Caracas Cathedral
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Caracas Cathedral
The Caracas Cathedral or Metropolitan Cathedral of Saint Anne is the seat of the Roman Catholic Metropolitan archdiocese of Caracas, located on the Plaza Bolívar in Caracas, Venezuela. Its chapel of the Holy Trinity is the burial site of the parents and wife of Simón Bolívar. The ''Nuestra Senora de Venezuela y Santa Ana'' is a square (cuadra) situated between the cathedral and the central plaza, which is walled on three sides, but open to the east where it faces the cathedral. History The church originally built at this location in the mid-17th century was a mud-walled chapel and dedicated to St. James (Santiago). It was destroyed during the earthquake of 1641. The building has undergone rebuilding, restoration, or expansion on numerous occasions since. The first construction of the cathedral replacing the small church commenced in 1666 under Juan de Medina, and a bell tower was added. Construction was completed in 1674. The façade, dating from 1771, is the work of Francis ...
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Caracas
Caracas (, ), officially Santiago de León de Caracas, abbreviated as CCS, is the capital and largest city of Venezuela, and the center of the Metropolitan Region of Caracas (or Greater Caracas). Caracas is located along the Guaire River in the northern part of the country, within the Caracas Valley of the Venezuelan coastal mountain range (Cordillera de la Costa). The valley is close to the Caribbean Sea, separated from the coast by a steep 2,200-meter-high (7,200 ft) mountain range, Cerro El Ávila; to the south there are more hills and mountains. The Metropolitan Region of Caracas has an estimated population of almost 5 million inhabitants. The center of the city is still ''Catedral'', located near Bolívar Square, though some consider the center to be Plaza Venezuela, located in the Los Caobos area. Businesses in the city include service companies, banks, and malls. Caracas has a largely service-based economy, apart from some industrial activity in its metropolitan ar ...
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Divine Retribution
Divine retribution is supernatural punishment of a person, a group of people, or everyone by a deity in response to some action. Many cultures have a story about how a deity exacted punishment upon previous inhabitants of their land, causing their doom. An example of divine retribution is the story found in many cultures about a great flood destroying all of humanity, as described in the Epic of Gilgamesh, the Hindu Vedas, or Book of Genesis (6:9–8:22), leaving one principal 'chosen' survivor. In the first example, it is Utnapishtim, and in the last example Noah. References in the New Testament and the Quran to a man named Nuh (Noah) who was commanded by God to build an ark also suggest that one man and his followers were saved in a great flood. Other examples in Hebrew religious literature include the dispersion of the builders of the Tower of Babel (Genesis 11:1–9), the destruction of Sodom and Gomorrah (Genesis 18:20–21, 19:23–28) ( Quran 7:80–84), and the Ten Plag ...
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Presbytery (architecture)
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ...
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Round Arch
An arch is a vertical curved structure that Span (architecture), spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with Vault (architecture), vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were Roman Architectural Revolution, the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Column
A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term ''column'' applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a ''post''. Supports with a rectangular or other non-round section are usually called ''piers''. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces. Other compression members are often termed "columns" because of the similar stress conditions. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative featur ...
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Octagon
In geometry, an octagon (from the Greek ὀκτάγωνον ''oktágōnon'', "eight angles") is an eight-sided polygon or 8-gon. A '' regular octagon'' has Schläfli symbol and can also be constructed as a quasiregular truncated square, t, which alternates two types of edges. A truncated octagon, t is a hexadecagon, . A 3D analog of the octagon can be the rhombicuboctahedron with the triangular faces on it like the replaced edges, if one considers the octagon to be a truncated square. Properties of the general octagon The sum of all the internal angles of any octagon is 1080°. As with all polygons, the external angles total 360°. If squares are constructed all internally or all externally on the sides of an octagon, then the midpoints of the segments connecting the centers of opposite squares form a quadrilateral that is both equidiagonal and orthodiagonal (that is, whose diagonals are equal in length and at right angles to each other).Dao Thanh Oai (2015), "Equilatera ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Catedral De Caracas Imagen De La Virgen De Coromoto
Catedral may refer to: * Catedral (Buenos Aires Underground), a station * Catedral (district), a district of the San José canton, in the San José province of Costa Rica * Cerro Catedral, a mountain and ski resort in Argentina * Cerro Catedral (Uruguay) : ''For the mountain in Argentina, see Cerro Catedral.'' Cerro Catedral ("Cathedral Hill"), also known as Cerro Cordillera, is a peak and the highest point of Uruguay, with an altitude of . It is located north of Maldonado Department, in the mun ..., the highest peak in Uruguay See also * Cathedral (other) {{dab ...
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Juan Bautista Plaza
Juan Bautista Plaza Alfonso ( Caracas, Venezuela June 19, 1898 – 1965) was a classical composer. He began studies in medicine at the Central University of Venezuela but, with time, left in order to dedicate himself to music. His first teacher was Jesus Maria Suárez. He studied in Rome from 1920 and 1923 and obtained the title of professor of ''sagrada'' (sacred) composition. After his return to Venezuela he was named Master of Chapel at Caracas Cathedral and carried out this position until the year 1948. In the Caracas Superior Music School he taught music history and appreciation to composer Antonio Lauro and singer Morella Muñoz. Legacy The most important compositions of Juan Bautista Plaza were ''El picacho abrupto'', ''Poema Sinfónico'', ''Cantata de Navidad'', ''Las campanas de Pascua'', ''Las horas'', ''La fuente abandonada'', ''soprano y orquesta'', ''Poema lírico Vigilia'', , , and . He also wrote notable religious music (e.g., ''Misa en fa'', , ) and music ...
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