|
Captive Heart (song)
"Captive Heart" is a song by American Tejano pop singer Selena. It was the second promotional single released from '' Dreaming of You'' (1995), behind "God's Child (Baila Conmigo)". It was written by Mark Goldenberg and Kit Hain, and was produced by Guy Roche. Recording sessions took place at Selena's father, Abraham Quintanilla Jr.'s recording studio Q-Productions and at several other locations. The song was given mixed reviews by music critics. "Captive Heart" is an electropop song performed in a rhythmical pop groove. Production and composition "Captive Heart" was recorded at Bananaboat Studios in Burbank, California, Burbank, California in January 1995, Q-Productions in Corpus Christi, Texas, Corpus Christi, Texas and at Conway Studios in North Hollywood, California, North Hollywood. It was written by Mark Goldenberg and Kit Hain, and was produced by Guy Roche. It was audio mixing (recorded music), mixed by Mick Guzauski, Nathaniel "Mick" Guzuaski, engineered by Mario Lucy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promotional Recording
A promotional recording, or promo, or plug copy, is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and music television, television stations, and to tastemakers, such as DJs, music journalism, music journalists, and music criticism, critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release. Promos are often distributed in plain packaging, without the text or artwork that appears on the commercial version. Typically a promo is marked with some variation of the following text: "Licensed for promotional use only. Sale is prohibited." It may also state that the promo is still the property of the distributor and is to be "returned upon demand." However, it is not illegal to sell promotional re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mick Guzauski
Nathan "Mick" Guzauski is an American multi-platinum mixing engineer and sound engineer. His work spans a wide range of styles, including jazz, R&B, Latin, rock, pop, easy listening, funk and hip hop. He won a 2002 Latin Grammy for Thalía's "Arrasando", four 2004 Latin Grammys for Alejandro Sanz's " No Es Lo Mismo" (including Best Engineered Album), and the 2006 Grammy Award for Best Engineered Album, Non-Classical, for Eric Clapton's " Back Home." As of 2001, he had mixed 27 # 1 singles. He also won multiple awards for the engineering and mixing of the Daft Punk album Random Access Memories. Biography While living in Rochester, New York, Guzauski began his engineer career during the 1960s. In the 1970s, Guzauski was hired by Chuck Mangione. Throughout the 1980s, he primarily worked at Conway Studios. He remained in California before going to Sony Music Studios during the mid 1990s. In 2001, Guzauski worked with Michael Jackson to create 5.1-channel surround sound remixes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibe (magazine)
''Vibe'' is an American music and entertainment magazine founded by producers David Salzman and Quincy Jones. The publication predominantly features R&B and hip hop music artists, actors and other entertainers. After shutting down production in the summer of 2009, it was purchased by the private equity investment fund InterMedia Partners, then issued bi-monthly with double covers and a larger online presence. The magazine's target demographic is predominantly young, urban followers of hip hop culture. In 2014, the magazine discontinued its print version. The magazine features a broader range of interests than its closest competitors ''The Source'' and '' XXL'', which focus more narrowly on rap music, or the rock and pop-centric ''Rolling Stone'' and '' Spin''. Publication history Quincy Jones launched ''Vibe'' in 1993, in partnership with Time Inc. Originally, the publication was called ''Volume'' before co-founding editor, Scott Poulson-Bryant named it ''Vibe''. Though hip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMI Music Publishing
EMI Music Publishing Ltd. is a British multinational music publishing company headquartered in London, owned by parent company Sony Corporation of America. In May 2018, Sony Music Publishing agreed to increase its stake in EMI to 90%, pending regulatory approval. Sony has agreed to pay $2.3 billion to acquire EMI, as well as assume EMI's debt of $1.359 billion. In July 2018, Sony bought out the Michael Jackson estate's 10% stake in EMI for $287.5 million. With Sony and Jackson's share valued at $1.091 billion that gives EMI Music Publishing a valuation of $4.75 billion. On 26 October 2018, the European Commission approved of Sony's acquisition of EMI. In November 2018, Sony Music Publishing completed its acquisition of EMI, which was completely merged into Sony Music Publishing. Following these transactions, Sony owned 100% of EMI Music Publishing. EMI currently exists for the artists that it signed pre-2012, effectively becoming an in-name-only unit of Sony Music Publishing. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Global Media
Prometheus Global Media was a New York City-based B2B media company. The company was formed in December 2009, when Nielsen Company sold its entertainment and media division to a private equity-backed group led by Pluribus Capital Management and Guggenheim Partners. Guggenheim acquired Pluribus's stake in the company in January 2013, giving it full ownership under the division of Guggenheim Digital Media. The company owned and operated a number of major entertainment industry trade publications and their associated digital properties, including ''Adweek'', '' Backstage'', '' Billboard'', ''Film Journal International'', and ''The Hollywood Reporter''. On December 17, 2015, it was announced that Guggenheim would spin out its media properties to a group led by former executive Todd Boehly, known as Eldridge Industries. History Founding On December 10, 2009, the Nielsen Company announced that it would sell its Business Media division, which included brands such as ''Adweek'', ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
