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Casa Consistorial De Sevilla
The Seville City Hall () is a Plateresque-style building in Plaza Nueva in Seville (Andalusia, Spain), currently housing the City Council of Seville. The building has a large façade divided into five modules, decorated by Plateresque reliefs; these include grotesque motifs inspired by Italian Florentine architecture, heraldry symbols, allegories of ''Justice'' and ''Good Government'' and depictions of mythological or historical characters such as Hercules, Julius Caesar and Charles V. History In 1526, following the wedding in Seville of the emperor Carlos V, Holy Roman Emperor, with his cousin Isabella of Portugal, the need was felt to build a building for the city hall that would represent the power and importance of the city at the time. Until then the Council or ''Cabildo'' of Seville, like almost all of the civil and ecclesiastical ministries of the city, had its seat in houses of the Corral de los Olmos, today occupied by the Plaza de la Virgen de los Reyes, behind the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ayuntamiento Sevilla 2010 002
''Ayuntamiento'' ()In other languages of Spain: * ca, ajuntament (). * gl, concello (). * eu, udaletxea (). is the general term for the town council, or ''cabildo'', of a municipality or, sometimes, as is often the case in Spain and Latin America, for the municipality itself. is mainly used in Spain; in Latin America is also for municipal governing bodies, especially the executive ones, where the legislative body and the executive body are two separate entities. In Catalan-speaking parts of Spain, municipalities generally use the Catalan cognate, , while Galician ones use the word , Astur-Leonese and Basque . Since is a metonym for the building in which the council meets, it also translates to "city/town hall" in English. Historically With the eighteenth-century Bourbon Reforms in New Spain, which created intendancies and weakened the power of the viceroy, the ''ayuntamientos'' "became the institution representing the interests of the local and regional oligarchical gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Seville
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Valdés Leal
Juan de Valdés Leal (4 May 1622 – 15 October 1690) was a Spanish painter and etcher of the Baroque era. Career Valdés was born in Seville in 1622. He became a painter, sculptor, and architect. By his twenties, he was studying under Antonio del Castillo in Córdoba. Among his works are ''History of the Prophet Elias'' for the church of the Carmelites; ''Martyrdom of St. Andrew'' for the church of San Francesco in Córdoba; and ''Triumph of the Cross'' for la Caridad in Seville. He became friends with Bartolomé Esteban Murillo, who had a very different style; Leal tended to paint somber and dramatic subjects, while Murillo's style was peaceful and serene. After Leal returned to Seville in 1656, he and Murillo founded the Seville Academy of Art. Several of his paintings treat the subjects of vanitas, transience and mortality. Two examples are ''In ictu oculi'' ("in the blink of an eye") and '' Finis gloriae mundi'' ("end of the world's glory"), painted for the Charity H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De Zurbarán
Francisco de Zurbarán ( , ; baptized 7 November 1598 – 27 August 1664) was a Spanish Painting, painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled. He was the father of the painter Juan de Zurbarán. Biography Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on 7 November of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known. Zurbarán's first marriage, in 1617, was to María Paet who was nine years older. María died in 1624 after the birth of their third child. In 1625 he married again to wealthy widow Beatriz de Morales. On 17 Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfarje
''Alfarje'' (meaning "paneled ceiling" in Spanish) is a type of horizontal wooden ceiling primarily found in Islamic (or Moorish) architecture and Mudéjar architecture. The word derives from Andalusi Arabic ''al-farsh'', meaning "bed", related to Classical Arabic ''farsh'' (فرش), meaning "tapestry". The ceiling structure is made through a series of beams called girders, sometimes intricately carved and stylized with geometric patterns. Typically, such ceilings are employed when they support a floor above that can be walked on. One decorative technique that creates geometric patterns by nailing and interlacing pieces of wood onto a flat ceiling is known as ''ataujía'' in Spanish (adjective form: ''ataujerado/ataujerada''). Examples of such ornamental ceilings are found in the Alhambra of Granada, and the same technique is also found in other types of woodwork from the same period. Other notable buildings that have ''alfarje'' ceilings include the Alcázar of Seville, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vault (architecture)
In architecture, a vault (French ''voûte'', from Italian ''volta'') is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or segmental head, which supports the voussoirs until the ring of the whole arch is completed. Vault types Corbelled vaults, also called false vaults, with horizontally joined layers of stone have been documented since prehistoric times; in the 14th century BC from Mycenae. They were built regionally until modern times. The real vault construction with radially joined stones was already known to the Egyptians and Assyrians and was introduced into the buil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Guillén Ferrant
Diego is a Spanish masculine given name. The Portuguese equivalent is Diogo. The name also has several patronymic derivations, listed below. The etymology of Diego is disputed, with two major origin hypotheses: ''Tiago'' and ''Didacus''. Etymology ''Tiago'' hypothesis Diego has long been interpreted as variant of ''Tiago'' (Brazilian Portuguese: ''Thiago''), an abbreviation of ''Santiago'', from the older ''Sant Yago'' "Saint Jacob", in English known as Saint James or as ''San-Tiago''. This has been the standard interpretation of the name since at least the 19th century, as it was reported by Robert Southey in 1808 and by Apolinar Rato y Hevia (1891). The suggestion that this identification may be a folk etymology, i.e. that ''Diego'' (and ''Didacus''; see below) may be of another origin and only later identified with ''Jacobo'', is made by Buchholtz (1894), though this possibility is judged as improbable by the author himself. ''Didacus'' hypothesis In the later 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bien De Interés Cultural
A Bien de Interés Cultural is a category of the heritage register in Spain. The term is also used in Venezuela and other Spanish-speaking countries. The term literally means a "good of cultural interest" ("goods" in the economic sense) and includes not only material heritage (cultural property), like monuments or movable works of art, but also intangible cultural heritage, such as the Silbo Gomero language. Some ''bienes'' enjoy international protection as World Heritage Sites or Masterpieces of the Oral and Intangible Heritage of Humanity. History In Spain, the category of ''Bien de Interés Cultural'' dates from 1985 when it replaced the former heritage category of '' Monumento nacional ''(national monument) in order to extend protection to a wider range of cultural property. The category has been translated as "Cultural Interest Asset". ''Monumentos'' are now identified as one of the sub-categories of ''Bien de Interés Cultural.'' Sub-categories The movable heritage d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plaza Nueva, Seville
Plaza Nueva () is a public square in the city center of Seville, Spain, containing the Seville City Hall. The land which the plaza is built on was formerly part of the San Fernando convent from 1270 to 1840. The land was later acquired by the local government and converted into a public square. The plaza was completed in 1856. Name The plaza has undergone a series of name changes since the beginning of its construction in 1852: * 1852: Plaza Nueva * 1857: Infanta Isabel * 1868: Plaza de la Libertad * 1873: Plaza de la República * 1875: Plaza de San Fernando * 1931: Plaza Nueva History Prior to the 11th century, the area that is now Plaza Nueva was part of the Guadalquivir river. In the 1981, while digging to construct the Seville Metro, remains of a 10th-century ship and a two-meter-long 6th century Byzantine anchor were found under the plaza. By the 11th century the space was occupied by a cemetery and several orchards. From 1270 to 1840 the convent Convento Casa Grande de Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Style
Neoclassical architecture is an architectural style produced by the Neoclassicism, Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of Roman architecture, ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_facade_on_Piazza_dei_signori.jpg "Click for more on -> Neoclassical Style")