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Cerameicus Painter
The Cerameicus Painter (also Kerameikos Painter) was one of the first Attic black-figure vase painters. He was active around 600 BC. The Cerameicus Painter can be placed stylistically between the Nessos Painter and the Gorgon Painter; he is probably chronologically closer to the latter. He was less productive than the Gorgon Painter and painted in a simple yet fluid style. His name is based on his name vase, found in the Kerameikos of Athens. That vase is an '’ olpe’’ and can be considered exemplary of the vase painting of its time. The vase is subdivided into several zones of animal friezes. In the upper area, a single mythological figure is flanked by two lions, the latter a popular motif at the time. See also * List of Greek vase painters Bibliography * John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nessos Painter
The Nessos Painter, also known as Netos or Nettos Painter, was a pioneer of Attic black-figure vase painting. He is considered to be the first Athenian to adopt the Corinthian style who went on to develop his own style and introduced innovations. The Nessos Painter is often known to be one of the original painters of black-figure. He only worked in this style, which is shown on his name vase in the National Archaeological Museum in Athens. Most of the known Nessos Painter ceramics were found in funerary settings such as cemeteries and mortuaries. Name vase On the neck of an amphora in the National Archaeological Museum of Athens, the painter depicted Nessos fighting Heracles. The figure is also marked with the name 'Netos', the Attic dialect form of the name Nessos. John D. Beazley, the authority on Attic vase painting, attributed the name 'The Nessos Painter' to this artist. Later, after new finds in Athens and in a cemetery outside the city, paintings of chimera were ident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgon Painter
The Gorgon Painter was one of the early Attic black-figure vase painters. He was active between 600 and 580 BC. His name vase, ''Dinos of the Gorgon Painter'', is currently on display in the Louvre and depicts Perseus fleeing the Gorgons. The Gorgon Painter is considered as a very productive successor of the Nessos Painter. Additionally, in accordance with other Geometric style artists, he arranged his subjects in symmetric patterns. Characteristic of his paintings are flat representations of humans or gods and animals painted in sections around the pottery. Rather than filling blank spaces with geometric patterns, the Gorgon Painter uses the Animal style; depicting real and fantastical animals in friezes around the vases which is considered to be a Corinthian tradition. The better recorded artist Sophilos is said to be influenced by the Gorgon Painter, continuing work in the black-figure style and zoomorphic decoration. Style Corinthian The Gorgon Painter is considered to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Name Vase
In classical archaeology, a name vase is a specific "vase"In the study of ancient Greek pottery a "vase" is a general term covering all pottery shapes. whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies his characteristic style, or for one of its distinctive painted subjects, or for other attributes. The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerameikos
Kerameikos (, ) also known by its Latinized form Ceramicus, is an area of Athens, Greece, located to the northwest of the Acropolis, which includes an extensive area both within and outside the ancient city walls, on both sides of the Dipylon Gate and by the banks of the Eridanos River. It was the potters' quarter of the city, from which the English word "ceramic" is derived, and was also the site of an important cemetery and numerous funerary sculptures erected along the Sacred Way, a road from Athens to Eleusis. History and description The area took its name from the city square or dēmos (δῆμος) of the Kerameis (Κεραμεῖς, potters), which in turn derived its name from the word κέραμος (''kéramos'', "pottery clay", from which the English word "ceramic" is derived).Hans Rupprecht Goette, ''Athens, Attica and the Megarid: An Archaeological Guide'', p. 59 The "Inner Kerameikos" was the former "potters' quarter" within the city and "Outer Kerameikos" cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olpe (container)
An oenochoe, also spelled oinochoe ( grc, οἰνοχόη; from grc, οἶνος ''oînos'', "wine" and grc, χέω ''khéō'', "I pour," sense "wine-pourer"; plural ''oinochoai''; New Latin ''oenochoë,'' plural ''oenochoae,'' English plural ''oenochoes'' or ''oinochoes''), is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos (large storage vessel) or amphora (transport vessel), and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term ''oinos'' (Linear B wo-no) appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term ''oinochoe'' implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The oinochoe could pour any fluid, not just wine. The English word, pitcher, is perhaps the clo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Greek Vase Painters
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
