Carioca (1933 Song)
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Carioca (1933 Song)
"The Carioca" is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film ''Flying Down to Rio''. The number was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance introducing it. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco. The word "Carioca" refers to inhabitants of Rio de Janeiro. Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, " The Con ...
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Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, ...
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The Gay Divorcee
''The Gay Divorcee'' is a 1934 American musical film directed by Mark Sandrich and starring Fred Astaire and Ginger Rogers. It also features Alice Brady, Edward Everett Horton, Eric Blore, and Erik Rhodes (actor, born 1906), Erik Rhodes. The screenplay was written by George Marion Jr., Dorothy Yost, and Edward Kaufman. Robert Benchley, H. W. Hanemann, and Stanley Rauh made uncredited contributions to the dialogue. It was based on the Broadway theatre, Broadway musical play, musical ''Gay Divorce'', written by Dwight Taylor (writer), Dwight Taylor, which had been adapted into a musical by Kenneth S. Webb and Samuel Hoffenstein from an unproduced play by J. Hartley Manners. The stage version included many songs by Cole Porter which were left out of the film, except for "Night and Day (song), Night and Day". Though most of the songs were replaced, the screenplay kept the original plot of the stage version. Three members of the play's original cast repeated their stage roles: Astair ...
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Oscar Peterson Plays Vincent Youmans (album)
Oscar, OSCAR, or The Oscar may refer to: People * Oscar (given name), an Irish- and English-language name also used in other languages; the article includes the names Oskar, Oskari, Oszkár, Óscar, and other forms. * Oscar (Irish mythology), legendary figure, son of Oisín and grandson of Finn mac Cumhall Places * Oscar, Kentucky, an unincorporated community * Oscar, Louisiana, an unincorporated community * Oscar, Missouri, an unincorporated community * Oscar, Oklahoma, an unincorporated community * Oscar, Pennsylvania, an unincorporated community * Oscar, Texas, an unincorporated community * Oscar, West Virginia, an unincorporated community * Lake Oscar (other) * Oscar Township, Otter Tail County, Minnesota, a civil township Animals * Oscar (bionic cat), a cat that had implants after losing both hind paws * Oscar (bull), #16, (d. 1983) a ProRodeo Hall of Fame bucking bull * Oscar (fish), ''Astronotus ocellatus'' * Oscar (therapy cat), cat purported to predi ...
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Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing". Biography Early years Peterson was born in Montreal, Quebec, to immigrants from the West Indies (Saint Kitts and Nevis and the British Virgin Islands); His mother, Kathleen, was a domestic worker and his father, Daniel, worked as a porter for Canadian Pacific Railway and was an amateur musician who taught himself to play the organ, trumpet and piano. Peterson grew up in the neighbourh ...
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The Astaire Story
''The Astaire Story'' is a 1952 album by Fred Astaire. The album was conceived of and produced by Norman Granz, the founder of Clef Records (and later Verve Records), who was also responsible for the Jazz at the Philharmonic concerts, at which all of the musicians on the album had performed. Content and reception The album's song selection provides an overview of Astaire's singing career although Astaire also demonstrates his tap dancing on three tracks and there is one informal instrumental Jam session. Some later LP and CD re-issues add two versions of Oscar Peterson's instrumental "The Astaire Blues." Oscar Peterson spoke warmly of the sessions that produced ''The Astaire Story'' in his autobiography, noting that vocally, Astaire was naturally attuned to jazz phrasing, and that Astaire enjoyed playing the drums at home. Astaire gave each of the musicians on the album a gold identification bracelet, inscribed "With thanks, Fred A". Ray Brown lost his bracelet, Alvin Stoll ...
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The Andrews Sisters
The Andrews Sisters were an American close harmony singing group of the Swing music, swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967), soprano Maxene Anglyn Andrews (January 3, 1916 – October 21, 1995), and mezzo-soprano Patricia "Patty" Marie Andrews (February 16, 1918 – January 30, 2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bistu Shein, Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka (Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso music, calypso. The Andrews Sisters' harmonies and songs a ...
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Chico O'Farrill
Arturo "Chico" O'Farrill (October 28, 1921 – June 27, 2001) was a Cuban composer, arranger, and conductor, best known for his work in the Latin idiom, specifically Afro-Cuban jazz or "Cubop", although he also composed traditional jazz pieces and even symphonic works. Born to an Irish father and a German mother, he played the trumpet early in his career. He composed works for Machito (''Afro-Cuban suite'' with Charlie Parker, 1950) and Benny Goodman's Bebop Orchestra ("Undercurrent Blues"), and arranged for Dizzy Gillespie and Stan Kenton, among others. In the 1990s, O'Farrill led a big band that took up residence at New York's Birdland nightclub. Chico's son, pianist Arturo O'Farrill, eventually took over the band. Biography O'Farrill was born in Havana, Cuba. He was raised to follow family tradition and enter into law practice,
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Artie Shaw And His Orchestra
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond ...
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Max Steiner
Maximilian Raoul Steiner (May 10, 1888 – December 28, 1971) was an Austrian composer and conductor who emigrated to America and went on to become one of Hollywood's greatest musical composers. Steiner was a child prodigy who conducted his first operetta when he was twelve and became a full-time professional, proficient at composing, arranging, and conducting, by the time he was fifteen. Threatened with internment in Germany during World War I, he fled to England, then Broadway, and in 1929, he moved to Hollywood, where he became one of the first composers to write music scores for films. He is often referred to as "the father of film music", as Steiner played a major part in creating the tradition of writing music for films, along with composers Dimitri Tiomkin, Franz Waxman, Erich Wolfgang Korngold, Alfred Newman, Bernard Herrmann, and Miklós Rózsa. Steiner composed over 300 film scores with RKO Pictures and Warner Bros., and was nominated for 24 Academy Awards, win ...
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La Cité De La Peur
( "The City of Fear"), also known as ("The Les Nuls Movie"), is a 1994 French comedy film written by and starring Chantal Lauby, Alain Chabat and Dominique Farrugia of the comedy group Les Nuls, and directed by Alain Berbérian in 1994. The movie parodies big budget American films (''Basic Instinct'', '' Pretty Woman'' and '' The Terminator'', among others, are directly spoofed) and relies heavily on puns and word play, which makes it somewhat inaccessible for non native French speakers. Synopsis Odile Deray ( Lauby) is the publicist for the slasher movie ''Red is Dead'', which features a serial killer whose weapons of choice are the hammer and sickle. She is invited to the Cannes film festival, where she is faced with the unanimous opinion that the movie is extremely bad. However, ''Red is Dead'' soon attracts the public attention when its projectionist is murdered by what seems to be a copycat of the movie's killer. Ecstatic, Odile brings the movie's intellectually disable ...
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Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song, ...
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Foxtrot (dance)
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ...
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