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Carlos Schwabe
Carlos Schwabe (born Émile Martin Charles Schwabe; 21 July 1866 – 22 January 1926) was a Swiss Symbolist painter and printmaker. Life Schwabe was born in Altona, Holstein into a merchant family. In 1870 his family moved to Switzerland, receiving Swiss citizenship in 1888. Between the years of 1882 to 1884, he studied at the École des arts industriels. After studying art in Geneva, he relocated to Paris as a young man, where he worked as a wallpaper designer, and he became acquainted with Symbolist artists, musicians (Guillaume Lekeu, Vincent d'Indy) and writers. In 1892, he was one of the painters of the famous ''Salon de la Rose + Croix'' organized by Joséphin Péladan at the Galerie Durand-Ruel. His poster for the first Salon is an important symbolic work of idealist new art. He exhibited at the Société nationale des Beaux-Arts, at the Salon d'automne and was present at the Exposition Universelle of 1900, receiving the Gold medal. In the years that followed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galerie Durand-Ruel
Paul Durand-Ruel (31 October 1831, Paris – 5 February 1922, Paris) was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system. Early life and education Born Paul-Marie-Joseph Durand-Ruel in Paris, son of Jean Marie Fortuné Durand and Marie Ferdinande Ruel. His parents, who opened an art shop in 1839, used the Durand-Ruel name for the family business. In 1851, Paul e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altona, Hamburg
Altona (), also called Hamburg-Altona, is the westernmost urban borough (''Bezirk'') of the German city state of Hamburg, on the right bank of the Elbe river. From 1640 to 1864, Altona was under the administration of the Danish monarchy. Altona was an independent borough until 1937. In 2016 the population was 270,263. History Altona was founded in 1535 as a village of fishermen in what was then Holstein-Pinneberg. In 1640, Altona came under Danish rule as part of Holstein-Glückstadt, and in 1664 was granted municipal rights by the Danish King Frederik III, who then ruled in personal union as Duke of Holstein. Altona was one of the Danish monarchy's most important harbor towns. The railroad from Altona to Kiel, the Hamburg-Altona–Kiel railway ( da, link=no, Christian VIII Østersø Jernbane), was opened in 1844. Because of severe restrictions on the number of Jews allowed to live in Hamburg until 1864 (with the exception of 1811–1815), a major Jewish community develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Rêve (novel)
''Le rêve'' (''The Dream'') is the sixteenth novel in the '' Rougon-Macquart'' series by Émile Zola. It is about an orphan girl who falls in love with a nobleman, and is set in the years 1860–1869. The novel was published by Charpentier in October 1888 and translated into English by Eliza E. Chase as ''The Dream'' in 1893 (reprinted in 2005). Other recent translations are by Michael Glencross (Peter Owen 2005), Andrew Brown ( Hesperus Press 2005), and Paul Gibbard (Oxford World's Classics 2018).https://global.oup.com/ukhe/product/the-dream-9780198745983?cc=au&lang=en& Oxford University Press accessed 13/7/2018 Plot summary ''Le rêve'' is a simple tale of the orphan Angélique Marie (b. 1851), adopted by a couple of embroiderers, the Huberts, whose marriage is blighted by a childlessness which they attribute to a curse uttered by Mme Hubert's mother on her deathbed. Angélique is enthralled by the tales of the saints and martyrs — particularly Saint Agnes and Saint Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford Art Online
Oxford Art Online is an Oxford University Press online gateway into art research, which was launched in 2008. It provides access to several online art reference works, including Grove Art Online (originally published in 1996 in a print version, ''The Dictionary of Art''), the online version of the ''Benezit Dictionary of Artists'', and ''The Oxford Companion to Western Art''. It also provides access to other Oxford art reference works, including the ''Encyclopedia of Aesthetics ''Encyclopedia of Aesthetics'', published in 1998 by Oxford University Press, is an encyclopedia that covers philosophical, historical, sociological, and biographical aspects of Art and Aesthetics worldwide. The second edition (2014) is now availab ...'' (2nd edition), and ''The Concise Oxford Dictionary of Art Terms''. The site was updated on 1 December 2017 to enhance page design, search tools, linking, and media capabilities. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spleen Et Idéal
''Les Fleurs du mal'' (; en, The Flowers of Evil, italic=yes) is a volume of French poetry by Charles Baudelaire. ''Les Fleurs du mal'' includes nearly all Baudelaire's poetry, written from 1840 until his death in August 1867. First published in 1857, it was important in the symbolist —including painting— and modernist movements. Though it was extremely controversial upon publication, with six of its poems censored due to their immorality, it is now considered a major work of French poetry. The poems in ''Les Fleurs du mal'' frequently break with tradition, using suggestive images and unusual forms. They deal with themes relating to decadence and eroticism, particularly focusing on suffering and its relationship to original sin, disgust toward evil and oneself, obsession with death, and aspiration toward an ideal world. Les Fleurs du mal had a powerful influence on several notable French poets, including Paul Verlaine, Arthur Rimbaud, and Stéphane Mallarmé. Overview Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fervaal
''Fervaal'', Op. 40, is an opera (''action musicale'' or lyric drama) in three acts with a prologue by the French composer Vincent d'Indy. The composer wrote his own libretto, based in part on the lyric poem ''Axel'' by the Swedish author Esaias Tegnér. D'Indy worked on the opera during the years 1889 to 1895, and the score was published in 1895. Background ''Fervaal'' premiered at the Théâtre de la Monnaie in Brussels on 12 March 1897. It was subsequently produced in Paris in 1898, and again in that city in 1912. The first of 13 performances by the Opéra-Comique company (at the Théâtre du Châtelet), on 10 May 1898 was conducted by André Messager and included in the cast Raunay and Imbart de la Tour from the Brussels premiere, along with Gaston Beyle, Ernest Carbonne and André Gresse. It was last performed on stage in 1912/13 (at the Paris Palais Garnier, again with Messager conducting). In concert, it was presented by RTF in 1962. The Bern Opera House presented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosicrucian
Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts purported to announce the existence of a hitherto unknown esoteric order to the world and made seeking its knowledge attractive to many. Yates, Frances A. (1972), ''The Rosicrucian Enlightenment'', London The mysterious doctrine of the order is "built on esoteric truths of the ancient past", which "concealed from the average man, provide insight into nature, the physical universe, and the spiritual realm." The manifestos do not elaborate extensively on the matter, but clearly combine references to Kabbalah, Hermeticism, alchemy, and Christian mysticism. The Rosicrucian manifestos heralded a "universal reformation of mankind", through a science allegedly kept secret for decades until the intellectual climate might receive it. Controversies arose on whether they were a hoax, whether the "Order of the Rosy Cross" existed as described in the manif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Museums Of Fine Arts Of Belgium
The Royal Museums of Fine Arts of Belgium (french: Musées royaux des Beaux-Arts de Belgique, nl, Koninklijke Musea voor Schone Kunsten van België) are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum. The Royal Museums contains over 20,000 drawings, sculptures, and paintings, covering a period extending from the early 15th century to the present, such as those of Flemish old masters like Bruegel, Rogier van der Weyden, Robert Campin, Anthony van Dyck, Jacob Jordaens, and Peter Paul Rubens, making it the most popular art institution and most visited museum complex in Belgium. The Magritte Museum houses the world's largest collection of the works of the surrealist René Magritte. History Early history The museum was founded in 1801 by Napoleon and opened in 1803 as the Museum of Fine Arts of Brussels ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Samain
Albert Victor Samain (3 April 185818 August 1900) was a French poet and writer of the Symbolist school. Life and works Born in Lille, his family were Flemish and had long lived in the town or its suburbs. At the time of the poet's birth, his father, Jean-Baptiste Samain, and his mother, Elisa-Henriette Mouquet, conducted a business in "wines and spirits" at 75 rue de Paris.Six French Poets: Studies in Contemporary Literature. Amy Lowell. New York: Macmillan Company, 1915. Samain's father died when he was quite young; it was necessary for him to leave school and seek a trade. He moved to Paris in around 1880, where his poetry won him a following and he began mixing with avant-garde literary society, and began publicly reciting his poems at ''Le Chat Noir''. His poems were strongly influenced by those of Baudelaire, and began to strike a somewhat morbid and elegiac tone. He also was influenced by Verlaine; his works disclose a taste for indecisive, vague imagery. Samain helped f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
