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Carlo Maderna
Carlo Maderno (Maderna) (1556 – 30 January 1629) was an Italian architect, born in today's Ticino, who is remembered as one of the fathers of Baroque architecture. His façades of Santa Susanna, St. Peter's Basilica and Sant'Andrea della Valle were of key importance in the evolution of the Italian Baroque. He is often referred to as the brother of sculptor Stefano Maderno, but this is not universally agreed upon. Biography Born in Capolago, in today's Ticino, which was at the time a bailiwick of the Swiss Confederacy, Maderno began his career in the marble quarries of the far north, before moving to Rome in 1588 with four of his brothers to assist his uncle Domenico Fontana. He worked initially as a marble cutter, and his background in sculptural workmanship would help mold his architecture. His first solo project, in 1596, was an utterly confident and mature façade for the ancient church of Santa Susanna (1597–1603); it was among the first Baroque façades to break w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capolago
Capolago is a village situated at the south-eastern extremity of Lake Lugano, in the Swiss canton of Ticino. Originally a municipality in its own right, Capolago is now a quarter of the municipality of Mendrisio, itself part of the district of Mendrisio. History The first mention of the name of Capolago appears before 1300, in the general statutes of Como. In 1365, Capolago assumed greater importance due to the building of castle. The castle was dismantled in 1517. From then on, the village was largely concerned with fishing, and the ferrying of people and goods to and from Lugano. In 1556, Capolago was the birthplace of the architect Carlo Maderno. He is best remembered as one of the fathers of Baroque architecture, responsible for the façades of St. Peter's Basilica, Santa Susanna, and Sant'Andrea della Valle, all in Rome. The construction of the Melide causeway, in 1841, followed by the opening of the local part of the Gotthard Railway, in 1874, saw changes to Capolago. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossing (architecture)
A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east. The crossing is sometimes surmounted by a tower or dome. A large crossing tower is particularly common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular. Because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners; a stable construction thus required great skill on the part of the builders. In centuries past, it was not uncommon for overambitious crossing towers to collapse. Sacrist Alan of Walsingham's octagon, built between 1322 and 1328 after the collapse of Ely's nave crossing on 22 February 1322, is the "... greatest individual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Della Porta
Giacomo della Porta (1532–1602) was an Italian architect and sculptor, who worked on many important buildings in Rome, including St. Peter's Basilica. He was born at Porlezza, Lombardy and died in Rome. Biography Giacomo Della Porta was born in the Duchy of Genoa into a family of sculptors. He was influenced by and collaborated with Michelangelo, and Giacomo Barozzi da Vignola, his teacher of architecture. With these two great masters he became one of the most important architects in the history of the Roman renaissance. In fact after 1563 he carried out Michelangelo's plans for the rebuilding of the Campidoglio or Capitoline Hill's open spaces where he completed the façade and steps of Palazzo Senatorio, and the ''Cordonata'' or the ramped steps up to the Piazza del Campidoglio. After the death of Vignola in 1573, he continued the construction of Il Gesù, the mother church of the Jesuit order, and in 1584 modified its façade after his own designs. He also worked o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatines
The Theatines officially named the Congregation of Clerics Regular ( la, Ordo Clericorum Regularium), abreviated CR, is a Catholic order of clerics regular of Pontifical Right for men founded by Archbishop Gian Pietro Carafa in Sept. 14, 1524. Its members add the nominal letters C.R. after their names to indicate their membership in the Congregation. Foundation The order was founded by Saint Cajetan (Gaetano dei Conti di Thiene), Paolo Consiglieri, Bonifacio da Colle, and Giovanni Pietro Carafa (afterwards Pope Paul IV). Carafa was Bishop of Chieti; Chieti (Theate) is a city of the Abruzzi in Central Italy, from which the congregation adopted its specific name, to distinguish it from other congregations (Barnabites, Somaschi, Caracciolini, etc.) modelled upon it. The Theatines combined the pursuit of evangelical perfection traditional among religious orders with apostolic service generally expected of diocesan clergy. It was Caraffa who wrote the constitutions of the order. Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Susanna (Rome) - Facade
The Church of Saint Susanna at the Baths of Diocletian ( it, Chiesa di Santa Susanna alle Terme di Diocleziano) is a Roman Catholic parish church located on the Quirinal Hill in Rome, Italy. There has been a titular church associated to its site as far back as AD 280. The current church was rebuilt from 1585 to 1603 for a monastery of Cistercian nuns founded on the site in 1587, which still exists there. The church served as the national parish for residents of Rome from the United States from 1921 to 2017, during which period it was assigned to the care of the Paulist Fathers, a society of priests founded in the United States. The Paulist Fathers' ministry to United States Catholics subsequently moved to San Patrizio (Saint Patrick). Architectural history Roman era About AD 280, an early Christian house of worship was established on this site, which, like many of the earliest Christian meeting places, was in a house (''domus ecclesiae''). According to the 6th-century '' acta'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecstasy Of St Theresa
The ''Ecstasy of Saint Teresa'' (also known as ''Saint Teresa in Ecstasy'' or the ''Transverberation of Saint Teresa''; it, L'Estasi di Santa Teresa or ) is a sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture depicts Teresa of Ávila, a Spanish Carmelite nun and saint, swooning in a state of religious ecstasy, while an angel holding a spear stands over her. Commission The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profliga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Vittoria, Rome
Santa Maria della Vittoria ( en, Saint Mary of Victory, la, S. Mariae de Victoria) is a Catholic titular church and basilica dedicated to the Virgin Mary in Rome, Italy. The church is known for the masterpiece of Gian Lorenzo Bernini in the Cornaro Chapel, the '' Ecstasy of Saint Teresa''. The church is in the Rione Sallustiano, on number 98 via XX Settembre, where this street intersects with Largo Santa Susanna. It stands to the side of the Fontana dell'Acqua Felice. The church mirrors the Church of Santa Susanna across the Largo. It is about two blocks northwest of the Piazza della Repubblica and Teatro dell'Opera metro stop. History The land for the church was purchased on April 20, 1607, and built from 1608 to 1620, as a chapel dedicated to Saint Paul for the Discalced Carmelites. After the Catholic victory at the battle of White Mountain in 1620, which reversed the Reformation in Bohemia, the church was rededicated to the Virgin Mary. Turkish standards captured at the 168 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Paul V
Pope Paul V ( la, Paulus V; it, Paolo V) (17 September 1550 – 28 January 1621), born Camillo Borghese, was head of the Catholic Church and ruler of the Papal States from 16 May 1605 to his death in January 1621. In 1611, he honored Galileo Galilei as a member of the Papal Accademia dei Lincei and supported his discoveries. In 1616, Pope Paul V instructed Cardinal Bellarmine to inform Galileo that the Copernican theory could not be taught as fact, but Bellarmine's certificate allowed Galileo to continue his studies in search for evidence and use the geocentric model as a theoretical device. That same year Paul V assured Galileo that he was safe from persecution so long as he, the Pope, should live. Bellarmine's certificate was used by Galileo for his defense at the trial of 1633. Early life Camillo Borghese was born in Rome on 17 September 1550 into the Borghese family of Siena which had recently established itself in Rome. He was the eldest son of seven sons of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
