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Chamundaraya Basadi
Chavundaraya basadi or Chamundaraya basadi or Boppa-Chaityalya is one of the fifteen basadis (Jain temples) located on the Chandragiri Hill in Shravanabelagola in the Indian state of Karnataka. Archaeological Survey of India has listed the Chavundaraya basadi in group of monuments in Shravanabelagola as ''Adarsh Smarak Monument''. History Chavundaraya basadi was erected by Chavundaraya during the reign of Ganga King Marasimha II in 982 CE and completed by Chavundaraya's son Jinadeva. The idol of Neminatha, flanked by Chauri bearers, is believed to installed by Hoysala period attributing to the characteristics matching Hoysala art. The temple is also known as ''Sruta-tirtha'' () because 10th century Jain Acharya Nemichandra composed Gommatsāra here. The temple underwent improvement in the 12th century under the rule of Chola Empire. The pyramidal shikhara crowned with domical finial is example of Chola architecture. In , a pillared porch was added to the temple complex. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahāvīra, Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the Jain cosmology, cosmology. The three main pillars of Jainism are ''Ahimsa in Jainism, ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and ''aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), ''satya'' (truth), ''Achourya, asteya'' (not stealing), ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chola Empire
The Chola dynasty was a Tamil thalassocratic empire of southern India and one of the longest-ruling dynasties in the history of the world. The earliest datable references to the Chola are from inscriptions dated to the 3rd century BCE during the reign of Ashoka of the Maurya Empire. As one of the Three Crowned Kings of Tamilakam, along with the Chera and Pandya, the dynasty continued to govern over varying territories until the 13th century CE. The Chola Empire was at its peak under the Medieval Cholas in the mid-9th century CE. The heartland of the Cholas was the fertile valley of the Kaveri River. They ruled a significantly larger area at the height of their power from the later half of the 9th century till the beginning of the 13th century. They unified peninsular India south of the Tungabhadra River, and held the territory as one state for three centuries between 907 and 1215 CE.K. A. Nilakanta Sastri, ''A History of South India'', p 157 Under Rajaraja I and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badami
Badami, formerly known as Vatapi, is a town and headquarters of a taluk by the same name, in the Bagalkot district of Karnataka, India. It was the regal capital of the Badami Chalukyas from CE 540 to 757. It is famous for its rock cut monuments such as the Badami cave temples, as well as the structural temples such as the Bhutanatha temples, Badami Shivalaya and Jambulingesvara Temple, Badami, Jambulingesvara temple. It is located in a ravine at the foot of a rugged, red sandstone outcrop that surrounds Agastya lake. Badami has been selected as one of the heritage cities for HRIDAY - Heritage City Development and Augmentation Yojana scheme of Government of India. Nearest Railway Station is Badami Railway Station which is just 2 km from Badami city. Nearest Airport is Hubli Airport which is 109 km away from Badami. History Pre-historic and epic The Badami region was settled in pre-historic times, with evidence by megalithic dolmens. In the local tradition, the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aihole
Aihole (pronounced "Eye-hoḷé"), also referred to as Aivalli, Ahivolal or Aryapura, is a historic site of ancient and medieval era Buddhist, Hindu and Jain monuments in Karnataka, India that dates from the sixth century through the twelfth century CE. Most of the surviving monuments at the site date from the 7th to 10th centuries. Located around an eponymous small village surrounded by farmlands and sandstone hills, Aihole is a major archaeological site featuring over one hundred and twenty stone and cave temples spread along the Malaprabha river valley, in Bagalakote district. Hunagunda Taluk Distance 35km Aihole is from Badami and about from Pattadakal, both of which are major centres of historically important Chalukya monuments. Aihole, along with nearby Badami (Vatapi), emerged by the 6th century as the cradle of experimentation with temple architecture, stone artwork, and construction techniques. This resulted in 16 types of free-standing temples and 4 types of rock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmasan
Lotus position or Padmasana ( sa, पद्मासन, translit=padmāsana) is a cross-legged sitting meditation pose from ancient India, in which each foot is placed on the opposite thigh. It is an ancient asana in yoga, predating hatha yoga, and is widely used for meditation in Hindu, Tantra, Jain, and Buddhist traditions. Variations include easy pose (Sukhasana), half lotus, bound lotus, and psychic union pose. Advanced variations of several other asanas including yoga headstand have the legs in lotus or half lotus. The pose can be uncomfortable for people not used to sitting on the floor, and attempts to force the legs into position can injure the knees. Shiva, the meditating ascetic God of Hinduism, Gautama Buddha, the founder of Buddhism, and the Tirthankaras in Jainism have been depicted in the lotus position, especially in statues. The pose is emblematic both of Buddhist meditation and of yoga, and as such has found a place in Western culture as a symbol of healthy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Monasticism
Jain monasticism refers to the order of monks and nuns in the Jain community and can be divided into two major denominations: the ''Digambara'' and the ''Śvētāmbara''. The monastic practices of the two major sects vary greatly, but the major principles of both are identical. Five ''mahāvratas'' (Great Vows), from Mahavira's teachings, are followed by all Jain ascetics. Historians believe that a united Jain ''sangha'' (community) existed before 367 BCE, about 160 years after the ''moksha'' (liberation) of Mahavira. The community then gradually divided into the major denominations. Terminology ''Digambaras'' use the word ' for male monastics and ''aryika'' for female monastics. ''Digambara monks'' are also called ''nirgrantha'' (without bonds). ''Śvētāmbaras'' use the word ''sadhvi''s for female monastics. History Mahavira had 11 chief disciples, Indrabhuti Gautama being the most senior. Each chief disciple was made responsible for 250 to 500 monks. The Jain sangha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakshi
''Yakshinis'' or ''yakshis'' (यक्षिणी sa, yakṣiṇī or ''yakṣī''; pi, yakkhiṇī or ''yakkhī'') are a class of female nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas and asuras (classes of power-seeking beings), and gandharvas or apsaras (celestial nymphs). Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India. Yakshis are also found in the traditional legends of Northeastern Indian tribes, ancient legends of Kerala, and in the folktales of Kashmiri Muslims. Sikhism also mentions yakshas in its sacred texts. The well behaved and benign ones are worshipped as tutelaries, they are the attendees of Kubera, the treasurer of the gods, and also the Hindu god of wealth who ruled Himalayan kingdom of Alaka. There are also malign and mischievous yakshinis with poltergeist-like behaviours, that can haunt and curse humans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parshavanatha
''Parshvanatha'' (), also known as ''Parshva'' () and ''Parasnath'', was the 23rd of 24 ''Tirthankaras'' (supreme preacher of dharma) of Jainism. He is the only Tirthankara who gained the title of ''Kalīkālkalpataru (Kalpavriksha in this "Kali Yuga").'' Parshvanatha is one of the earliest ''Tirthankaras'' who are acknowledged as historical figures. He was the earliest exponent of Karma philosophy in recorded history. The Jain sources place him between the 9th and 8th centuries BCE whereas historians consider that he lived in the 8th or 7th century BCE. Parshvanatha was born 273 years before Mahavira. He was the spiritual successor of 22nd tirthankara Neminatha. He is popularly seen as a propagator and reviver of Jainism. Parshvanatha attained moksha on Mount Sammeda ( Madhuban, Jharkhand) popular as Parasnath hill in the Ganges basin, an important Jain pilgrimage site. His iconography is notable for the serpent hood over his head, and his worship often includes Dharanendra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vimana
Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The "Pushpaka Vimana" of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also mentioned in Jain texts. Etymology The Sanskrit word ''vimāna'' (विमान) literally means "measuring out, traversing" or "having been measured out". Monier Monier-Williams defines ''vimāna'' as "a car or a chariot of the gods, any self-moving aerial car sometimes serving as a seat or throne, sometimes self-moving and carrying its occupant through the air; other descriptions make the Vimana more like a house or palace, and one kind is said to be seven stories high", and quotes the Pushpaka Vimana of Ravana as an example. It may denote any car or vehicle, especially a bier or a ship as well as a palace of an emperor, especially with seven stories. Nowadays, ''vimāna, vimān'' or ''biman'' means "aircraft" in Indian languages. For exa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandapa
A mandapa or mantapa () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture. Mandapas are described as "open" or "closed" depending on whether they have walls. In temples, one or more mandapas very often lie between the sanctuary and the temple entrance, on the same axis. In a large temple other mandapas may be placed to the sides, or detached within the temple compound. Temple architecture In the Hindu temple the ''mandapa'' is a porch-like structure through the (''gopuram'') (ornate gateway) and leading to the temple. It is used for religious dancing and music and is part of the basic temple compound. The prayer hall was generally built in front of the temple's ''sanctum sanctorum'' (''garbhagriha''). A large temple would have many ''mandapa''. If a temple has more than one ''mandapa'', each one is allocated for a different function and given a name to reflect its use. For example, a ''mandapa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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