Chair Pose
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Chair Pose
Utkatasana ( sa, उत्कटासन; IAST: ''Utkaṭāsana''), Chair Pose, or fierce pose, is a standing asana in modern yoga as exercise. It was a low squatting asana in medieval hatha yoga. Etymology and origins The name comes from the Sanskrit words ''utkaṭa'' (उत्कट) meaning "wild, frightening, above the usual, intense, gigantic, furious, or heavy", and ''āsana'' (आसन) meaning "posture" or "seat". The modern chair-like pose is said to originate with Krishnamacharya. An older version of the pose, with the yogin squatting lower down on to the heels in a posture close to Upaveshasana, is shown in the 19th century ''Sritattvanidhi''. Description In Utkatasana, the knees are hips-width apart and bent. The hips are back, and the chest is forward. Both arms are above the head, in line with the ears. The spine is elongated, and the sternum is lifted. This pose is shaped like a lightning bolt and is said to be powerful and stimulating. Variations Ardha ...
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Utkatasana Yoga-Asana Nina-Mel
Utkatasana ( sa, उत्कटासन; IAST: ''Utkaṭāsana''), Chair Pose, or fierce pose, is a standing asana in modern yoga as exercise. It was a low squatting asana in medieval hatha yoga. Etymology and origins The name comes from the Sanskrit words ''utkaṭa'' (उत्कट) meaning "wild, frightening, above the usual, intense, gigantic, furious, or heavy", and ''āsana'' (आसन) meaning "posture" or "seat". The modern chair-like pose is said to originate with Krishnamacharya. An older version of the pose, with the yogin squatting lower down on to the heels in a posture close to Upaveshasana, is shown in the 19th century ''Sritattvanidhi''. Description In Utkatasana, the knees are hips-width apart and bent. The hips are back, and the chest is forward. Both arms are above the head, in line with the ears. The spine is elongated, and the sternum is lifted. This pose is shaped like a lightning bolt and is said to be powerful and stimulating. Variations Ardha ...
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Standing Asanas
The standing asanas are the yoga poses or asanas with one or both feet on the ground, and the body more or less upright. They are among the most distinctive features of modern yoga as exercise. Until the 20th century there were very few of these, the best example being Vrikshasana, Tree Pose. From the time of Krishnamacharya in Mysore, many standing poses have been created. Two major sources of these asanas have been identified: the exercise sequence Surya Namaskar (the salute to the sun); and the gymnastics widely practised in India at the time, based on the prevailing physical culture. The origin of standing asanas has been controversial since Mark Singleton argued in 2010 that some forms of modern yoga represent a radical reworking of hatha yoga, in particular by adding standing asanas and transitions ( vinyasas) between them, and by suppressing most non-postural aspects of yoga, rather than a smooth continuation of ancient traditions. These changes enabled yoga to be practise ...
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Pashasana
Pasasana (Sanskrit: पाशासन; IAST: ''pāśāsana'') or Noose Pose is an asana, a sitting meditation pose. Etymology and origins The name comes from the Sanskrit word पाश, ''pāśa'' meaning "noose" or "snare", and आसन, ''asana'' meaning "posture" or "seat". The pose is described and illustrated in the 19th century ''Sritattvanidhi''; a slightly different pose is described in the 1966 ''Light on Yoga''. Description In this yoga asana, the human body creates a 'noose' when the practitioner wraps their arms around their squatting legs (from Upaveshasana) with their hands clasped behind their back, while twisting to one side. See also * List of asanas * Pasini Mudra Yoganidrasana, ( sa, योगनिद्रासन) or Yogic Sleep Pose is a reclining forward-bending asana in modern yoga as exercise. It is sometimes called Supta Garbhasana (Reclining Embryo Pose). The name Dvi Pada Sirsasana is given to t ..., the noose seal References ...
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Mudra
A mudra (; sa, मुद्रा, , "seal", "mark", or "gesture"; ,) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual gestures employed in the iconography and spiritual practice of Indian religions, mudras have meaning in many forms of Indian dance, and yoga. The range of mudras used in each field (and religion) differs, but with some overlap. In addition, many of the Buddhist mudras are used outside South Asia, and have developed different local forms elsewhere. In hatha yoga, mudras are used in conjunction with pranayama (yogic breathing exercises), generally while in a seated posture, to stimulate different parts of the body involved with breathing and to affect the flow of prana. It is also associated with bindu, bodhicitta, amrita, or consciousness in the body. Unlike older tantric mudras, hatha yogic mudras are generally inte ...
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Shiva Rea
Shiva Rea (born 1967) is a teacher of Vinyasa flow yoga and yoga trance dance. She is the founder of Prana Vinyasa Yoga. She is one of the best-known yoga teachers in America, and around the world. Life Shiva Rea was born in Hermosa Beach, California, in 1967; her father, liking the image of Nataraja, dancing Shiva, named her after that Hindu deity. She studied dance anthropology at UCLA, completing her master's thesis in 1997 on "hatha yoga as a practice of embodiment". She studied under yoga and tantra masters including Swami Sivananda Saraswati and Daniel Odier. She practised the vigorous Ashtanga Vinyasa Yoga for ten years, adopting a more restorative style when she became pregnant. She teaches Vinyasa flow yoga, having created her own style called Prana Vinyasa, and yoga trance dance. She teaches in the USA and many countries around the world, touring each year. Teachers are similarly trained in the USA and around the world in 200, 300 and 500 hour courses in her Prana V ...
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Añjali Mudrā
Añjali Mudrā ( sa, अञ्जलि मुद्रा), is a hand gesture mainly associated with Indian religions and arts, encountered throughout Asia and beyond. It is a part of Indian classical dance postures such as Bharatanatyam, yoga practice, and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. There are several forms of the Anjali Mudra such as the ''brahmanjali''. The gesture is incorporated into many yoga asanas. The modern yoga pose praṇāmāsana ( sa, प्रणामासन, links=no) involves standing upright, with the hands in Añjali Mudrā. As a gesture, it is widely used as a sign of respect or a silent greeting in India, Sri Lanka, Nepal, Bhutan, Burma, Thailand, Laos, Cambodia, and Indonesia. It is also used among East Asian Buddhists, Chinese religionists, and Shintoists and adherents of similar A ...
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Anjali Mudra
'' (Devanagari: अञ्जली; अंजली) is a Sanskrit word that means " divine offering". It is not only a given name, but also the name given to the greeting between Hindus, Buddhists and other religions on the Indian subcontinent: hands folded together. It may refer to: People Actors * Anjali (actress) (born 1986), Indian actress * Anjali Abrol (born 1990), Indian actress * Anjali Bhimani, Indian-American actress * Anjali Devi (1927–2014), Indian actress and producer * Anjali Jay (born 1975), English actress * Anjali Lavania (born 1986), Indian actress and model * Anjali Patil (born 1987), Indian actress * Anjali Sudhakar (born 1972), Indian actress In other arts * Anjali Joseph (born 1978), British-Indian author, journalist, and teacher * Anjali Lavania (born 1986), Indian actress and model * Anjali Mendes (1946–2010), Indian fashion model * Anjali Ranadivé (born 1992), Indian singer-songwriter and marine conservationist In sport * Anjali Bhagwat (b ...
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Sritattvanidhi
The ''Sritattvanidhi'' (, "The Illustrious Treasure of Realities") is a treatise written in the 19th century in Karnataka on the iconography and iconometry of divine figures in South India. One of its sections includes instructions for, and illustrations of, 122 hatha yoga postures. Authorship The ''Sritattvanidhi'' is attributed to the then Maharaja of Mysore, Krishnaraja Wodeyar III (b. 1794 - d. 1868). The Maharaja was a great patron of art and learning, and was himself a scholar and writer. Around 50 works are ascribed to him. The first page of the ''Sritattvanidhi'' attributes authorship of the work to the Maharaja himself: {{quote, ''May the work Sri Tattvanidi, which is illustrated and contains secrets of mantras and which is authored by King Sri Krishna Raja Kamteerava, be written without any obstacle. Beginning of Shaktinidhi.''{{sfn, Wodeyar, 1997, loc=Shakti nidhi Martin-Dubost's review of the history of this work says that the Maharaja funded an effort to put tog ...
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Krishnamacharya
Tirumalai Krishnamacharya (18 November 1888 – 28 February 1989) was an Indian yoga teacher, ayurvedic healer and scholar. He is seen as one of the most important gurus of modern yoga, and is often called "the father of modern yoga" for his wide influence on the development of postural yoga. Like earlier pioneers influenced by physical culture such as Yogendra and Kuvalayananda, he contributed to the revival of hatha yoga. Krishnamacharya held degrees in all the six Vedic ''darśanas'', or Indian philosophies. While under the patronage of the King of Mysore, Krishna Raja Wadiyar IV, Krishnamacharya traveled around India giving lectures and demonstrations to promote yoga, including such feats as apparently stopping his heartbeat. He is widely considered as the architect of ''vinyāsa'', in the sense of combining breathing with movement; the style of yoga he created has come to be called Viniyoga or Vinyasa Krama Yoga. Underlying all of Krishnamacharya's teachings was the ...
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IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a ...
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Utkatasana In Sritattvanidhi By Mummadi Krishnaraja Wodeyar
Utkatasana ( sa, उत्कटासन; IAST: ''Utkaṭāsana''), Chair Pose, or fierce pose, is a standing asanas, standing asana in modern yoga as exercise. It was a low squatting asana in medieval hatha yoga. Etymology and origins The name comes from the Sanskrit words ''utkaṭa'' (उत्कट) meaning "wild, frightening, above the usual, intense, gigantic, furious, or heavy", and ''āsana'' (आसन) meaning "posture" or "seat". The modern chair-like pose is said to originate with Krishnamacharya. An older version of the pose, with the yogin squatting lower down on to the heels in a posture close to Upaveshasana, is shown in the 19th century ''Sritattvanidhi''. Description In Utkatasana, the knees are hips-width apart and bent. The hips are back, and the chest is forward. Both arms are above the head, in line with the ears. The spine is elongated, and the sternum is lifted. This pose is shaped like a lightning bolt and is said to be powerful and stimulating. Va ...
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