the rest of the fort. History The Order of St John began to construct Fort Ricasoli in 1670. It was standard practice to include chapels in Hospitaller fortifications, and the military engineer was appointed to draw up plans for the chapel. Blondel initially proposed a church set within the fortification walls, but it was later decided to build it in a more central location near the fort's main gate. On 29 September 1693, Pope Innocent XII declared that the fort's chapel would be a parish church under the Order's jurisdiction. Work on the chapel commenced ...
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Fort Ricasoli
Fort Ricasoli ( mt, Forti Rikażli) is a bastioned fort in Kalkara, Malta, which was built by the Order of Saint John between 1670 and 1698. The fort occupies a promontory known as Gallows' Point and the north shore of Rinella Bay, commanding the entrance to the Grand Harbour along with Fort Saint Elmo. It is not only the largest fort in Malta but also the largest in Europe, and it has been on the tentative list of UNESCO World Heritage Sites since 1998, as part of the ''Knights' Fortifications around the Harbours of Malta''. Fort Ricasoli saw use during the French invasion of Malta in 1798 and the subsequent Maltese insurrection, after which it ended up in British hands. Ricasoli was the site of the Froberg mutiny in 1807, and it was also used as a military hospital during the 19th century. It saw use once again in World War II, when parts of it were destroyed by aerial bombardment. After it was decommissioned in the 1960s, the fort was used for industrial purposes. Today, the ...
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Crown Colony Of Malta
The Crown Colony of the Island of Malta and its Dependencies (commonly known as the Crown Colony of Malta or simply Malta) was the British colony in the Maltese islands, today the modern Republic of Malta. It was established when the Malta Protectorate was transformed into a British Crown colony in 1813, and this was confirmed by the Treaty of Paris in 1814. Establishment and early years (1813–1824) From 1530 to 1798, Malta had been ruled by the Order of Saint John. The Order was ousted during the War of the Second Coalition and Malta was occupied by Napoleon. The Maltese rebelled after a couple of months of French rule and asked Britain for help. Eventually, the French capitulated in 1800 and Malta voluntarily became a British protectorate. Britain was then supposed to evacuate the island according to the terms of the Treaty of Amiens of 1802, but failed to keep this obligation – one of several mutual cases of non-adherence to the treaty, which eventually led to its c ...
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Mattia Preti
Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. Life Born in the small town of Taverna in Calabria, Preti was called ''Il Cavalier Calabrese'' (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the " Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, returning later ...
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Flagellation Of Christ
The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the '' Life of Christ''. It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary.''Old Master Paintings and Drawings'' by Roy Bolton 2009 page 70 The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome claims to possess the original column. From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes. The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca (1455–60), whose precise meaning has eluded generations of art historians. At the same time ''Christ at the Column'' or ''Christ at ...
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Crucifixion Of Jesus
The crucifixion and death of Jesus occurred in 1st-century Judea, most likely in AD 30 or AD 33. It is described in the four canonical gospels, referred to in the New Testament epistles, attested to by other ancient sources, and considered an established historical event. There is no consensus among historians on the details. Christopher M. Tuckett in ''The Cambridge companion to Jesus'' edited by Markus N. A. Bockmuehl 2001 Cambridge Univ Press pp. 123–124 In the canonical gospels, Jesus is arrested and tried by the Sanhedrin, and then by Pontius Pilate, who sentences him to flagellation and finally crucifixion by the Roman Empire.''The Cradle, the Cross, and the Crown: An Introduction to the New Testament'' by Andreas J. Köstenberger, L. Scott Kellum 2009 pp. 104–108Evans, Craig A. (2001). ''Jesus and His Contemporaries: Comparative Studies'' p. 316 Jesus was stripped of his clothing and offered vinegar mixed with myrrh or gall (likely posca ...
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Our Lady Of Sorrows
Our Lady of Sorrows ( la, Beata Maria Virgo Perdolens), Our Lady of Dolours, the Sorrowful Mother or Mother of Sorrows ( la, Mater Dolorosa, link=no), and Our Lady of Piety, Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names by which Mary, mother of Jesus, is referred to in relation to sorrows in life. As ', it is also a key subject for Marian art in the Catholic Church. The Seven Sorrows of Mary are a popular religious theme and a Catholic devotion. In Christian imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35. Pious practices in reference to this title include the Chaplet of the Seven Sorrows, the Seven Principal Dolors of the Blessed Virgin, the Novena in Honor of the Seven Sorrows of Mary, and the ''Via Matris''. The feast of Our Lady of Sorrows is liturgically celebrated every 15 September, while a feast, the Friday of Sorrows is obs ...
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Crypt
A crypt (from Latin ''crypta'' "vault") is a stone chamber beneath the floor of a church or other building. It typically contains coffins, sarcophagi, or religious relics. Originally, crypts were typically found below the main apse of a church, such as at the Abbey of Saint-Germain en Auxerre, but were later located beneath chancel, naves and transepts as well. Occasionally churches were raised high to accommodate a crypt at the ground level, such as St Michael's Church in Hildesheim, Germany. Etymology The word "Crypt" developed as an alternative form of the Latin "vault" as it was carried over into Late Latin, and came to refer to the ritual rooms found underneath church buildings. It also served as a vault for storing important and/or sacred items. The word "Crypta", however, is also the female form of ''crypto'' "hidden". The earliest known origin of both is in the Ancient Greek '' κρύπτω'' (krupto/krypto), the first person singular indicative of the verb "to conc ...
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John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ...
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Our Lady Of The Pillar
Our Lady of the Pillar ( es, Nuestra Señora del Pilar) is the name given to the Blessed Virgin Mary in the context of the traditional belief that Mary, while living in Jerusalem, supernaturally appeared to the Apostle James the Greater in AD 40 while he was preaching in what is now Spain. Those who adhere to this belief consider this appearance to be the only recorded instance of Mary exhibiting the mystical phenomenon of bilocation. Among Catholics, it is also considered the first Marian apparition, and unique because it happened while Mary was still living on Earth. This title is also associated with a wooden image commemorating the apparition, which is now enshrined at the Cathedral-Basilica of Our Lady of the Pillar in Zaragoza, Aragon, Spain. Pope Callixtus III granted indulgences for visitors to the shrine in 1456. Pope Innocent XIII in 1730 mandated her veneration throughout the Spanish Empire. On 20 May 1905, Pope Pius X granted the image a canonical coronation. Our ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ...
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