Catacombs Of San Gennaro
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Catacombs Of San Gennaro
The Catacombs of San Gennaro are underground paleo-Christian burial and worship sites in Naples, Italy, carved out of tuff, a porous stone. They are situated in the northern part of the city, on the slope leading up to , consisting of two levels, San Gennaro Superiore, and San Gennaro Inferiore. The catacombs lie under the Rione Sanità neighborhood of Naples, sometimes called the "Valley of the Dead". The site is now easily identified by the large church of Madre del Buon Consiglio. History Originally, there were three separate cemeteries, dedicated, respectively, to Saint Gaudiosus (''San Gaudioso''), Saint Severus (''San Severo'') and St. Januarius (''San Gennaro''). These catacombs in Naples are different from their Roman counterparts in that they have more spacious passageways along two levels. The lower level is the oldest, going back to the 3rd-4th century and may actually be the site of an earlier pre-Christian cemetery later ceded to the new sect. It apparently be ...
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Catacombe Di San Gennaro Fresco
Catacombs are man-made subterranean passageways for religious practice. Any chamber used as a burial place is a catacomb, although the word is most commonly associated with the Roman Empire. Etymology and history The first place to be referred to as ''catacombs'' was the system of underground tombs between the 2nd and 3rd milestones of the Appian Way in Rome, where the bodies of the apostles Peter and Paul, among others, were said to have been buried. The name of that place in Late Latin was L.L. fem. nom. pl. n. ''catacumbas'' (sing. ''catacumba'') a word of obscure origin, possibly deriving from a proper name or a derivation of the Latin phrase ''catatumbas'', "among the tombs". The word referred originally only to the Roman catacombs, but was extended by 1836 to refer to any subterranean receptacle of the dead, as in the 18th-century Paris catacombs. The ancient Christians carved the first catacombs from soft tufa rock. (ref)" (World Book Encyclopedia, page 296) All Roman ca ...
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John IV (bishop Of Naples)
Saint John IV (died 17 December 849), called the Peacemaker and known in Italian as Giovanni d'Acquarola or Giovanni Scriba,Flavia De Rubeis"Giovanni Scriba, santo" '' Dizionario Biografico degli Italiani'', 56 (Rome: Istituto dell'Enciclopedia Italiana, 2001). was the Bishop of Naples The Roman Catholic Archdiocese of Naples ( la, Archidioecesis Neapolitana) is a Roman Catholic archdioceses in southern Italy, the see being in Naples. A Christians, Christian community was founded there in the 1st century AD and the diocese of N ... from 26 February 842 until his death. He is one of the patron saints of Naples and his feast day is 22 June. He had the relics of Aspren translated to the church of Santa Restituta in Naples. He also assisted Duke Andrew II in negotiating the '' Pactum Sicardi'', an economic treaty, with Sicard, Prince of Benevento. References {{DEFAULTSORT:John 04 (bishop of Naples) 849 deaths Italian saints Bishops of Naples 9th-century Italian bisho ...
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Catacombs Of Rome
The Catacombs of Rome ( it, Catacombe di Roma) are ancient catacombs, underground burial places in and around Rome, of which there are at least forty, some rediscovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, Jews and also adherents of a variety of pagan Roman religions were buried in catacombs, beginning in the 2nd century AD,Toynbee: 39–40. occasioned by the ancient Roman ban on burials within a city, and also as a response to overcrowding and shortage of land. The most extensive and perhaps the best known is the Christian Catacomb of Callixtus located near the Park of the Caffarella, but there are other sites, both Christian and not, scattered around the city, some of which are now engulfed by modern urban sprawl. The Christian catacombs are extremely important for the history of Early Christian art, as they contain the great majority of examples from before about 400 AD, in fresco and sculpture, as ...
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African Red Slip Ware
African red slip ware, also African Red Slip or ARS, is a category of ''terra sigillata'', or "fine" Ancient Roman pottery produced from the mid-1st century AD into the 7th century in the province of Africa Proconsularis, specifically that part roughly coinciding with the modern country of Tunisia and the Diocletianic provinces of Byzacena and Zeugitana. It is distinguished by a thick-orange red slip over a slightly granular fabric. Interior surfaces are completely covered, while the exterior can be only partially slipped, particularly on later examples. By the 3rd century AD, African red slip appears on sites throughout the Mediterranean and in the major cities of Roman Europe. It was the most widely distributed representative of the sigillata tradition in the late-Roman period, and occasional imports have been found as far afield as Britain in the 5th-6th centuries. African red slip ware was still widely distributed in the 5th century but after that time the volume of producti ...
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Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersectin ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ...
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Arcosolium
An arcosolium, plural arcosolia, is an arched recess used as a place of entombment. The word is from Latin , "arch", and , "throne" (literally "place of state") or post-classical "sarcophagus". Early arcosolia were carved out of the living rock in catacombs. In the very earliest of these, the arched recess was cut to ground level. Then a low wall would be built in the front, leaving a trough (the ''cubiculum'', "chamber") in which to place the body. A flat stone slab would then cover the chamber containing the body, thus sealing it. The stone slab occasionally also served as an altar, especially for Christians, who celebrated Mass on them. In the later arcosolia, the arched recess was carved out to about waist height. Then the masons cut downwards to make the chamber into which the corpse would be placed. In effect, the trough was then a sarcophagus with living rock on five of its six faces. As before, a flat stone slab would then seal the ''cubiculum''. From the 13th century onw ...
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Loculus (architecture)
Loculus (Latin, "little place"), plural ''loculi'', is an architectural compartment or niche that houses a body, as in a catacomb, hypogeum, mausoleum or other place of entombment. In classical antiquity, the mouth of the loculus might be closed with a slab,Katherine M. D. Dunbabin, ''The Roman Banquet: Images of Conviviality'' (Cambridge University Press, 2003), p. 254. plain, as in the Catacombs of Rome, or sculptural, as in the family tombs of ancient Palmyra. See also * Kokh (tomb): sometimes translated as "loculus" * Arcosolium: another niche-like tomb * Glossary of architecture This page is a glossary of architecture. A B C The Caryatid Porch of the Erech ... References Sources * Architectural elements Death customs Burial monuments and structures {{architecturalelement-stub ...
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Quodvultdeus
Quodvultdeus (Latin for "what God wills", died 450 AD) was a fifth-century Church Father and Bishop of Carthage who was exiled to Naples. He was known to have been living in Carthage around 407 and became a deacon in 421 AD. He corresponded with Augustine of Hippo, who served as Quodvultdeus' spiritual teacher.Patron Saints Index: Saint Quodvultdeus
Augustine also dedicated some of his writings to Quodvultdeus. Quodvultdeus was exiled when was captured by the led by King

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Confirmation
In Christian denominations that practice infant baptism, confirmation is seen as the sealing of the covenant created in baptism. Those being confirmed are known as confirmands. For adults, it is an affirmation of belief. It involves laying on of hands. Catholicism views confirmation as a sacrament. The sacrament is called chrismation in the Eastern Christianity. In the East it is conferred immediately after baptism. In Western Christianity, confirmation is ordinarily administered when a child reaches the age of reason or early adolescence. When an adult is baptized, the sacrament is conferred immediately after baptism in the same ceremony. Among those Christians who practice teen-aged confirmation, the practice may be perceived, secondarily, as a " coming of age" rite. In many Protestant denominations, such as the Anglican, Lutheran, Methodist and Reformed traditions, confirmation is a rite that often includes a profession of faith by an already baptized person. Confirmatio ...
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