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Cathedral Of Genoa
Genoa Cathedral or Metropolitan Cathedral of Saint Lawrence ( it, Duomo di Genova, ''Cattedrale di San Lorenzo'') is a Roman Catholic cathedral in the Italian city of Genoa. It is dedicated to Saint Lawrence (San Lorenzo), and is the seat of the Archbishop of Genoa. The cathedral was consecrated by Pope Gelasius II in 1118 and was built between the twelfth century and the fourteenth century as fundamentally a medieval building, with some later additions. Secondary naves and side covers are of Romanesque style and the main facade is Gothic from the early thirteenth century, while capitals and columns with interior corridors date from the early fourteenth century. The bell tower and dome were built in the sixteenth century. History Excavations under the pavement and in the area in front of today's west front have brought to light walls and pavements of Roman age as well as pre-Christian sarcophagi, suggesting the existence of a burial ground in the site. Later a church devoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of Genoa, which in 2015 became the Metropolitan City of Genoa, had 855,834 resident persons. Over 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean Sea, Mediterranean: it is currently the busiest in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of Republic of Genoa, one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the commercial trade in Europe, becoming one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Siro (Genoa)
San Siro is a Roman Catholic basilica located on the street of the same name, in the quartiere of the Maddalena in central Genoa, Liguria, Italy. History One of the oldest churches in the city, it occupies the site of a former church originally dedicated to the apostles. In later centuries, the church was renamed after St Syrus of Genoa, a beatified bishop. Originally the cathedral of Genoa, it stood outside of the original walls, and was vulnerable to attacks from Saracen pirates; the title of Cathedral was transferred to San Lorenzo. There is another church dedicated to San Siro, San Siro di Struppa, outside the city center. Legend holds that the bishop was able to banish a Basilisk that dwelt in a well adjacent to the church; a plaque on a nearby house recalls the miracle. This event is represented in a medieval bas relief on the portico arcade next to the church, as well as a fresco by Carlone in the apse. From the tenth to 12th centuries, building of the original Roma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Gagini
Domenico Gagini ( Bissone, c. 1425–30 - Palermo, 29–30 September 1492) was a Swiss-Italian sculptor who was active in Northern as well as Southern Italy.Hanno-Walter Kruft. "Gagini." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 January 2017 Life He was the son of Pietro Gagini. The Gagini were a family of sculptors and painters working during the Middle Ages and Renaissance. First recorded in Genoa in the early 15th century, was Domenico's grandfather Beltrame Gagini, and his three sons Pietro, Giovanni and Pace. Domenico Gagini was the first sculptor of this family to achieve international fame. Born at Bissone, in the Ticino (now part of Switzerland) he studied in Florence under Brunelleschi. Returning to Genoa in 1447 he worked on the sculpture of the dome of the church of S. Giovanni Battista. In 1457 he was recorded as working in Naples for Alfonso of Aragon. In 1463 he arrived in Palermo, Sicily where he, and later his family inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Previati
Gaetano Previati (1852 – 1920) was an Italian Symbolist painter in the Divisionist style. Biography Previati was born in Ferrara. He relocated to Milan in 1876 and enrolled at the Brera Academy of Fine Arts, studying under Giuseppe Bertini, Giovanni Morelli, and Federico Faruffini. While he focused on historic and religious canvases, albeit with a bent for mysticism and passionate topics. He became strongly attached to the Divisionist style, and even published a treatise on ''I principi scientifici del Divisionismo (1909). Biography In 1879, he won the Canonica prize with his composition of ''Gli ostaggi di Crema''. The next year at Turin, he exhibited a large canvas of ''Cesare Borgia at Capua''. Having settled in Milan definitively in 1881, he came into contact with the Scapigliatura movement. In 1881 at Milan, he displayed the genre painting ''Preferenza'' as well as ''Christ Crucified'' (1880); ''Abelard''; and ''At the entrance of the Harem''. In 1883, he exhibited ''Un a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazzaro Tavarone
Lazzaro Tavarone (1556–1641) was an Italian painter of the late-Renaissance and Mannerism, Mannerist period, active mainly in his native Genoa and in Spain. He was the pupil of the painter Luca Cambiasi. Tavarone accompanied Cambiaso to Spain in 1583, and helped decorate the El Escorial, Escorial for the Spanish King, including the chaotic battle painting of Battle of La Higueruela. He returned to Genoa in 1594, where he became well known both as portrait and history painter. He painted a ''Martyrdom of San Lorenzo'' in the Genoa Cathedral. He also painted frescoes in the Palazzos Saluzzi and Adorni. He painted frescoes on the ''Life of Sant’Ambrogio'' for the Oratorio di Sant'Ambrogio. He also painted scenes from the life of Columbus. References * * {{DEFAULTSORT:Tavarone, Lazzaro 1556 births 1641 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Genoa Italian Mannerist painters Fresco painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Andrea Ansaldo
Giovanni Andrea Ansaldo (1584 – August 18, 1638) was an Italian painter active mainly in Genoa. Life Ansaldo was born in Voltri, now part of the ''comune'' of Genoa, the son of a merchant. He trained under Orazio Cambiasi and possibly collaborated with Bernardo Strozzi. Two of his pupils were Giuseppe Badaracco and Bartolomeo Bassi. One of his descendants was Innocenzo Ansaldo of Pescia (February 12, 1734- February 16, 1816). He died in Genoa and was probably buried in the same Annunziata church. Work Only a few of Ansaldo's works are dated or documented, but most of these paintings listed in the early art historian Raffaello Soprani's 1768 publication about artists in Genoa ''Le vite de' pittori, scultori, ed architetti genovesi'' still survive.M. Newcome. "Ansaldo, Andrea." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 23 Feb. 2016.Raffaello Soprani con note di Carlo Giuseppe Rattivite de' pittori, scultori, ed architetti genovesi'' Tomo I, Stampe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Barocci
Federico Barocci (also written ''Barozzi'')(c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy. Early life and training He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. Mature work in Rome and Urbino After passing four years at Rome, he returned to his native city, where his first work of art was a ''St. Margaret'' execu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Cambiaso
Luca Cambiaso (also known as Luca Cambiasi and Luca Cangiagio (being ''Cangiaxo'' the surname in Ligurian); 18 November 1527 – 6 September 1585) was an Italian painter and draughtsman and the leading artist in Genoa in the 16th century. He is considered the founder of the Genoese school who established the local tradition of historical fresco painting through his many decorations of Genoese churches and palaces. He produced a number of poetic night scenes. He was a prolific draughtsman who sometimes reduced figures to geometric (even cubic) forms.Lauro Magnani. "Cambiaso, Luca." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 Mar. 2016 He was familiarly known as Lucchetto da Genova. Life Cambiaso was born in Moneglia, then part of the Republic of Genoa, the son of a painter named Giovanni Cambiaso. Cambiaso was precocious, and at the age of fifteen he painted, along with his father, some subjects from Ovid's ''Metamorphoses'' on the facade of a house i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galeazzo Alessi
Galeazzo Alessi (1512 – 30 December 1572) was an Italian architect from Perugia, known throughout Europe for his distinctive style based on his enthusiasm for ancient architecture. He studied drawing for civil and military architecture under the direction of Giovanni Battista Caporali. For a number of years he lived in Genoa. He was involved in the lay-out of the streets and the restoration of the city walls, as well as being responsible for many of its impressive palazzo, palazzi, now a part of the World Heritage List. His work can be found in many other Italian cities, including in Ferrara, Bologna, Naples and Milan, where he designed the facade of Santa Maria presso San Celso. With Giacomo Barozzi da Vignola, Vignola, he designed the Basilica of Santa Maria degli Angeli in Assisi, the seventh largest Christian church at the time. Elsewhere in Europe, he designed churches and palaces in France, Germany and Flanders. He produced designs for El Escorial in Spain, but age and heal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matronaeum
A triforium is an interior gallery, opening onto the tall central space of a building at an upper level. In a church, it opens onto the nave from above the side aisles; it may occur at the level of the clerestory windows, or it may be located as a separate level below the clerestory. Masonry triforia are generally vaulted and separated from the central space by arcades. Early triforia were often wide and spacious, but later ones tend to be shallow, within the thickness of an inner wall, and may be blind arcades not wide enough to walk along. The outer wall of the triforium may itself have windows (glazed or unglazed openings), or it may be solid stone. A narrow triforium may also be called a "blind-storey", and looks like a row of window frames. History ''Triforium'' is derived from the Latin ''tres'', ''tria'' "three", and ''foris'', "door, entrance"; its Greek equivalent is τρίθυρον, which originally referred to a building with three doors. The earliest examples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guelphs And Ghibellines
The Guelphs and Ghibellines (, , ; it, guelfi e ghibellini ) were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of Central Italy and Northern Italy. During the 12th and 13th centuries, rivalry between these two parties formed a particularly important aspect of the internal politics of medieval Italy. The struggle for power between the Papacy and the Holy Roman Empire arose with the Investiture Controversy, which began in 1075, and ended with the Concordat of Worms in 1122. History Origins The Guelph vs Ghibelline conflict initially arose from the division caused by the Investiture Controversy, about whether secular rulers or the pope had the authority to appoint bishops and abbots. Upon the death of Emperor Henry V, of the Salian dynasty, the dukes elected an opponent of his dynasty, Lothair III, as the new emperor. This displeased the Hohenstaufen, who were allied with and related to the old dynasty. Out of fear of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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