Catullus 51
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Catullus 51
Catullus 51 is a poem by Roman love poet Gaius Valerius Catullus (''c''. 84 – ''c''. 54 BC). It is an adaptation of one of Sappho's fragmentary lyric poems, Sappho 31. Catullus replaces Sappho's beloved with his own beloved Lesbia. Unlike the majority of Catullus' poems, the meter of this poem is the sapphic meter. This meter is more musical, seeing as Sappho mainly sang her poetry. Catullus is not the only poet who translated Sappho’s poem to use for himself: Pierre de Ronsard and Salvatore Quasimodo are also known to have translated a version of it. The poem The following Latin text of Catullus 51 is taken from D.F.S. Thomson; the translation is literal, not literary. *Catullus here builds upon a common interpretation of the lost original verse from Sappho. For a reconstruction of the original Greek first verse, see Sappho 31. *Line 8 is missing from the original manuscript. Oxford Classical Texts (ed. R.A.B. Mynors) provides no substitution. Modern musical setting T ...
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Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ...
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Carl Orff
Carl Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, best known for his cantata ''Carmina Burana'' (1937). The concepts of his Schulwerk were influential for children's music education. Life Early life Carl Orff (full name Karl Heinrich Maria Orff) was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. The composer's grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars. His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, a younger sister named Maria ("Mia", 1898–1975), who married the architect Alwin ...
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Adaptations Of Works By Sappho
In biology, adaptation has three related meanings. Firstly, it is the dynamic evolutionary process of natural selection that fits organisms to their environment, enhancing their evolutionary fitness. Secondly, it is a state reached by the population during that process. Thirdly, it is a phenotypic trait or adaptive trait, with a functional role in each individual organism, that is maintained and has evolved through natural selection. Historically, adaptation has been described from the time of the ancient Greek philosophers such as Empedocles and Aristotle. In 18th and 19th century natural theology, adaptation was taken as evidence for the existence of a deity. Charles Darwin proposed instead that it was explained by natural selection. Adaptation is related to biological fitness, which governs the rate of evolution as measured by change in allele frequencies. Often, two or more species co-adapt and co-evolve as they develop adaptations that interlock with those of the ot ...
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Love Poems
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ...
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Poetry By Catullus
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ...
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Catullus 11
Catullus 11 is a poem by Catullus. Introduction Poem 11 is one of the two poems that Catullus writes in the Sapphic meter. The other, poem 51, is Catullus' version of one of Sappho's poems. In poem 11, Catullus asks his two friends, Furius and Aurelius, to deliver a message to an unknown girl who is understood to be Lesbia. This message tells Lesbia that Catullus no longer wants to be with her. Furius is also mentioned in poems 16, 23, and 26. Aurelius is also mentioned in poems 15, 16, 21. Critical response In Catullus 11, there is a different tone in the way Catullus addresses his friends Furius and Aurelius than how they are usually mentioned in other poems. In other poems, they are usually addressed by Catullus in a condescending manner, but in this poem, he addresses them in a very serious manner. Also, in the first three stanzas, Catullus implies that he will go with Furius and Aurelius to several different places around the world, trying to express how good of fr ...
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Otium
''Otium'', a Latin abstract term, has a variety of meanings, including leisure time in which a person can enjoy eating, playing, relaxing, contemplation and academic endeavors. It sometimes, but not always, relates to a time in a person's retirement after previous service to the public or private sector, opposing "active public life". ''Otium'' can be a temporary time of leisure, that is sporadic. It can have intellectual, virtuous or immoral implications. It originally had the idea of withdrawing from one's daily business (''neg-otium'') or affairs to engage in activities that were considered to be artistically valuable or enlightening (i.e., speaking, writing, philosophy). It had particular meaning to businessmen, diplomats, philosophers and poets. Etymology and origin In ancient Roman culture ''otium'' was a military concept as its first Latin usage. This was in Ennius' ''Iphigenia''. According to historian Carl Deroux in his work ''Studies in Latin literature and Roman ...
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Catulli Carmina
' (''Songs of Catullus'') is a cantata by Carl Orff dating from 1940–1943. He described it as ''ludi scaenici'' (scenic plays). The work mostly sets poems of the Latin poet Catullus to music, with some text by the composer. ''Catulli Carmina'' is part of '' Trionfi'', the musical trilogy that also includes the ''Carmina Burana'' and ''Trionfo di Afrodite''. It is scored for a full mixed choir, soprano and tenor soloists, and an entirely percussive orchestra – possibly inspired by Stravinsky's ''Les noces'' – consisting of four pianos, timpani, bass drum, 3 tambourines, triangle, castanets, maracas, suspended and crash cymbals, antique cymbal (without specified pitch), tam-tam, lithophone, metallophone, 2 glockenspiels, wood block, xylophone, and tenor xylophone. Dramatic structure The piece is divided into three parts: a prelude with Latin text by Orff, the central dramatic story using Catullus' poems, and a short postlude which recalls the music of the prelude. In the pr ...
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Catullus 51 In Latin English Ille Mi Par Esse Deo Videtur, Pronunciation Meter Notes
Gaius Valerius Catullus (; 84 - 54 BCE), often referred to simply as Catullus (, ), was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, focusing on personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art. Catullus's poems were widely appreciated by contemporary poets, significantly influencing Ovid and Virgil, among others. After his rediscovery in the Late Middle Ages, Catullus again found admirers such as Petrarch. The explicit sexual imagery which he uses in some of his poems has shocked many readers. Yet, at many instruction levels, Catullus is considered a resource for teachers of Latin. Catullus's style is highly personal, humorous, and emotional; he frequently uses hyperbole, anaphora, alliteration, and diminutives. In 25 of his poems he mentions his devotion to a woman he refers to as "Lesbia", who is widely believed to have been the Roma ...
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Gaius Valerius Catullus
Gaius Valerius Catullus (; 84 - 54 BCE), often referred to simply as Catullus (, ), was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, focusing on personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art. Catullus's poems were widely appreciated by contemporary poets, significantly influencing Ovid and Virgil, among others. After his rediscovery in the Late Middle Ages, Catullus again found admirers such as Petrarch. The explicit sexual imagery which he uses in some of his poems has shocked many readers. Yet, at many instruction levels, Catullus is considered a resource for teachers of Latin. Catullus's style is highly personal, humorous, and emotional; he frequently uses hyperbole, anaphora, alliteration, and diminutives. In 25 of his poems he mentions his devotion to a woman he refers to as "Lesbia", who is widely believed to have been the Rom ...
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Salvatore Quasimodo
Salvatore Quasimodo (; August 20, 1901 – June 14, 1968) was an Italian poet and translator. In 1959, he won the Nobel Prize in Literature "for his lyrical poetry, which with classical fire expresses the tragic experience of life in our own times". Along with Giuseppe Ungaretti and Eugenio Montale, he was one of the foremost Italian poets of the 20th century. Biography Quasimodo was born in Modica, Sicily, to Gaetano Quasimodo and Clotilde Ragusa. He spent his childhood in Roccalumera. In 1908 his family moved to Messina, as his father had been sent there to help the local population struck by a devastating earthquake. The impressions of the effects of natural forces would have a great impact on the young Quasimodo. In 1919 he graduated from the local Technical College. In Messina he also made friends with Giorgio La Pira, future mayor of Florence. Salvatore Quasimodo was introduced to the Scottish Rite Freemasonry by his father, who was a member of the Masonic Lodge “Arnald ...
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Pierre De Ronsard
Pierre de Ronsard (; 11 September 1524 – 27 December 1585) was a French poet or, as his own generation in France called him, a "prince of poets". Early life Pierre de Ronsard was born at the Manoir de la Possonnière, in the village of Couture-sur-Loir, Vendômois (in present-day Loir-et-Cher). Baudouin de Ronsard or Rossart was the founder of the French branch of the house, and made his mark in the early stages of the Hundred Years' War. The poet's father was Louis de Ronsard, and his mother was Jeanne de Chaudrier, of a family both noble and well connected. Pierre was the youngest son. Louis de Ronsard was ''maître d'hôtel du roi'' to Francis I, whose captivity after Pavia had just been softened by treaty, and he had to quit his home shortly after Pierre's birth. The future poet was educated at home in his earliest years and sent to the Collège de Navarre in Paris at the age of nine. When Madeleine of France was married to James V of Scotland, Ronsard was attached a ...
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