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Changing Of The Guard (T. S. Monk Album)
''Changing of the Guard '' is an album by the American drummer T. S. Monk, recorded in 1993 and released on the Blue Note label. Production The album was recorded at Power Station and mixed at Electric Lady Studios. Most of the songs were arranged by Don Sickler. Monk included two songs written by his father, Thelonious. Reception The AllMusic review by Scott Yanow stated: "Drummer T.S. Monk's sextet has quickly become one of the top repertory bands of hard bop ... there is no weak link to this excellent sextet. The band adds to rather than merely copies the tradition." ''The Washington Post'' deemed "Crepuscule with Nellie" "a complex, lesser known heloniousMonk composition usually tackled by solo pianists; here the T.S. Monk sextet conveys the harmonics, the dynamics and the symphonic nature of the tune as Monk wrote it." The ''Toronto Star'' wrote that "the thrusting, unpretentious blowing session is most satisfying with alto Bobby Porcelli and trumpeter Don Sickler to the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Station (recording Studio)
Power Station at BerkleeNYC, formerly known as Avatar Studios (1996–2017) and Power Station, is a recording studio at 441 West 53rd Street between Ninth and Tenth avenues in the Hell's Kitchen neighborhood in Manhattan, New York City. The building contains 5 studio spaces: A, B, C, G, and E, as well as a black box theater. History The building was originally a Consolidated Edison power plant. In 1977, it was rebuilt as a recording studio by producer Tony Bongiovi and his partner Bob Walters. The complex was renamed Avatar Studios (under the Avatar Entertainment Corporation) in May 1996. In 2017, the studios were renamed back to Power Station, by special arrangement with Berklee NYC. The studio reopened in 2020 after a full renovation, while maintaining the studio spaces. In 1995, Sonalysts, which had begun as an underwater acoustics research company, licensed the Power Station's design and naming rights from Bongiovi and Walters. The company built a perfect replica of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Williams (musician)
James Williams (March 8, 1951 – July 20, 2004) was an American jazz pianist.AllMusic/ref> Early life James Williams was born March 8, 1951, in Memphis, Tennessee. He began his formal piano studies at age 13, and was subsequently an organist at Eastern Star Baptist Church in Memphis, a position he held for six years. He earned a B.S. in Music Education at Memphis State University, where he also formed solid friendships with fellow Memphis pianists Mulgrew Miller and Donald Brown. A devotee of the late Memphis pianist Phineas Newborn, Jr., Williams took time to delve into his hometown's jazz heritage, associating with pianist Harold Mabern, bassist Jamil Nasser, and saxophonists George Coleman and Frank Strozier, among others. Later life and career At 22, Williams moved to Boston to accept a teaching position at the Berklee College of Music. A year later, he joined drummer Alan Dawson's group, which provided support in the Boston area for touring artists including Art Far ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Mathews
Ronald Mathews (December 2, 1935 in New York City – June 28, 2008 in Brooklyn) was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey's Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University's International Center for the Arts on September 15, 2008. Critics have compared him to pianists Thelonious Monk, Bud Powell, and McCoy Tyner. Biography In his twenties, Mathews toured internationally and recorded with Roach, Freddie Hubbard and Roy Haynes. He was also a member of Art Blakey's Jazz Messengers in the late 1950s through the 1960s. By thirty, he began teaching jazz piano and led workshops, clinics and master classes at Long Island University in New York City. Besides Dexter Gordon and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Jordan
Clifford Laconia Jordan (September 2, 1931 – March 27, 1993) was an American jazz tenor saxophone player. While in Chicago, he performed with Max Roach, Sonny Stitt, and some rhythm and blues groups. He moved to New York City in 1957, after which he recorded three albums for Blue Note. He recorded with Horace Silver, J.J. Johnson, and Kenny Dorham, among others. He was part of the Charles Mingus Sextet, with Eric Dolphy, during its 1964 European tour. Jordan toured Africa with Randy Weston, and performed in Paris while living in Belgium. In later years, he led his own groups, performed with Cedar Walton's quartet Eastern Rebellion, and led a big band. Jordan was married to Shirley Jordan, a designer and former owner of Clothing Manufacturing Corporation in New York. He later married Sandy Jordan (née Williams), a graphic artist and Honorary Founders Board member of the Jazz Foundation of America. Death Jordan died of lung cancer at the age of 61 in New York City. Disc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Brown (musician)
Donald Ray Brown (born March 28, 1954) is an American jazz pianist and producer. Brown was born in Hernando, Mississippi and raised in Memphis, Tennessee, where he learned to play trumpet and drums in his youth. From 1972 to 1975, he was a student at Memphis State University, by which time he had made piano his primary instrument. He was with Art Blakey's Jazz Messengers from 1981 to 1982, then took teaching positions at Berklee College of Music from 1983 to 1985 and the University of Tennessee from 1988. Brown has recorded for Evidence, Muse, and Sunnyside. Yanow, Scott Donald Brown] at Allmusic Discography As leader/co-leader As sideman With Art Blakey * '' Killer Joe'' with George Kawaguchi (Union Jazz, 1981) * '' Keystone 3'' (Concord Jazz, 1982) * '' Feeling Good'' (Delos, 1986) With Donald Byrd *'' Getting Down to Business'' (Landmark, 1989) *''A City Called Heaven'' (Landmark, 1991) With Ricky Ford *'' Tenor Madness Too!'' (Muse, 1992) With Wallace Roney *'' Obse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Dorham
McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with ''underrated''." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album ''Page One''. Biography Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker's band in December 1948. He was a charter member of the original cooperative The Jazz Messengers, Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idrees Sulieman
Idrees Sulieman (August 7, 1923 – July 23, 2002) was an American bop and hard bop trumpeter. Biography He was born Leonard Graham in St. Petersburg, Florida, United States, later changing his name to Idrees Sulieman, after converting to Islam. He studied at the Boston Conservatory, and gained early experience playing with the Carolina Cotton Pickers and the wartime Earl Hines Orchestra (1943–1944). On October 15, 1947, he played on Thelonious Monk's first recording for Blue Note Records. Sulieman was closely associated with Mary Lou Williams and for a time and had stints with Cab Calloway, John Coltrane, Count Basie, and Lionel Hampton. Sulieman recorded with Coleman Hawkins (1957) and gigged with Randy Weston (1958–1959), in addition to appearing in many other situations. He toured Europe in 1961 with Oscar Dennard, and stayed, settling in Stockholm at first, and then moved to Copenhagen in 1964. A soloist with the Kenny Clarke/Francy Boland Big Band from the mid-1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artie Matthews
Artie Matthews (November 15, 1888 – October 25, 1958) was an American songwriter, pianist, and ragtime composer. Artie Matthews was born in Braidwood, Illinois; his family moved to Springfield, Illinois in his youth. He learned to play piano, mostly popular songs and light classics, until he heard ragtime played by a pianist named Banty Morgan about 1905. Matthews was fascinated and immersed himself in ragtime and started playing and writing numbers in the style. In 1908 he moved to the ragtime center of St. Louis, Missouri, which would be one of his bases, frequently alternating with Chicago, Illinois. He worked as a pianist, arranger, and wrote music for local theater productions. In early 1913 music publisher John Stark heard Matthews and offered him 50 dollars each for any original rags he submitted for publication. Matthews also worked as an arranger for Starks. In 1916 Artie Matthews moved to Cincinnati, Ohio, where he first worked as a church organist. In 1921 Mat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Watson
Robert Michael Watson Jr. (born August 23, 1953), known professionally as Bobby Watson, is an American saxophonist, composer, and educator. Music career Watson was born in Lawrence, Kansas, United States, and grew up in Kansas City, Kansas. He attended the University of Miami, at the same time as Pat Metheny, Jaco Pastorius, and Bruce Hornsby. He graduated in 1975, moved to New York City, and became music director for the Jazz Messengers from 1977 to 1981. After leaving the band, he was productive as a session musician, recording with Wynton Marsalis, Branford Marsalis, Max Roach, Joe Williams, Dianne Reeves, Lou Rawls, Betty Carter, and Carmen Lundy. He formed the band Bobby Watson & Horizon with bassist Curtis Lundy and drummer Victor Lewis, with whom he played throughout the 1980s and 1990s. In 1991, they released the album ''Post Motown Bop'' on Blue Note Records, with John Fordham in Q Magazine describing it as "gleaming, glossy bebop". Watson also led a group known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toronto Star
The ''Toronto Star'' is a Canadian English-language broadsheet daily newspaper. The newspaper is the country's largest daily newspaper by circulation. It is owned by Toronto Star Newspapers Limited, a subsidiary of Torstar Corporation and part of Torstar's Daily News Brands (Torstar), Daily News Brands division. The newspaper's offices are located at One Yonge Street in the Harbourfront, Toronto, Harbourfront neighbourhood of Toronto. The newspaper was established in 1892 as the ''Evening Star'' and was later renamed the ''Toronto Daily Star'' in 1900, under Joseph E. Atkinson. Atkinson was a major influence in shaping the editorial stance of the paper, with the paper having reflected his values until his death in 1948. The paper was renamed the ''Toronto Star'' in 1971. The newspaper introduced a Sunday edition in 1973. History The ''Star'' was created in 1892 by striking ''Toronto News'' printers and writers, led by future mayor of Toronto and social reformer Horatio Clarenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
