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Cardiff Crown Court
Cardiff Crown Court ( cy, Llys y Goron Caerdydd) is a historic building situated in Cathays Park, Cardiff, Wales. The building is a Grade I listed building. As a Crown Court venue it is part of the Wales Circuit of Her Majesty's Courts Service. The court house has nine courtrooms in addition to one "virtual" courtroom. The senior judge at the court is Judge Tracey Lloyd-Clarke, the Recorder of Cardiff. History Cathays Park was purchased in 1898 by the Borough of Cardiff from the 3rd Marquess of Bute for £160,000 and developed into the Cardiff Civic Centre by William Harpur, a council engineer. A competition for the law courts and the nearby town hall took place in 1897, and it was won by Lanchester, Stewart and Rickards. Building work commenced in 1901 and the external structure was complete by 1904. The building was opened by the 3rd Marquess of Bute in October 1906. Courts 1 and 2, formerly Crown Court (north) and Nisi Prius Court (south) were added to between 1966 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A470 Road
The A470 (also named the Cardiff to Glan Conwy Trunk Road) is a trunk road in Wales. It is the country's longest road at and links the capital Cardiff on the south coast to Llandudno on the north coast. While previously one had to navigate the narrow roads of Llanidloes and Dolgellau, both these market towns are now bypassed due to extensive road modernisation. The from Cardiff Bay to Merthyr Tydfil are mainly dual carriageway, but most of the route from north of Merthyr to Llandudno is single carriageway. Route National parks The road travels through two of the national parks of Wales: the Brecon Beacons, and Snowdonia National Park starting just south of Dinas Mawddwy. Cardiff Bay – Merthyr Tydfil The southernmost point of the route is in Cardiff Bay, outside the Wales Millennium Centre. It runs up Lloyd George Avenue (this was previously Collingdon Road, and the A470 previously ran along the parallel Bute Street), and continues along St. Mary Street in central Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Vaughan Lanchester
Henry Vaughan Lanchester (9 August 1863 – 16 January 1953) was a British architect working in London. He served as editor of ''The Builder'', was a co-founder of the Town Planning Institute and a recipient of the Royal Gold Medal. Biography Lanchester was born in St John's Wood, London. His father, Henry Jones Lanchester (1816–1890), was an established architect, and his younger brother, Frederick W. Lanchester (1868–1946), was to become an engineer. He was articled to his father, but also worked in the offices of London architects F.J. Eadle, T.W. Cutler and George Sherrin from 1884 to 1894. He studied at the Royal Academy in 1886, won the Aldwinckle Prize and, in 1889, the Owen Jones Studentship. His first architectural work was Kingswood House, Sydenham, in 1892, and he established his own practice in 1894. His first fully independent work in 1896 were offices in Old Street, for Messrs Bovril Ltd. He formed a partnership in 1896 with James A. Stewart (1865 or 6-1908) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Raphael Montford
__NOTOC__ Paul Raphael Montford (1 November 1868 – 15 January 1938) was an English-born sculptor, also active in Australia; winner of the gold medal of the Royal Society of British Sculptors in 1934.Jenny Zimmer,Montford, Paul Raphael (1868–1938), '' Australian Dictionary of Biography'', Volume 10, MUP, 1986, p. 557. Retrieved 2009-10-12 Early life Montford was born in Kentish Town, London, the son of Horace Montford, a sculptor, and his wife Sarah Elizabeth, ''née'' Lewis. Horace Montford won a gold medal at the Royal Academy Schools in 1869. Paul learned modelling from his father and later studied at the Royal Academy Schools and was considered a brilliant student. Montford won the gold medal and travelling scholarship for sculpture in 1891 and for many years after was a frequent exhibitor at the Royal Academy exhibitions. Among his larger works in Great Britain are: four groups on the Kelvin Way Bridge, Kelvingrove Park, Glasgow; groups for the City Hall, Cardiff; a sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cant (architecture)
A cant in architecture is an angled (oblique-angled) line or surface that cuts off a corner. Something with a cant is ''canted''. Canted facades are a typical of, but not exclusive to, Baroque architecture. The angle breaking the facade is less than a right angle, thus enabling a canted facade to be viewed as, and remain, one composition. Bay windows frequently have canted sides. A cant is sometimes synonymous with ''chamfer A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, fu ...'' and '' bevel''. References Architectural elements Building engineering {{Architecturalelement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Garnier (architect)
Jean-Louis Charles Garnier (; 6 November 1825 – 3 August 1898) was a French architect, perhaps best known as the architect of the Palais Garnier and the Opéra de Monte-Carlo. Early life Charles Garnier was born Jean-Louis Charles Garnier on 6 November 1825 in Paris, on the Rue Mouffetard, in the present-day 5th arrondissement. His father, Jean" André Garnier, 1796–1865, who was originally from Sarthe, a department of the French region of Pays de la Loire, had worked as a blacksmith, wheelwright, and coachbuilder before settling down in Paris to work in a horse-drawn carriage rental business. He married Felicia Colle, daughter of a captain in the French Army. Later in life Garnier would all but ignore the fact that he was born of humble origins, preferring to claim Sarthe as his birthplace. Education Garnier became an apprentice of Louis-Hippolyte Lebas, and after that a full-time student of the École royale des Beaux-Arts de Paris, beginning during 1842. He obtained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Wren
Sir Christopher Wren PRS FRS (; – ) was one of the most highly acclaimed English architects in history, as well as an anatomist, astronomer, geometer, and mathematician-physicist. He was accorded responsibility for rebuilding 52 churches in the City of London after the Great Fire in 1666, including what is regarded as his masterpiece, St Paul's Cathedral, on Ludgate Hill, completed in 1710. The principal creative responsibility for a number of the churches is now more commonly attributed to others in his office, especially Nicholas Hawksmoor. Other notable buildings by Wren include the Royal Hospital Chelsea, the Old Royal Naval College, Greenwich, and the south front of Hampton Court Palace. Educated in Latin and Aristotelian physics at the University of Oxford, Wren was a founder of the Royal Society and served as its president from 1680 to 1682. His scientific work was highly regarded by Isaac Newton and Blaise Pascal. Life and works Wren was born in East Knoyl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonnette
A colonnette is a small slender column, usually decorative, which supports a beam or lintel. Colonettes have also been used to refer to a feature of furnishings such as a dressing table and case clock, and even studied by archeologists in Roman ceramics. Architectural colonnettes are typically found in "a group in a parapet, balustrade, or cluster pier". The term columnette has also been used to refer to thin columns. In Khmer art, the colonnette designates in particular the columns which frame the doors of the sanctuaries and which are one of the dating elements of their style. Summits of complexity were attained in the development of the Khmer colonnette, according to Philippe Stern: Etymology The -''ette'' suffix, from French language, is a diminutive, which can also have a condescending connotation: in our case, it shifts the meaning from column to small column or fake columns. In the field of Angkorian archeology, Edme Casimir de Croizier was the first to use the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quoin
Quoins ( or ) are masonry blocks at the corner of a wall. Some are structural, providing strength for a wall made with inferior stone or rubble, while others merely add aesthetic detail to a corner. According to one 19th century encyclopedia, these imply strength, permanence, and expense, all reinforcing the onlooker's sense of a structure's presence. Stone quoins are used on stone or brick buildings. Brick quoins may appear on brick buildings, extending from the facing brickwork in such a way as to give the appearance of generally uniformly cut ashlar blocks of stone larger than the bricks. Where quoins are decorative and non-load-bearing a wider variety of materials is used, including timber, stucco, or other cement render. Techniques Ashlar blocks In a traditional, often decorative use, large rectangular ashlar stone blocks or replicas are laid horizontally at the corners. This results in an alternate, quoining pattern. Alternate cornerstones Courses of large and small c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia" Lexic.us. Retrieved on 2014-10-24. An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian |
