|
Carthaginian Tombstones
Carthaginian tombstones are Punic language-inscribed tombstones excavated from the city of Carthage over the last 200 years. The first such discoveries were published by Jean Emile Humbert in 1817, Hendrik Arent Hamaker in 1828 and Christian Tuxen Falbe in 1833. The steles were first published together in the ''Corpus Inscriptionum Semiticarum''; the first focused collection was published by Jean Ferron in 1976. Ferron identified four types of funerary steles:Debergh Jacques. Ferron (Jean)Mort-Dieu de Carthage, ou les stèles funéraires de Carthage In: Revue belge de philologie et d'histoire, tome 56, fasc. 3, 1978. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 712-715: "Typologiquement, Jean Ferron distingue les statues (type Ι Α, Β ou C selon qu'il s'agit d'une «quasi ronde-bosse», d'un «demi-relief» ou d'un «genre d'hermès»), les bas-reliefs (type II 1, où la figure humaine ressort en arc de cercle, et II 2, où elle saillit en un relief ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The First Published Sketch Of Tombstones From Carthage (Jean Emile Humbert)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punic Language
The Punic language, also called Phoenicio-Punic or Carthaginian, is an extinct variety of the Phoenician language, a Canaanite language of the Northwest Semitic branch of the Semitic languages. An offshoot of the Phoenician language of coastal West Asia (modern Lebanon and western Syria), it was principally spoken on the Mediterranean coast of Northwest Africa, and the Iberian peninsula and several Mediterranean islands such as Malta, Sicily and Sardinia by the Punic people, or western Phoenicians, throughout classical antiquity, from the 8th century BC to the 6th century AD. Punic is considered to have separated from its Phoenician parent around the time that Carthage became the leading Phoenician city under Mago I, but scholarly attempts to delineate the dialects lack precision and generally disagree on the classification. History The Punics stayed in contact with the homeland of Phoenicia until the destruction of Carthage by the Roman Republic in 146 BC. At first, there was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carthage
Carthage was the capital city of Ancient Carthage, on the eastern side of the Lake of Tunis in what is now Tunisia. Carthage was one of the most important trading hubs of the Ancient Mediterranean and one of the most affluent cities of the classical world. The city developed from a Canaanite Phoenician colony into the capital of a Punic empire which dominated large parts of the Southwest Mediterranean during the first millennium BC. The legendary Queen Alyssa or Dido, originally from Tyre, is regarded as the founder of the city, though her historicity has been questioned. According to accounts by Timaeus of Tauromenium, she purchased from a local tribe the amount of land that could be covered by an oxhide. As Carthage prospered at home, the polity sent colonists abroad as well as magistrates to rule the colonies. The ancient city was destroyed in the nearly-three year siege of Carthage by the Roman Republic during the Third Punic War in 146 BC and then re-developed as Roman Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Emile Humbert
Jean Emile Humbert (23 July 1771 in The Hague – 20 February 1839 in Livorno) was a Dutch lieutenant-colonel who can be credited with rediscovering ancient Carthage. As an agent for the Dutch government he procured vital parts of the collection of the National Museum of Antiquities in Leiden. Humbert was awarded the Order of the Netherlands Lion for his archaeological work. 1796 to 1821 Humbert was a son of Jean Humbert, a Dutch painter of Swiss and French extraction. His brother David Pierre Giottino Humbert de Superville was a well-known artist and scholar. As an officer in the army of the Dutch Republic he was faced with the political unrest of the Napoleon era. When in 1795 the Dutch Republic was transformed by revolutionaries into the Batavian Republic, Humbert refused to serve the new state and found his way to an engineering project in Tunisia. In North Africa Humbert stayed with Antoine Nijssen, the Dutch consul for Tunisia. Humbert fell in love with the consul's d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrik Arent Hamaker
Hendrik Arent Hamaker was a Dutch Assyriologist, philologist and orientalist, born in Amsterdam on 25 February 1789 and died in Nederlangbroek on 7 October 1835. He studied most European and Asian languages, and the history and geography of the East. He was an associate of the orientalist Johannes Hendricus van der Palm, and Theodor Juynboll was among his pupils. Life Hamaker's father intended him for a career in business, however his evident intelligence and keen interest in ancient languages from an early age led patrons to sponsor his education at the prestigious Atheneaeum Illustre of his native Amsterdam, to study classical and oriental languages. There, under the tutelage of professors van Lennep and Wilmett he, though far from abandoning classical languages (especially ancient and byzantine Greek), focused on oriental studies. In 1815–1817 he was professor of Oriental languages at the Athenaeum of Franeker (formerly the University of Franeker), and lectured on Arabic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Tuxen Falbe
Christian Tuxen Falbe (5 April 1791– 19 July 1849) was a Danish naval officer, archaeologist, explorer, cartographer and diplomat. Biography Falbe was born at Helsingør. He was the son of Ulrik Anton Falbe (1746-95), an inspector at Øresund Custom House and the father of the diplomat Christian Frederik Falbe (1828-1896). In 1807, he became a second lieutenant. He was appointed lieutenant-lieutenant in 1815. By 1820, he became a lieutenant-captain. He was a consul to the Beylik of Tunis between 1821 and 1831. In 1833, he was relocated to Greece. Between 1837-38, he undertook a voyage in the Algerian provinces of Constantine and Tunis. In 1838, he participated in a scientific expedition to study the ruins of Carthage. He was the first to perform an archaeological survey on the site of Carthage and the first to produce a modern map of Tunis. In 1841, he resigned as a vessel commander-in-chief. From 1842, he was director of the king's collections at Amalienborg and, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Inscriptionum Semiticarum
The ("Corpus of Semitic Inscriptions", abbreviated CIS) is a collection of ancient inscriptions in Semitic languages produced since the end of 2nd millennium BC until the rise of Islam. It was published in Latin. In a note recovered after his death, Ernest Renan stated that: "Of all I have done, it is the Corpus I like the most." The first part was published in 1881, fourteen years after the beginning of the project. Renan justified the fourteen year delay in the preface to the volume, pointing to the calamity of the Franco-Prussian war and the difficulties that arose in the printing the Phoenician characters, whose first engraving was proven incorrect in light of the inscriptions discovered subsequently. A smaller collection – ("Repertory of Semitic Epigraphy", abbreviated RES) – was subsequently created to present the Semitic inscriptions without delay and in a deliberately concise way as they became known, and was published in French rather than Latin. The was for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronde-bosse
''Ronde-bosse'', ''en ronde bosse'' or encrusted enamel is an enamelling technique developed in France in the late 14th century that produces small three-dimensional figures, or reliefs, largely or entirely covered in enamel. The new method involved the partial concealment of the underlying gold, or sometimes silver, from which the figure was formed. It differs from older techniques which all produced only enamel on a flat or curved surface, and mostly, like champlevé, normally used non-precious metals, such as copper, which were gilded to look like gold. In the technique of enamel ''en ronde-bosse'' small figures are created in gold or silver and their surfaces lightly roughened to provide a key for the enamel, which is applied as a paste and fired. In places the framework may only be wire. The term derives from the French term ''émail en ronde bosse'' ("enamel in the round"); however in French ''en ronde bosse'' merely means "in the round" and is used of any sculpture; in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herma
A herma ( grc, ἑρμῆς, pl. ''hermai''), commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. Hermae were so called either because the head of Hermes was most common or from their etymological connection with the Greek word (blocks of stone), which originally had no reference to Hermes at all. The form originated in ancient Greece, and was adopted by the Romans (called mercuriae), and revived at the Renaissance in the form of term figures and atlantes. Origin In the earliest times Greek divinities were worshipped in the form of a heap of stones or a shapeless column of stone or wood. In many parts of Greece there were piles of stones by the sides of roads, especially at their crossings, and on the boundaries of lands. The religious respect paid to such heaps of stones, especially at the meeting of roads, is shown by the custom of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naiskos
The naiskos (pl.: naiskoi; el, ναΐσκος, diminutive of ναός "temple") is a small temple in classical order with columns or pillars and pediment. Ancient Greece Often applied as an artificial motif, it is common in ancient art. It also found in the funeral architecture of the ancient Attic cemeteries as grave reliefs or shrines with statues for example the stele of Aristonautes from Kerameikos in Athens and in the black-figure and red-figure pottery of Ancient Greece at the Loutrophoros and the Lekythos and the red-figure wares of Apulia in South Italy. Other styles There also exist naiskos-type figurines or other types of temples formed in terracotta, examples of which abound at the Louvre Museum in Paris. The form of the naiskos suggests a religious context, relating especially to Greek funerary culture. Some of the Hellenistic inscriptions found in the Bay of Grama are placed inside a naiskos, and in this case the religious context is an invocation of Castor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> The First Published Sketch Of Tombstones From Carthage (Jean Emile Humbert)")
_01.JPG "Click for more on -> Relief")
