Carlo Di Borgogna
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Carlo Di Borgogna
''Carlo di Borgogna'' is an Italian opera (melodramma romantico) in three parts composed by Giovanni Pacini to a libretto by Gaetano Rossi. It was first performed at the Teatro la Fenice, Venice, on 21 February 1835. Roles Synopsis :Time: :Place: Dijon (part one) and Switzerland (parts two and three) Part One The people of Burgundy have come to greet Carlo “il temerario” ( Charles the Bold) from his quelling of the citizens of Liège. Among the girls who are strewing flowers at his feet and presenting him with a crown of laurels is Estella, the daughter of Carlo's mentor Arnoldo. During this ceremony, it is impossible for the two to hide their feelings for each other (Cavatina, ''Del ciel cura, quest’alloro''). Lord Athol then arrives with a letter from England, reminding Carlo of his promise to marry Leonora, the sister of Edward IV. Athol suspects Carlo is less than happy with the match, however. In Arnoldo's apartments of the ducal palace, Amelia suggests to Estel ...
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Giovanni Pacini
Giovanni Pacini (11 February 17966 December 1867) was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born. His first 25 or so operas were written when Gioachino Rossini dominated the Italian operatic stage. But Pacini's operas were "rather superficial", a fact which, later, he candidly admitted in his ''Memoirs''.Rose 2001, in Holden, p. 650 For some years he held the post of "director of the Teatro San Carlo in Naples." Later, retiring to Viareggio to found a school of music, Pacini took time to assess the state of opera in Italy and, during a five-year period during which he stopped composing, laid out his ideas in his Memoirs. Like Saverio Mercadante, who also reassessed the strength and weaknesses of this period in opera, Pacini's style did change, but he quickly becam ...
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Switzerland
). Swiss law does not designate a ''capital'' as such, but the federal parliament and government are installed in Bern, while other federal institutions, such as the federal courts, are in other cities (Bellinzona, Lausanne, Luzern, Neuchâtel, St. Gallen a.o.). , coordinates = , largest_city = Zürich , official_languages = , englishmotto = "One for all, all for one" , religion_year = 2020 , religion_ref = , religion = , demonym = , german: Schweizer/Schweizerin, french: Suisse/Suissesse, it, svizzero/svizzera or , rm, Svizzer/Svizra , government_type = Federalism, Federal assembly-independent Directorial system, directorial republic with elements of a direct democracy , leader_title1 = Federal Council (Switzerland), Federal Council , leader_name1 = , leader_title2 = , leader_name2 = Walter Thurnherr , legislature = Fe ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Opera Rara
Opera Rara is a London-based opera company and recording label which specialises in recording and performing forgotten operatic repertoire from the 19th and early 20th centuries. Founded in 1970 by bel canto enthusiasts Patric Schmid and Don White, Opera Rara's recordings are internationally distributed by Warner Classics. In September 2019, Italian conductor Carlo Rizzi succeeded Sir Mark Elder as Artistic Director. History Opera Rara launched in the 1970s with a series of concerts of 19th-century operatic arias performed at the Southbank Centre, St John’s Smith Square and Wigmore Hall in London. The company presented its first complete opera - Meyerbeer’s '' Il crociato in Egitto'' - in 1972 at the Queen Elizabeth Hall, marking the first performance of the opera for more than 100 years. It subsequently performed at the Bath Festival, Camden Festival (where its first staged production was Donizetti’s ''Le convenienze ed inconvenienze teatrali'') and Sadler’s Wells. A ...
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Geoffrey Mitchell Choir
Geoffrey Mitchell is a countertenor-voiced chorister and choral conductor. Mitchell joined Exeter Cathedral choir at the age of eight. Ten years later, he joined the Renaissance Singers, while undertaking National Service in the Royal Navy. Mitchell has performed with the Purcell Singers, Schütz Choir, Cantores in Ecclesia, Pro Cantione Antiqua and the John Alldis Choir and as a soloist. He is a former Professor of Counter-Tenor at the Royal Academy of Music and former chairman and is vice-president of the National Federation of Cathedral Old Choristers’ Associations. Also , he is chief guest conductor of Carillon, guest conductor of Brazil's Camerata Antiqua of Curitiba, and director of the London Festival Singers. He conducted early recordings of Jesus Christ Superstar and Evita for Andrew Lloyd Webber. At live performances by Pink Floyd of their '' Atom Heart Mother'' suite, he conducted his own Geoffrey Mitchell Choir as well as the brass section. Filmed ex ...
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Academy Of St
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ...
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David Parry (conductor)
David Parry (born 23 March 1949) is an English conductor who is particularly known for his work in opera. Described as "a man of the theatre with whom directors love to work; he is good with singers; he knows the British opera world like the back of his hand. He is a controversial and outspoken defender of the operatic form, and a passionate advocate of opera in English", his work includes a large discography of complete opera recordings of rarely performed works made on the Opera Rara and Chandos record labels, as well as works recorded with well-known British and European orchestras. Parry is also a member of the support staff of the Cardiff International Academy of Voice Early career Parry was educated at Cambridge University and the Royal Academy of Music in London. He explains how he became a conductor by way of wanting to be a singer: "Audrey Langford, who was a very important singing teacher in the 1960s and '70s, ran a rather good choir which she conducted herself, and ...
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Jennifer Larmore
Jennifer Larmore (born June 21, 1958) is an American mezzo-soprano opera singer, particularly noted for her performances in coloratura and bel canto roles which she has performed in the world's major opera houses.Slonimsky, Nicolas and Kuhn, Laura (2001"Larmore, Jennifer" ''Baker's Biographical Dictionary of Musicians''. Retrieved online via HighBeam Research 17 November 2013 . She has been a professor at the Music College of Seoul National University since March 2021. Life and career Larmore was born in Atlanta, Georgia. She attended Westminster Choir College in New Jersey and trained with Robert McIver, John Bullock and Regina Resnik. In 1982, she attended the Music Academy of the West summer conservatory program. She made her professional debut in 1986, at Opéra de Nice in Mozart's ''La clemenza di Tito''. In 1988, she sang Rosina in Rossini's ''Il barbiere di Siviglia'' (Jérôme Savary production in Strasbourg). She made her Carnegie Hall debut as Romeo ( Bellini's ''I Ca ...
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Roberto Frontali
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be u ...
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Elizabeth Futral
Susan Elizabeth Futral (born September 27, 1963 in Johnston County, North Carolina) is an American coloratura soprano who has won acclaim (as both singer and actress) throughout the United States as well as in Europe, South America, and Japan. Early life and education Born in Johnston County, North Carolina, Futral grew up in Covington, Louisiana. She earned a bachelor's degree in music performance from Samford University. After studying with Virginia Zeani at Indiana University, she spent two years as an apprentice with the Lyric Opera of Chicago. In 1991, she was a winner of the New York Metropolitan Opera National Council. Career The soprano first garnered acclaim in the title role of the 1994 New York City Opera production of Delibes' ''Lakmé''. Edward Rothstein wrote in ''The New York Times'': Ms Futral's performance was crucial to the success of the evening.... Ms Futral was refined and accurate, hitting her high notes without strain or artifice, giving her vocal acrob ...
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Bruce Ford (tenor)
Bruce Ford (born August 15, 1956) is an American operatic tenor, particularly associated with Mozart roles and the bel canto repertory. Ford was born in Lubbock, Texas, and studied at Texas Tech University, the University of Texas, and later as a member of the Houston Grand Opera StudioHGO Studio Alumnilink) in Houston, where he created Philip Glass's ''The Madrigal Opera'' in 1981. He left for Europe, where he made his official operatic debut in Wuppertal in 1983, as Belmonte and Tamino, then in Mannheim in 1985, as Ferrando and Don Ramiro. In 1985, he also appeareared at the Grand Théâtre de Bordeaux as Almaviva, and the Aix-en-Provence Festival, as Lindoro. He began specializing in the bel canto repertory notably Rossini, appearing at the Pesaro Festival and the Wexford Festival in roles such as Argirio in ''Tancredi'', Uberto in ''La donna del lago'', Rinaldo in ''Armida'', Agorante in ''Ricciardo e Zoraide'', Antenore in ''Zelmira'', Erisso in ''Maometto II'', Or ...
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