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Cerambus
In Greek mythology, Cĕrambus (Ancient Greek: Κέραμβος), a son of Euseiros (himself son of Poseidon) and the nymph Eidothea of Othreis. Mythology Cerambus was a survivor of Deucalion's flood by means of wings which he received from the nymphs. These wings had raised him above the water thus escaping death. He dwelt in the land of the Melians on the spurs of Mount Othrys and owned a large herd of cattle. In another myth, Cerambus was renowned as the greatest singer of his time. He was credited with inventing the shepherd's pipes, as well as with introducing lyre-playing and composing a number of delightful rural songs. This was why the nymphs of Mount Othrys favored him, and even became visible to him as he was playing his lyre. The honors, however, made Cerambus arrogant to the point of insanity: when Pan advised him to drive his cattle down to the plain, due to an extremely severe winter being expected, Cerambus wouldn't listen to him as though smitten by some god. ...
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Euseirus
In Greek mythology, Euseirus or Eusiros was the son of Poseidon and father of Cerambus by the nymph Eidothea of Mt. Othrys. His son was changed into a gnawing beetle by the nymphs because of his arrogance. In some myths, Cerambus was borne up into the air on wings by the nymphs escaping the flood of Deucalion.Ovid, ''Metamorphoses'' 7.353 - 356 Note References * Antoninus Liberalis Antoninus Liberalis ( el, Ἀντωνῖνος Λιβεράλις) was an Ancient Greek grammarian who probably flourished between AD 100 and 300. His only surviving work is the ''Metamorphoses'' (Μεταμορφώσεων Συναγωγή, ''Me ..., ''The Metamorphoses of Antoninus Liberalis'' translated by Francis Celoria (Routledge 1992)Online version at the Topos Text Project.* Publius Ovidius Nasao, ''Metamorphoses'' translated by Brookes More (1859-1942). Boston, Cornhill Publishing Co. 1922Online version at the Perseus Digital Library.*Publius Ovidius Naso, ''Metamorphoses.'' Hugo Magnu ...
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Nymph
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains ...
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Nymphs
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun remains u ...
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Diopatra (mythology)
In Greek mythology, Diopatra (Ancient Greek: Διοπατρη ''Diopatrê)'' was a naiad of Mount Othrys and one of the Spercheides. She was the daughter of the river-god Spercheus and the naiad Deino. As recounted by Cerambus, when the god Poseidon Poseidon (; grc-gre, Ποσειδῶν) was one of the Twelve Olympians in ancient Greek religion and myth, god of the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 In pre-Olympian Bronze Age Greece, he was venerated as a ... fell in love with Diopatre, the god transformed her sisters into poplars in order to ravish the girl; some nymphs, outraged by the tale and other rumours he spread about themselves, turned Cerambus into a beetle. Antoninus Liberalis, ''Metamorphoses'' 22 Diopatra's name means "divine family" which came from ''dion'' and ''patra.'' Note Reference * Antoninus Liberalis, ''The Metamorphoses of Antoninus Liberalis'' translated by Francis Celoria (Routledge 1992)Online version at ...
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Spercheides
In Greek mythology, the Spercheides (Ancient Greek: Σπερχειδες), also known as the Maliades (Μηλίδες), were naiads of the Spercheus River, in Malis. They were sometimes held to be the daughters of the river god Spercheus and the naiad Deino, although Antoninus Liberalis reported the tradition that Cerambus In Greek mythology, Cĕrambus (Ancient Greek: Κέραμβος), a son of Euseiros (himself son of Poseidon) and the nymph Eidothea of Othreis. Mythology Cerambus was a survivor of Deucalion's flood by means of wings which he received from th ... was punished for making this claim. Antoninus Liberalis, ''Metamorphoses'' 22 Note Naiads Greek legendary creatures Reference * Antoninus Liberalis, ''The Metamorphoses of Antoninus Liberalis'' translated by Francis Celoria (Routledge 1992)Online version at the Topos Text Project.
{{Greek-deity-stub ...
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Spercheios
The Spercheios (, ''Sperkheiós''), also known as the Spercheus from its Latin name, is a river in Phthiotis in central Greece. It is long, and its drainage area is . It was worshipped as a god in the ancient Greek religion and appears in some collections of Greek mythology. In antiquity, its upper valley was known as Ainis. In AD 997, its valley was the site of the Battle of Spercheios, which ended Bulgarian incursions into the Byzantine Empire. It is referenced in a surviving fragment of Aeschylus' play ''Philoctetes'', quoted in ''The Frogs'', as a place for cattle. River The river begins in the Tymfristos mountains on the border with Evrytania and flows to the east through the village Agios Georgios Tymfristou, entering a wide plain. It flows along the towns Makrakomi and Leianokladi, and south of the Phthiotidan capital Lamia. The river flows through an area of former wetlands, that have been reclaimed for agriculture. It empties into the Malian Gulf of the Aegean Se ...
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Eidothea (Greek Myth)
In Greek mythology, Eidothea or Idothea (Ancient Greek: Εἰδοθέα) was the name of the following women: *Idothea, a daughter of Oceanus and possibly Tethys, thus considered to be one of the Oceanids. Together with her sisters Adrasta and Althaea ( Amalthea), she was one of the nurses of young Zeus. *Eidothea, a sea goddess and daughter of Proteus, the Old Man of the Sea. She told Menelaus how to hold her father so that he could not escape. Eidothea was simply called Eido who changed her name into Theonoe. Another of her name was Eurynome. * Eidothea, a nymph of Othreis who mothered by Eusiros (son of Poseidon) of Cerambus who was metamorphosed by the nymphs into a gnawing beetle because of his insolence. In some myths, her son was borne up into the air on wings by the nymphs escaping the flood of Deucalion. * Eidothea or Eidothee, a Carian woman, daughter of King Eurytus and possible spouse of Miletus who bore him Byblis and Caunus. * Eidothea, second wife of Phineus, king o ...
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Myia (mythology)
In Lucian of Samosata's works, Myia ( grc-gre, Μυῖα, Muîa, fly) is a young girl who fell in love with Endymion and was transformed by the lunar goddess Selene into a fly, a small insect bearing her name. Mythology In his satirical work ''Praising a Fly'', Lucian of Samosata related the–otherwise unattested–myth of Myia, an exceedingly fair but also very chatty maiden who fell in love with Endymion, a very handsome mortal man who had been granted immortality via eternal slumber. With her endless chatter Myia would wake up Endymion, irritating him and enraging the moon goddess Selene, his lover. Selene then transformed the talkative girl into a fly, who annoys sleeping people to this day, in memory of her love and her deeds in her previous life.Lucian, ''The Fly'10/ref> See also * Psalacantha * Clytie * Io * Cerambus Notes References * * * Lucian, ''The Fly'' in ''Phalaris. Hippias or The Bath. Dionysus. Heracles. Amber or The Swans. The Fly. Nigrinus. Dem ...
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Antoninus Liberalis
Antoninus Liberalis ( el, Ἀντωνῖνος Λιβεράλις) was an Ancient Greek grammarian who probably flourished between AD 100 and 300. His only surviving work is the ''Metamorphoses'' (Μεταμορφώσεων Συναγωγή, ''Metamorphoseon Synagoge'', literally "Collection of Transformations"), a collection of forty-one very briefly summarised tales about mythical metamorphoses effected by offended deities, unique in that they are couched in prose, not verse. The literary genre of myths of transformations of men and women, heroes and nymphs, into stars (see '' Catasterismi''), plants and animals, or springs, rocks and mountains, were widespread and popular in the classical world. This work has more polished parallels in the better-known ''Metamorphoses'' of Ovid and in the ''Metamorphoses'' of Lucius Apuleius. Like them, its sources, where they can be traced, are Hellenistic works, such as Nicander's ''Heteroeumena'' and ''Ornithogonia'' ascribed to Boios. The ...
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Metamorphoses Into Arthropods In Greek Mythology
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, ...
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Fictional Musicians
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Tithonus
In Greek mythology, Tithonus ( or ; grc, Τιθωνός, Tithonos) was the lover of Eos, Goddess of the Dawn. He was a prince of Troy, the son of King Laomedon by the Naiad Strymo (Στρυμώ). The mythology reflected by the fifth-century vase-painters of Athens envisaged Tithonus as a ''rhapsode'', as attested by the lyre in his hand, on an oinochoe (wine jug) of the Achilles Painter, ''circa'' 470–460 BC. An asteroid (6998) has been named after Tithonus. Etymology Tithonus has been taken by the allegorist to mean ‘a grant of a stretching-out’ (from ''teinō'' and ''ōnė''), a reference to the stretching-out of his life, at Eos’s plea; but it is likely, rather, to have been a masculine form of Eos’s own name, Titonë – from ''titō'', ‘day and onë, ‘queen’ – and to have meant ‘partner of the Queen of Day’. Mythology Eos is said to have taken Tithonus, from the royal house of Troy, to be her lover.''Homeric Hymn to Aphrodite'', 218 ''ff''. The myth ...
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