Caoutchouc (Picabia)
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Caoutchouc (Picabia)
''Caoutchouc'' (English: ''Rubber'') is a painting created circa 1909 by the French artist Francis Picabia. At the crossroads of Cubism and Fauvism, ''Caoutchouc'' is considered one of the first abstract works in Western painting. The painting is in the collection of Centre Pompidou, Musée National d'Art Moderne, in Paris. Background ''Caoutchouc'' is a watercolor, gouache and India ink on cardboard with dimensions 45.7 × 61.5 cm (18 by 24.2 inches). The work is signed ''Picabia'' lower left, but is undated. For this, much speculation remains about its actual date. Art historian Virginia Spate writes: "''Caoutchouc'' is so different from Picabia's other works of this period that on merely stylistic grounds I would date it to 1913 .. However, the Centre Pompidou, Musée national d'art moderne dates the painting circa 1909. Speculation remains, too, about its degree of abstraction. Critics have claimed that imagery is present in the form of circular structures clustered on ...
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Francis Picabia
Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly Abstract art, abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Biography Early life Francis Picabia was born in Paris of a French mother and a Cuban father of Spanish descent. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia (Spain), Galicia. His birth year of 1879 coincided with the Spanish-Cuban Little War (Cuba), Little War; and though Picabia was born in Paris, his father was involved in Cuba ...
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Léopold Survage
Léopold Frédéric Léopoldowitsch Survage (31 July 1879 – 31 October 1968) was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes. Nationality Survage was French, of Russian-Denmark, Danish-Finland, Finnish descent, born in Lappeenranta, Finland (with selected references indicating a birthplace of Moscow, Russia). Variant names included Léopold Sturzwage, Leopold Sturwage, Leopoldij Sturzwasgh and Leopoldij Lvovich Sturzwage. Biography At a young age, Survage was directed to enter the piano factory operated by his Finnish father. He learned to play piano, then completed a commercial diploma in 1897. After a severe illness at the age of 22, Survage rethought his career and entered the Moscow School of Painting, Sculpture and Architecture. Introduce ...
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Orphism (art)
Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul. This movement, perceived as key in the transition from Cubism to Abstract art, was pioneered by František Kupka, Robert Delaunay and Sonia Delaunay, who relaunched the use of color during the monochromatic phase of Cubism. The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague. History The Orphists were rooted in Cubism but tended towards a pure lyrical abstraction. They saw art as the unification of sensation and color. More concerned with sensation, they began with recognizable subjects, depicted with abstract structures. Orphism aimed to vacate recognizable subject matter by concentrating exclusively on ''form'' and ''color''. The movement also ...
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The Spring
''The Spring'' (or ''La Source'') is a large oil painting created in 1912 by the French artist Francis Picabia. The work, both Cubist and abstract, was exhibited in Paris at the Salon d'Automne of 1912. The Cubist contribution to the 1912 Salon d'Automne created a controversy in the Municipal Council of Paris, leading to a debate in the Chambre des Députés about the use of public funds to provide the venue for such 'barbaric' art. The Cubists were defended by the Socialist deputy, Marcel Sembat.Béatrice Joyeux-Prunel, ''Histoire & Mesure'', no. XXII -1 (2007), Guerre et statistiques, ''L'art de la mesure, Le Salon d'Automne (1903-1914), l'av ...
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Proto-Cubism
Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and conditions, rather than from one isolated static event, trajectory, artist or discourse. With its roots stemming from at least the late 19th century, this period is characterized by a move towards the radical geometrization of form and a reduction or limitation of the color palette (in comparison with Fauvism). It is essentially the first experimental and exploratory phase of an art movement that would become altogether more extreme, known from the spring of 1911 as Cubism. Proto-Cubist artworks typically depict objects in geometric schemas of cubic or conic shapes. The illusion of classical Perspective (graphical), perspective is progressively st ...
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Philip Pearlstein
Philip Martin Pearlstein (May 24, 1924 – December 17, 2022) was an American painter best known for Modernist Realist nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. Biography Pearlstein was born on May 24, 1924, in Pittsburgh, Pennsylvania, to David and Libby Kalser Pearlstein. During the Great Depression, his parents sold chickens and eggs to support the family. As a child his parents supported his interest in art, sending him to Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in ''Life'' magazine. He graduated from Taylor Allderdice High School in 1942. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafte ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and al ...
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Théâtre Antoine-Simone Berriau
Théâtre Antoine-Simone Berriau is a theater located at 14 boulevard de Strasbourg in the 10th arrondissement of Paris. The 800-seat Italian Style theater was built in the year 1866. It functioned under a variety of names through the years, opening as Theatre des Menus-Plaisirs (1866–1874, 1877–1879, 1882–1888), then Théâtre des Arts (1874–1876, 1879–1881), Opéra-Bouffe (1876–1877), and the Comédie-Parisienne (1881). Théâtre-Libre (1888-1897) and Théâtre-Antoine (1897-1906) In 1888 it became the venue for the Théâtre Libre company of André Antoine. Although short-lived, lasting only eight years, the theater's pioneering naturalism proved extremely influential. Antoine departed in 1894 under financial pressure, the enterprise closed in 1896, but Antoine returned the following year to the renamed Théâtre AntoineAnne I. Miller, The Independent Theatre in Europe, 1887 to the Present', page 40. with a more deliberately provocative program that lasted unt ...
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Guillaume Apollinaire
Guillaume Apollinaire) of the Wąż coat of arms. (; 26 August 1880 – 9 November 1918) was a French poet, playwright, short story writer, novelist, and art critic of Polish descent. Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement, the term Orphism in 1912, and the term "Surrealism" in 1917 to describe the works of Erik Satie. He wrote poems without punctuation attempting to be resolutely modern in both form and subject. Apollinaire wrote one of the earliest Surrealist literary works, the play '' The Breasts of Tiresias'' (1917), which became the basis for Francis Poulenc's 1947 opera ''Les mamelles de Tirésias''. Influenced by Symbolist poetry in his youth, he was admired during his lifetime by the young poets who later formed the nucleus of the Surrealist group ...
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Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ...
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Francis Picabia - Caoutchouc
Francis may refer to: People *Pope Francis, the head of the Catholic Church and sovereign of the Vatican City State and Bishop of Rome *Francis (given name), including a list of people and fictional characters *Francis (surname) Places *Rural Municipality of Francis No. 127, Saskatchewan, Canada *Francis, Saskatchewan, Canada **Francis (electoral district) *Francis, Nebraska *Francis Township, Holt County, Nebraska * Francis, Oklahoma *Francis, Utah Other uses * ''Francis'' (film), the first of a series of comedies featuring Francis the Talking Mule, voiced by Chill Wills *''Francis'', a 1983 play by Julian Mitchell *FRANCIS, a bibliographic database * ''Francis'' (1793), a colonial schooner in Australia *Francis turbine, a type of water turbine *Francis (band), a Sweden-based folk band * Francis, a character played by YouTuber Boogie2988 See also *Saint Francis (other) *Francies, a surname, including a list of people with the name *Francisco (other) *Franciscu ...
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Black Square (painting)
''Black Square'' (also known as ''The Black Square'' or ''Malevich's Black Square'') is an iconic painting by Kazimir Malevich. The first version was done in 1915. Malevich made four variants of which the last is thought to have been painted during the late 1920s or early 1930s. ''Black Square'' was first shown in The Last Futurist Exhibition 0,10 in 1915. The work is frequently invoked by critics, historians, curators, and artists as the "zero point of painting", referring to the painting's historical significance and paraphrasing Malevich. History The Black Square first appeared as part of a design for a stage curtain in the 1913 Russian Futurist/Cubo-Futurist opera '' Victory over the Sun'' by Velimir Khlebnikov, Aleksei Kruchyonykh, and Mikhail Matyushin, for whom he did the costume and stage designs. Malevich painted his first ''Black Square'' in 1915. He made four variants, of which the last is thought to have been painted during the late 1920s or early 1930s, despite ...
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