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Cepot
Cepot or Astrajingga is one of the Wayang Golek characters in Sundanese puppetry. Cepot is a panakawan character of wayang golek alongside Dawala and Garéng, which do not exist in the original Mahabharata or Ramayana. Cepot is one of Semar's sons. Cepot is a rural character from the fictional village Tumaritis, where he lived with his father Semar and two of his brothers, Petruk and Dawala. Cepot is humorous and easy going, everything Cepot says tends to be funny, and Cepot's act has many slapstick jokes, mostly done together with its antagonist wayang golek character. Cepot in wayang golek ''Wayang golek'' ( Sundanese: ) is one of the traditional Sundanese puppet arts from West Java, Indonesia. in contrast to the wayang art on other area of Java island that use leather in the production of wayang, wayang golek is a wayang art m ... puppetry also has other, good looking faces: Astrajingga, described with its straight, humble, good looking and white face. Cepot is the favouri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cepot In Wayang Golek Form, 2015-05-14 03
Cepot or Astrajingga is one of the Wayang Golek characters in Sundanese puppetry. Cepot is a panakawan character of wayang golek alongside Dawala and Garéng, which do not exist in the original Mahabharata or Ramayana. Cepot is one of Semar's sons. Cepot is a rural character from the fictional village Tumaritis, where he lived with his father Semar and two of his brothers, Petruk and Dawala. Cepot is humorous and easy going, everything Cepot says tends to be funny, and Cepot's act has many slapstick jokes, mostly done together with its antagonist wayang golek character. Cepot in wayang golek ''Wayang golek'' ( Sundanese: ) is one of the traditional Sundanese puppet arts from West Java, Indonesia. in contrast to the wayang art on other area of Java island that use leather in the production of wayang, wayang golek is a wayang art m ... puppetry also has other, good looking faces: Astrajingga, described with its straight, humble, good looking and white face. Cepot is the favouri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayang Golek
''Wayang golek'' (Sundanese: ) is one of the traditional Sundanese puppet arts from West Java, Indonesia. in contrast to the wayang art on other area of Java island that use leather in the production of wayang, wayang golek is a wayang art made of wood. Wayang Golek is very popular in West Java, especially in the Pasundan land area. Today, ''wayang golek'' has become an important part of Sundanese culture. On November 7, 2003, UNESCO designated ''Wayang'' the flat leather shadow puppet ('' wayang kulit''), the flat wooden puppet (''wayang klitik''), and the three-dimensional wooden puppet (''wayang golek'') theatre, as a Masterpiece of the Oral and Intangible Heritage of Humanity. In return for the acknowledgment, UNESCO required Indonesians to preserve the tradition. Etymology The term ''wayang golek'' is the Javanese word, it consists of two words ''wayang'' and ''golek''. ''Wayang'' for "shadow"Mair, Victor H. ''Painting and Performance: Picture Recitation and Its Indian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayang Golek
''Wayang golek'' (Sundanese: ) is one of the traditional Sundanese puppet arts from West Java, Indonesia. in contrast to the wayang art on other area of Java island that use leather in the production of wayang, wayang golek is a wayang art made of wood. Wayang Golek is very popular in West Java, especially in the Pasundan land area. Today, ''wayang golek'' has become an important part of Sundanese culture. On November 7, 2003, UNESCO designated ''Wayang'' the flat leather shadow puppet ('' wayang kulit''), the flat wooden puppet (''wayang klitik''), and the three-dimensional wooden puppet (''wayang golek'') theatre, as a Masterpiece of the Oral and Intangible Heritage of Humanity. In return for the acknowledgment, UNESCO required Indonesians to preserve the tradition. Etymology The term ''wayang golek'' is the Javanese word, it consists of two words ''wayang'' and ''golek''. ''Wayang'' for "shadow"Mair, Victor H. ''Painting and Performance: Picture Recitation and Its Indian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asep Sunandar Sunarya
Asep Sunandar Sunarya (3 September 1955 – 31 March 2014) was a Sundanese wayang golek dalang (Sundanese rod puppet master). He was one of the most famous puppeteers in the genre. Sunarya was born in Kampung Jelekong, Baleendah, Bandung, where he died on 31 March 2014 at 14:20 WIB (UTC+7) of a heart attack. He was 58 years old. Personal Achievement *1984–2001 : Founder board of Yayasan Pedalangan Giri Harja. *1975 – present : Not less than 120 wayang golek shows held annually, even between 1976 and 1987 performed wayang golek show uninterruptedly for six consecutive months. *1978 : Champion Pinilih 1 Binojakrama in West Java Province. *1982 : Champion Pinilih 1 Binojakrama in West Java Province. *1985 : Champion General Binojakrama in West Java Province. *1989 : A wayang golek tour to United States of America. *1992 : Attending Puppet Festivity (Teater Boneka) in France. *1993 : Honorable Lecturer at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundanese Culture
The Sunda or Sundanese ( id, Orang Sunda; su, ᮅᮛᮀ ᮞᮥᮔ᮪ᮓ, Urang Sunda) are an indigenous ethnic group native to the western region of Java island in Indonesia, primarily West Java. They number approximately 42 million and form Indonesia's second most populous ethnic group. They speak the Sundanese language, which is part of the Austronesian languages. The western third of the island of Java, namely the provinces of West Java, Banten, and Jakarta, as well as the westernmost part of Central Java, is called by the Sundanese people ''Tatar Sunda'' or ''Pasundan'' (meaning Sundanese land). Sundanese migrants can also be found in Lampung and South Sumatra, and to a lesser extent in Central Java and East Java. The Sundanese people can also be found on several other islands in Indonesia such as Sumatra, Kalimantan, Sulawesi, Bali and Papua. Origins Migration theories The Sundanese are of Austronesian origins and are thought to have originated in Taiwan. They migr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
