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Cantacuzino Palace
Cantacuzino Palace is located on Calea Victoriei no. 141, Bucharest, Romania. It was built by architect Ion D. Berindey in the Beaux Arts style, having a few Rococo Revival rooms. Today it houses the George Enescu museum. History The palace was built in 1901–1902 for Gheorghe Grigore Cantacuzino, mayor of Bucharest and former prime-minister, after the plans of Ion D. Berindey, in the French Beaux Arts style. After his death, the building was inherited by his son Mihail G. Cantacuzino, who died prematurely in 1929. Mihail's wife Maria remarried in December 1939 with music composer George Enescu. On 10 August 1913, at the end of the Second Balkan War, the Treaty of Bucharest was signed here. The building – known as Cantacuzino Palace at the time – also hosted the Presidency of the Council of Ministers in the eve of World War II. After the death of George Enescu in 1955, his wife stated in her will that the palace would host a museum dedicated to the artist. In 1956, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucharest
Bucharest ( , ; ro, București ) is the capital and largest city of Romania, as well as its cultural, industrial, and financial centre. It is located in the southeast of the country, on the banks of the Dâmbovița River, less than north of the Danube River and the Bulgarian border. Bucharest was first mentioned in documents in 1459. The city became the capital of Romania in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum ( Bauhaus, Art Deco and Romanian Revival architecture), socialist era, and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nickname of 'Paris of the East' ( ro, Parisul Estului) or 'Little Paris' ( ro, Micul Paris). Although buildings and districts in the historic city centre were heavily damaged or destroyed by war, earthquakes, and even Nic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolae Vermont
Nicolae Vermont (October 10, 1866 – June 14, 1932) was a Romanian realist painter, graphic artist and muralist. He was noted for his wide range of subjects and his interest in social issues, and was an associate of the post-Impressionists Ştefan Luchian and Constantin Artachino, as well as a friend of the controversial art collector and political figure Alexandru Bogdan-Piteşti. Biography Born in Bacău, Vermont belonged to the Jewish community. Amelia Pavel"Pictura evreilor din România: interferenţe culturale" in ''Observator Cultural'', Nr. 29, September 2000 Late in his life, Vermont abandoned Judaism and converted to the Romanian Orthodox Church. He began his career in 1884, as a contributor to the journal ''Universul'',"Nicolae Vermont, 75 de ani de la moarte" in '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Bucharest
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Bucharest
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (art)
In architecture and decorative art, ornament is a decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festoon
A festoon (from French ''feston'', Italian ''festone'', from a Late Latin ''festo'', originally a festal garland, Latin ''festum'', feast) is a wreath or garland hanging from two points, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.Sturgis, pp. 22-23 In modern English the verb forms, especially "festooned with", are often used very loosely or figuratively to mean having any type of fancy decoration or covering. Origins and design Its origin is probably due to the representation in stone of the garlands of natural flowers, etc., which were hung up over an entrance doorway on fête days, or suspended around an altar. The design was largely employed both by the Ancient Greeks and Romans and formed the principal decoration of altars, friezes and panels. The ends of the ribbons are sometimes formed into b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chimneypiece
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling. ''Mantelpiece'' is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the ''chimneypiece'' was the most ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance has lessened. Where the fireplace continues up the wall with an elaborate construction, as in historic grand buildings, this is known as an overmantel.''OED'' first citation, 1882. Mirrors and paintings designed to be hung above a mantel shelf may be called "mantel mirror", "mantel painting" and so on. History Up to the twelfth century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belle Époque
The Belle Époque or La Belle Époque (; French for "Beautiful Epoch") is a period of French and European history, usually considered to begin around 1871–1880 and to end with the outbreak of World War I in 1914. Occurring during the era of the Third French Republic, it was a period characterised by optimism, regional peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations. In this era of France's cultural and artistic climate (particularly within Paris), the arts markedly flourished, and numerous masterpieces of literature, music, theatre, and visual art gained extensive recognition. The Belle Époque was so named in retrospect, when it began to be considered a continental European "Golden Age" in contrast to the horrors of the Napoleonic Wars and World War I. The Belle Époque was a period in which, according to historian R. R. Palmer: " European civilisation achieved its greatest power in global politics, and also ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolae Grigorescu
Nicolae Grigorescu (; 15 May 1838 – 21 July 1907) was one of the founders of modern Romanian painting. There is a metro station named after Grigorescu in Bucharest. It was given his name in 1990, before which it was named after Communist army general Leontin Sălăjan. Romanian currency features Grigorescu on the 10 Lei bank note. Biography He was born in Pitaru, Dâmbovița County, Wallachia now called Romania. In 1843 his family moved to Bucharest. At a young age (between 1846 and 1850), he became an apprentice at the workshop of the Czech painter Anton Chladek and created icons for the church of Băicoi and the . In 1856 he created the historical composition ''Mihai scăpând stindardul'' (''Michael the Brave saving the flag''), which he presented to the Wallachian Prince Barbu Ştirbei, together with a petition asking for financial aid for his studies. Between 1856 and 1857, he painted the church of the Zamfira monastery, Prahova County, and in 1861 the church of the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medallion (architecture)
A medallion is a round or oval ornament See definition 2. (typically made of bronze but also made of stucco) that contains a sculptural or pictorial decoration on a façade, an interior, a monument, or a piece of furniture or equipment. In the United Kingdom in the 19th century, this was a popular form of decoration in neoclassical architecture. The frame and portrait were carved as one, in marble for interiors, and in stone for exterior walls. It is also the name of a scene that is inset into a larger stained glass window. Gallery Serie dei dodici dei in medaglioni, 300-310 dc ca. giove.jpg, Roman relief of Jupiter, part of a series of twelve gods in medallions, 300-310 AD Guadalupe (España) Real Monasterio Entrada 095.jpg, Gothic relief on the Monastery of Saint Mary of Guadalupe, Spain, unknown architect, unknown date Raisin-medaillon-3.jpg, Renaissance medallion on the Hôtel du Vieux-Raisin, Toulouse, France, unknown architect, 1515–1528 Niche with gilt sculpture in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costin Petrescu (painter)
Costin Petrescu (May 10, 1872 – October 15, 1954) was a Romanian painter. Born in Pitești, he moved to Bucharest in 1892, attending the Fine Arts School for three years. He executed the monumental fresco in the Romanian Athenaeum The Romanian Athenaeum ( ro, Ateneul Român) is a concert hall in the center of Bucharest, Romania, and a landmark of the Romanian capital city. Opened in 1888, the ornate, domed, circular building is the city's most prestigious concert hall an ... between 1934 and 1939. Virgiliu Z. Teodorescu"În București, pe urmele unui creator de frumos - artistul plastic Costin Petrescu", in ''Revista Muzeelor'', 1/2005, p.89-91; accessed June 16, 2013 Notes 1872 births 1954 deaths People from Pitești 20th-century Romanian painters {{Romania-painter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
